本文關鍵詞： 戲班 戲曲社會學 闡釋體系　出處：《求索》2017年06期 　論文類型：期刊論文

【摘要】：傳統(tǒng)的戲曲學闡釋體系存在著"自我中心主義""唯美""唯善"之傾向,優(yōu)點是對文學藝術之美和價值論述充分,缺陷是不能夠體現(xiàn)出戲曲研究的社會文化史意義。選擇戲班為觀察對象,從其研究現(xiàn)狀出發(fā),與社會學的學術思想、理論、方法相結合,對新的中國戲曲學闡釋體系進行了探索。對戲曲學學術思想中占主導地位的"自我中心主義"、唯美論和唯善論進行解構,對求"真"求"實"的實證主義的學術思想進行建構;對戲曲學學術理論中一定程度上存在的"孤立""單維"的傾向進行解構,對"整體""系統(tǒng)"的學術理論進行建構;對戲曲學的研究內(nèi)容序列"類型"→"類別"→"系統(tǒng)",運用社會學類型比較、典型分析和系統(tǒng)分析的研究方法進行建構,以期能夠實現(xiàn)"戲曲→社會→文化→民族國家"之戲曲社會文化史研究目的。
[Abstract]:The traditional system of drama interpretation has the tendency of "self-centeredness", "beauty" and "goodness only", which has the advantage of fully discussing the beauty and value of literature and art. The defect is that it can not reflect the significance of social and cultural history of drama research. Select the opera troupe as the observation object, proceed from its research present situation, and combine with the academic thought, theory and method of sociology, This paper probes into the new system of interpretation of Chinese opera, deconstructs the dominant academic thought of drama, such as "egocentrism", "aestheticism" and "goodness theory", and constructs the positivist academic thought of seeking truth and reality. This paper deconstructs the tendency of "isolation" and "single dimension" existing in the academic theory of opera to some extent, constructs the academic theory of "whole" and "system", and sets up the "type" of the content sequence of the study of opera. 鈫扖ategory. 鈫，

本文編號：1545020