本文關(guān)鍵詞： 濮陽大弦戲 源流 藝術(shù)特征 保護發(fā)展　出處：《河南大學(xué)》2011年碩士論文　論文類型：學(xué)位論文

【摘要】：濮陽大弦戲又名“弦戲”、“弦子戲”,是流行于河南省東北部、河北省南部、山東省西南部一帶的一個古老劇種,2006年被列入第一批國家級非物質(zhì)文化遺產(chǎn)名錄。本文以具有地方特色的濮陽大弦戲為考查對象,采用文獻梳理、個案分析、現(xiàn)象歸納、田野調(diào)查等研究方法,對濮陽大弦戲開展全面、系統(tǒng)的研究,展現(xiàn)其作為一個歷史悠久的地方劇種的全貌;同時,從非物質(zhì)文化遺產(chǎn)保護的角度入手,分析濮陽大弦戲珍貴的歷史文化價值和戲曲文物價值,探討如何對其進行搶救與保護,以期對該劇種的傳承與延續(xù)提供一定的學(xué)術(shù)參考,并對其他地方劇種有所啟示與借鑒。 全文分為緒論、正文、結(jié)語三大部分。 緒論部分概述了選題的緣起、意義,梳理學(xué)術(shù)界研究現(xiàn)狀,簡述選題的主要內(nèi)容及創(chuàng)新之處。 正文分四部分展開論述。 第一章:濮陽大弦戲的起源、形成與發(fā)展。該部分對濮陽大弦戲的源流與現(xiàn)狀進行了概述,指出大弦戲具有悠久的歷史,并簡要地勾勒出了這一珍稀劇種發(fā)展演變的大致脈絡(luò)。 第二章:濮陽大弦戲的藝術(shù)特征。該部分從聲腔體系、演奏樂器、舞臺表演、腳色行當(dāng)四個方面對大弦戲的藝術(shù)特征進行了系統(tǒng)的分析,尤其是其聲腔體系中所包含的古典大曲這一最為古老、最具歷史文化價值的聲腔,更是其歷史文化價值和戲曲文物價值的核心體現(xiàn)。 第三章:濮陽大弦戲傳統(tǒng)劇目研究。該部分對大弦戲的傳統(tǒng)劇目來源進行了分析,對其200多部傳統(tǒng)劇目進行了整理,并對其具有代表性的傳統(tǒng)劇目,如《楊府選將》、《下南唐》、《火龍陣》等的題材、故事梗概、藝術(shù)特色等進行了賞析。 第四章:濮陽大弦戲的生存現(xiàn)狀與保護發(fā)展。該部分從五個方面對大弦戲的瀕危狀況進行了論述,對其特征與價值進行了深入分析,并考察了各級政府及相關(guān)部門近年來對大弦戲所采取的搶救與保護措施。在此基礎(chǔ)上,筆者就我國地方劇種的生存與發(fā)展進行了一些思考,提出了幾點建議。 結(jié)語部分對全文進行回顧,總結(jié)了濮陽大弦戲的寶貴價值,并對該劇種的明天提出了期望。
[Abstract]:Puyang big string opera, also known as "string play", "string play" is popular in northeastern Henan Province, southern Hebei Province, In 2006, an ancient drama of southwestern Shandong Province was included in the first batch of national intangible cultural heritage lists. This paper takes Puyang Daxian Opera with local characteristics as the object of examination, combs the literature, analyzes cases and concludes the phenomena. Field investigation and other research methods, to carry out a comprehensive and systematic study of Puyang Daxian Opera, to show its full picture as a local drama with a long history; at the same time, from the perspective of the protection of intangible cultural heritage, This paper analyzes the precious historical and cultural value and the cultural relics value of the great string opera in Puyang, and probes into how to rescue and protect it in order to provide a certain academic reference for the inheritance and continuation of this kind of play, and to provide some enlightenment and reference for other local operas. The full text is divided into three parts: introduction, text and conclusion. The introduction summarizes the origin and significance of the topic, combs the current situation of academic research, briefly describes the main content and innovation of the topic. The text is divided into four parts. The first chapter: the origin, formation and development of the big string opera in Puyang. This part summarizes the origin and current situation of the big string opera in Puyang, and points out that the big string play has a long history. A brief outline of the development and evolution of this rare drama is given. The second chapter: the artistic characteristics of the big string opera in Puyang. This part has carried on the systematic analysis to the artistic characteristic of the big string opera from four aspects: the vocal cavity system, the playing instrument, the stage performance, the character of the foot. In particular, the classical Daqu, which is the oldest and most historical and cultural value in its vocal system, is the core embodiment of its historical and cultural value and the value of the cultural relics of the opera. The third chapter: the research on the traditional plays of the big string opera in Puyang. This part analyzes the source of the traditional repertoire of the big string opera, arranges more than 200 traditional repertoire of the opera, and gives the representative traditional repertoire. Such as "Yang Fu Xuan General", "Lower South Tang Dynasty", "Fire Dragon Array" and so on theme, the story outline, the artistic characteristic and so on has carried on the appreciation and so on. Chapter 4th: the survival status and protection and development of Daxian Opera in Puyang. This part discusses the endangered situation of Daxian Opera from five aspects, and analyzes its characteristics and value. On the basis of this, the author makes some reflections on the survival and development of local drama in China and puts forward some suggestions. The conclusion part reviews the full text, summarizes the valuable value of Puyang grand string opera, and puts forward the expectation for the future of the play.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：J825

【引證文獻】

相關(guān)期刊論文 前1條

1 蘇全有;劉振興;;建國以來河南近代戲曲史研究述評[J];周口師范學(xué)院學(xué)報;2013年01期

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本文編號：1497744