本文選題：木偶劇藝術(shù)　切入點(diǎn)：舞臺(tái)美術(shù)　出處：《戲劇(中央戲劇學(xué)院學(xué)報(bào))》2016年02期 　論文類型：期刊論文

【摘要】：文章圍繞人偶劇的舞美創(chuàng)作,淺析了木偶劇藝術(shù)創(chuàng)造的整體性概念。舞臺(tái)美術(shù)創(chuàng)作是一個(gè)整體的設(shè)計(jì),它包含了舞臺(tái)繪景、舞臺(tái)燈光、舞臺(tái)人物造型等。在人偶劇中,偶、人、景是一體的,因而舞臺(tái)美術(shù)設(shè)計(jì)的整體性即顯得尤為重要。
[Abstract]:This article focuses on the creation of the dance beauty of the puppet drama, and analyzes the holistic concept of the artistic creation of the puppet show. The stage art creation is a whole design, which includes the stage scene, the stage lighting, the stage character modeling, etc. In the puppet drama, I, the person, etc. The scene is an integral whole, so the integrity of the stage art design is particularly important.
【作者單位】： 中央戲劇學(xué)院舞臺(tái)美術(shù)系;
【分類號(hào)】：J827
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本文編號(hào)：1600157