本文關鍵詞： 《劉三姐》 彩調(diào)劇 戲曲改革 歌劇創(chuàng)作　出處：《中央音樂學院》2012年碩士論文　論文類型：學位論文

【摘要】：歌舞劇《劉三姐》在我國歌舞劇的創(chuàng)作中獨樹一幟,它的出現(xiàn)使我國歌劇中的“歌舞劇”這一類型達到成熟。它經(jīng)歷了從彩調(diào)劇到歌舞劇的創(chuàng)編過程,歌舞劇《劉三姐》誕生后,引起了全國范圍的關注,之后又出現(xiàn)了在中國電影史上轟動一時的電影《劉三姐》,本世紀以來,張藝謀導演的大型山水實景演出《印象·劉三姐》已成為廣西的文化品牌和商業(yè)品牌。歌舞劇《劉三姐》是“劉三姐”創(chuàng)編以來第一部在全國范圍內(nèi)產(chǎn)生重大影響力的作品,本文將對歌舞劇《劉三姐》進行綜合研究,全文共分三章： 第一章,描述歌舞劇《劉三姐》的創(chuàng)作過程。概述從“劉三姐”傳說到彩調(diào)劇《劉三姐》“第三方案”,再到歌舞劇《劉三姐》的創(chuàng)作過程,以此來看歌舞劇《劉三姐》創(chuàng)作的時代背景以及當時的創(chuàng)作思想。 第二章,分析歌舞劇《劉三姐》音樂創(chuàng)作的總體特點,研究音樂在劇中如何塑造人物形象,特別是如何塑造中心人物劉三姐的形象。分析音樂在戲劇結(jié)構(gòu)各場的安排,論述民歌在全劇矛盾沖突的高潮所發(fā)揮的戲劇性作用,研究對唱、合唱在各個場次所起到的推動戲劇情節(jié)發(fā)展的作用。最后,對其音樂創(chuàng)作中山歌結(jié)合彩調(diào)的特點做以闡述。 第三章,首先分析歌舞劇《劉三姐》的歷史成因,第一,它是沿著黎錦暉開創(chuàng)的區(qū)別于我國傳統(tǒng)戲曲的新型歌舞劇道路進行創(chuàng)作的,第二,它受到我國廣西歌舞小戲彩調(diào)的直接影響。第三,歌舞劇《劉三姐》的產(chǎn)生與當時的戲曲改革以及新歌劇創(chuàng)作有著不可忽視的聯(lián)系。最后,對歌舞劇《劉三姐》的歷史地位做出總結(jié)和評價。
[Abstract]:Song and dance drama "Liu San Jie" is unique in the creation of Chinese opera, and its appearance has matured the type of "song and dance play" in Chinese opera. It has gone through the process of creation from color drama to song and dance play. After the birth of the song and dance drama "third Sister Liu", it attracted nationwide attention, and then appeared the movie "Liu San Sister", which was a hit in the history of Chinese cinema. Since the beginning of this century, The large-scale landscape performance directed by Zhang Yimou, "impression 路Liu Sanjie", has become a cultural and commercial brand in Guangxi. The song and dance play "Liu San Sister" is the first work that has produced significant influence in the whole country since the creation of "Liu San Sister". This article will carry on the comprehensive research to the song and dance drama "Liu San Jie", the full text altogether divides into three chapters:. The first chapter describes the creative process of the song and dance play "Liu San Jie". It outlines the creative process from the legend of "Liu San Jie" to the color drama "Liu San Jie" "the third Plan," and then to the song and dance play "Liu San Jie". To see the song and dance drama "Liu San Sister" creation of the background of the times and the creation of ideas at that time. The second chapter analyzes the general characteristics of music creation in song and dance drama "Liu San Jie", studies how music portrays the characters in the play, especially how to shape the image of the central character Liu San Jie, and analyzes the arrangement of music in each stage of the drama structure. This paper discusses the dramatic role played by folk songs in the climax of contradiction and conflict in the whole play, studies the role of dubbing and chorus in promoting the development of drama plot in each stage. Finally, it expounds the characteristics of folk songs combined with color tune in their music creation. The third chapter first analyzes the historical causes of the song and dance drama "Liu San Jie". First, it is created along the road of the new type of song and dance drama created by Li Jinhui, which is different from the traditional Chinese opera. Second, It is directly influenced by the color tune of Guangxi song and dance opera. Third, the production of song and dance drama "Liu Sanjie" is closely related to the opera reform at that time and the creation of new opera. Finally, Song and dance drama "Liu San Sister" made a summary of the historical status and evaluation.
【學位授予單位】：中央音樂學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J823

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