本文關鍵詞： 想象 創(chuàng)造性想象力 內(nèi)在戲劇性 麥克爾·契訶夫 夢幻寫實主義 氣氛 想象中心 即興表演　出處：《上海戲劇學院》2010年碩士論文　論文類型：學位論文

【摘要】： 本文從創(chuàng)造性想象力對于表演的重要性入手,通過對于斯坦尼體系發(fā)展脈絡的簡單梳理,分析斯坦尼對想象力的重視及其對于演員想象力的培養(yǎng)。在肯定斯坦尼體系科學性的同時,客觀地分析其體系中由于時代的制約、本人認識的局限等原因而造成的限制。麥克爾·契訶夫的表演理論是對于斯坦尼體系的繼承和發(fā)揚,創(chuàng)造性想象力在其中占有重要的地位。麥克爾·契訶夫、斯特拉·阿德勒等理論大師創(chuàng)造了很多新的方法來培養(yǎng)、增強演員的創(chuàng)造性想象力。 筆者結(jié)合自己所學專業(yè)中的實踐與心得,以方法論的視角理解麥克爾·契訶夫所著《To The Actor》的核心論點,探求其在演員創(chuàng)造性想象力培養(yǎng)中所起的作用。以實踐反思法從表演教學的角度研究分析此種理論對于我國表演訓練方式的借鑒意義,為現(xiàn)代戲劇表演教學的良性發(fā)展以及在此背景下對演員提出的新的要求進行一定的理論總結(jié)。
[Abstract]:This paper starts with the importance of creative imagination to performance, and through a brief review of the development of Steinney's system, This paper analyzes Steeney's emphasis on imagination and the cultivation of actor's imagination. While affirming the scientific nature of Steeny's system, it objectively analyzes the limitations of the times in his system. Limitations I know, and other reasons. Michael Chekhov's theory of performance is the inheritance and development of the Stani system, in which creative imagination plays an important role. Great theorists like Straw Adler have created a lot of new ways to foster the creative imagination of actors. Combining the practice and experience of his major, the author understands the core arguments of Michael Chekhov's to The Actor from the perspective of methodology. To explore its role in the cultivation of the creative imagination of actors and actresses, to study and analyze the significance of this theory to the training methods of Chinese performances from the angle of performance teaching with the method of practical reflection. It is a theoretical summary for the benign development of modern theatrical performance teaching and the new requirements put forward by actors under this background.
【學位授予單位】：上海戲劇學院
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：J812

【引證文獻】

相關期刊論文 前1條

1 孫培良;;撥動情感琴弦,增強記憶效果[J];現(xiàn)代閱讀(教育版);2012年07期

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本文編號：1551345