本文關(guān)鍵詞： 幺紅 《蒼原》 藝術(shù)形象 演唱特點　出處：《河北師范大學》2011年碩士論文　論文類型：學位論文

【摘要】：幺紅是中國中央歌劇院首席女高音、美聲花腔女高音歌唱家,曾主演過《圖蘭朵》、《茶花女》、《繡花女》、《波西米亞人》、《卡門》、《弄臣》等西洋歌劇,在國外享譽盛名,而且還出色的擔任過中國經(jīng)典歌劇《草原之歌》、《馬可·波羅》、《蒼原》、《圖蘭朵》等的女主角,被人們譽為“歌劇皇后”。 歌劇《蒼原》是20世紀的中國民族歌劇藝術(shù)中的一部巨作,它不但突出了愛國主義這一永恒主題,更重要的是它相比較我國其他的民族歌劇,無論是從音樂創(chuàng)作、還是舞美設(shè)計上都有較大的突破,標志著中國民族歌劇在20世紀90年代已走到一個非常成熟的階段。而劇中女主角的扮演者幺紅則成功的詮釋了女主人公的外在形象與內(nèi)在精神,塑造了一個有血有肉,純真質(zhì)樸、勇敢正直的英雄形象,她一流的表演技巧和高超的聲樂水平,征服了無數(shù)觀眾的心,使娜仁高娃的形象深入人心。 本論文試從歌劇《蒼原》入手,通過對幺紅扮演的娜仁高娃一角色進行分析與研究,總結(jié)她在歌劇上的藝術(shù)成就,本文共分為四個章節(jié):第一章是對幺紅的生平及藝術(shù)成就進行介紹,分成“艱難的藝術(shù)道路”和“藝術(shù)成就”兩個層次進行概括;第二章是對歌劇《蒼原》的介紹,分別從《蒼原》的創(chuàng)作背景、故事結(jié)構(gòu)、創(chuàng)作特點進行分析;第三章是幺紅在歌劇《蒼原》中的舞臺藝術(shù)形象的塑造,來系統(tǒng)研究幺紅的表演藝術(shù)成就;第四章是以三首詠嘆調(diào)《情歌》、《我心中有兩個聲音》、《讓我們得到永生》為例,對幺紅的聲樂演唱藝術(shù)進行分析與研究。最后結(jié)語概括幺紅對我國聲樂藝術(shù)的貢獻,從而讓人們更加全面地了解、關(guān)注這位對歌劇藝術(shù)如此執(zhí)著的青年藝術(shù)家,進而引發(fā)人們對民族歌劇藝術(shù)發(fā)展的關(guān)注與重視。
[Abstract]:As the chief soprano and soprano of the Central Opera House of China, Miu Hong has starred in Turandot, Camellia, embroidery, Bohemian, Carmen, and other Western operas, and has gained a high reputation in foreign countries. She has also played an outstanding role in the Chinese classic opera, Song of the Prairie, Marco Polo, Cangyuan, Turandot, and so on, and has been hailed as the "Opera Queen." The opera Cang Yuan is a great work in the Chinese national opera art in 20th century. It not only highlights the eternal theme of patriotism, but more importantly, it compares with other national operas in our country, whether from music creation. Or there are big breakthroughs in dance design, The Chinese national opera has reached a very mature stage in 1990s, and the female protagonist of the play, Ruohong, successfully interprets the external image and inner spirit of the heroine and shapes a flesh and blood. Simple, brave and honest hero image, her first-class performance skills and superb vocal level, conquered the hearts of countless audiences, so that the image of Narengaova deeply rooted in the hearts of the people. This thesis begins with the opera "Cang Yuan", through the analysis and research on the role of Na Ren Gao WA played by red, summarizes her artistic achievements in the opera. This paper is divided into four chapters: the first chapter is an introduction to Mo Hong's life and artistic achievements, which is divided into two levels: "hard Art Road" and "artistic Achievement." the second chapter is an introduction to the opera Cang Yuan. The third chapter is the creation of stage art image of red in opera "Cangyuan" to systematically study the achievements of performance art. Chapter 4th is to analyze and study the vocal singing art of red by taking three aria "Love songs", "two voices in my heart", "Let's get eternal life" as an example. Finally, the conclusion summarizes the contribution of red to the vocal music art of our country. So that people can fully understand and pay attention to the young artist who is so attached to the opera art, and then cause people to pay attention to the development of the national opera art.
【學位授予單位】：河北師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J822

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