本文選題：戲曲音韻　切入點：曲界　出處：《上海戲劇》2016年12期 　論文類型：期刊論文

【摘要】：正音韻是曲唱的基本要素之一,歷來受曲界同仁重視,有所宗而有傳承、有大同又有差異、有共論也有分歧。昆曲音韻是一種戲曲音韻戲曲音韻有別于日常生活用語音韻,且劇種不同音韻截然不同。其有三種具象源:一是語音源時代遺存,即一種戲曲在發(fā)育、成熟過程所經(jīng)歷年代的語音;二是流行區(qū)域音系,即一種戲曲傳播扎根所在地域的語音系統(tǒng);三是藝術(shù)夸大性,即戲曲音韻服務(wù)于歌唱與韻白,實際使用比日常用語更具音樂技術(shù)要求。昆曲有自身的音韻系統(tǒng),韻目
[Abstract]:Positive phonology is one of the basic elements of music and singing. It has always been attached importance to by my colleagues in the qu circles, and has been inherited, there are differences, there are common views, and there are differences in the common view. Kunqu Opera phonology is a kind of opera phonological rhyme, which is different from everyday life terms. There are three kinds of phonetic sources: one is the phonetic source, the other is the phonology of the age in which the opera is developing and maturing, and the other is the phonology of the popular region. That is, a kind of phonetic system in which opera communication takes root in the region; third, artistic exaggeration, that is, opera phonology serves singing and rhyme white, and the actual use of opera has more musical technical requirements than ordinary language. Kunqu Opera has its own phonological system and rhyme category.
【分類號】：J617.5

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本文編號：1600128