本文關(guān)鍵詞： 黃芝岡 古代戲曲史 地方戲 戲曲理論　出處：《中國(guó)藝術(shù)研究院》2014年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：黃芝岡在20世紀(jì)戲曲史論領(lǐng)域做出了重要貢獻(xiàn)。他一生學(xué)術(shù)活動(dòng),主要致力于戲曲史學(xué)和民俗學(xué)研究,著述豐富,發(fā)表專(zhuān)論文章上百篇。在戲曲領(lǐng)域,主要涉及戲曲起源、《琵琶記》評(píng)價(jià)、湯顯祖研究、聲腔劇種研究和戲曲改革等熱點(diǎn)話(huà)題,在當(dāng)時(shí)引起較大反響。然而,黃芝岡這一名字對(duì)于學(xué)術(shù)界而言還是比較陌生的,關(guān)于黃芝岡的研究成果較少,涉及戲曲方面的專(zhuān)著或文章更是少之又少,即便在有些文章中有所闡述,研究的也不夠全面、深刻。目前,學(xué)界對(duì)于黃芝岡戲曲史論的研究更多的是對(duì)既有研究成果的淺顯論述,缺乏對(duì)其研究方法和研究理念的深刻分析和整體把握。 基于此,筆者以黃芝岡戲曲史、論研究為著眼點(diǎn),選取古代戲曲史、地方戲、戲曲理論三個(gè)專(zhuān)題作為重點(diǎn)方向,對(duì)黃芝岡戲曲史論研究進(jìn)行歸納和總結(jié),管窺黃芝岡在20世紀(jì)中國(guó)戲曲史論研究領(lǐng)域中的地位。
[Abstract]:In 20th century, Huang Zhigang made an important contribution to the field of drama history theory. In his whole life, he mainly devoted himself to the study of drama history and folklore. It was mainly concerned with the origin of the opera, the appraisal of the Pipa, the study of Tang Xianzu, the study of vocal drama and the opera reform and other hot topics, which caused a great reaction at that time. However, the name Huang Zhigang was still relatively unfamiliar to the academic community. There are few researches on Huang Zhigang, and very few monographs or articles on opera. Even if they are elaborated in some articles, the research is not comprehensive and profound. At present, The research on the history of Huangzhigang opera in academic circles is more about the simple exposition of the existing research results, and the lack of profound analysis and overall grasp of its research methods and research ideas. Based on this, the author takes HuangZhigang opera history as the starting point, selects the ancient opera history, the local opera and the opera theory as the key direction, sums up and summarizes the Huangzhigang opera history theory research. A glimpse of Huang Zhigang's position in the field of Chinese opera history theory in 20th century.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J809.2

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本文編號(hào)：1503440