本文關(guān)鍵詞：西方女性主義戲劇理論，由筆耕文化傳播整理發(fā)布。

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西方女性主義理論

     Comment on the Meaning of Western Female Doctrine Theory

     西方女性主義理論的意義評(píng)述

短句來(lái)源

     Deconstruction and construction-Influence of the deconstruction theory on western feminism

     在解構(gòu)與建構(gòu)之間——論解構(gòu)理論對(duì)西方女性主義理論的影響

短句來(lái)源

     However,because of the mistakes and variation in acceptance of the western feminism,the female writers expect too much on the road of western feminism in seeking Chinese female emancipation,leading to the confliction with Chinese traditional culture.

     然而,由于對(duì)西方女性主義理論的接受與挪用時(shí)產(chǎn)生了錯(cuò)誤與偏差,女性作家在創(chuàng)作上過(guò)分期望通過(guò)走類似西方女性主義斗爭(zhēng)之路來(lái)謀求中國(guó)女性解放之路,從而導(dǎo)致了與幾千年的中國(guó)傳統(tǒng)文化發(fā)生抵觸。

短句來(lái)源

     After half a century’s hesitation, excitement, retrogresses, gender consciousness in China’s female works, catalyzed by the theory and practice of the western feminism, finally came to its independence, which was realistically reflected by female poems.

     性別意識(shí)隨社會(huì)發(fā)展而漸趨強(qiáng)勁,在經(jīng)過(guò)了半個(gè)多世紀(jì)的彷徨、喧囂、浮沉后,在西方女性主義理論、實(shí)踐的刺激下,中國(guó)女性詩(shī)歌中性別意識(shí)終于有了嶄新的面貌。 女性詩(shī)歌創(chuàng)作真實(shí)地反映了這一演進(jìn)狀況。

短句來(lái)源

     Chinese feminism literary criticism's production and development in China have their specific factors, it is not western doctrine theories of women and spreading briefly in China of literary criticism of women's doctrine, but contain realistic foundation and thinking source that it produces in the Chinese society and culture.

     中國(guó)女性主義文學(xué)批評(píng)在中國(guó)的產(chǎn)生與發(fā)展有著其特定的因素,它并不是西方女性主義理論及女性主義文學(xué)批評(píng)在中國(guó)的簡(jiǎn)單傳播,而是中國(guó)社會(huì)與文化中蘊(yùn)含著它產(chǎn)生的現(xiàn)實(shí)基礎(chǔ)和思維來(lái)源。

短句來(lái)源

     This writing angle is relevant to Chinese womenposition in the history, of the influence of the west feminism theory.

     這種寫(xiě)作向度的獲得既與中國(guó)女性在歷史、現(xiàn)實(shí)中的處境不無(wú)相關(guān)，同時(shí)又是深為西方女性主義理論所浸染的結(jié)果。

短句來(lái)源

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     A Survey on Development of the Theory of Feminist Theory

     西方女性主義戲劇理論

短句來(lái)源

     Comment on the Meaning of Western Female Doctrine Theory

     西方女性主義理論的意義評(píng)述

短句來(lái)源

     On Ecriture Feminine in Western Feminism

     論西方女性主義的書(shū)寫(xiě)理論

短句來(lái)源

     The Movie Theory Criticism on Western Feminism

     西方女性主義電影理論述評(píng)

短句來(lái)源

     Review of the Feminist Translation Theories in the West

     西方女性主義翻譯理論述評(píng)

短句來(lái)源

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Based on criticizing the theory of !difference" raised by some Western feminists, the paper aims to prove the fact that there is no !inherent" differences between writings of both sexes, and there is no straightforward relationship between the gender of the writing subject and the formal and thematic features of a literary work. To emphasize a difference common to women writers is, in fact, to suppress differences of women's writing.

本文針對(duì)西方女性主義倡導(dǎo)的女性寫(xiě)作的“差異論” ,重點(diǎn)探討性別與創(chuàng)作的關(guān)系 ,指出 :男女性創(chuàng)作不存在所謂的“固有的”差異 ;男女性別與文本美學(xué)特征間不存在同構(gòu)關(guān)系 ;片面堅(jiān)持女性寫(xiě)作的差異 ,實(shí)質(zhì)上壓抑了女性作家內(nèi)部所存在的差異性。文章從而批判了西方女性主義理論中的某些誤區(qū)

In 90's, Chen Ran and Lin Bai take the west feminist theories as an artistic point of departure, in the novels 《 The private life 》 and 《The individual's war》, from the standing alone consciousness, the body's awareness, and the female friendship,which present the female ego, scoop out the personal experience, relate female plentifulness the special and private life. All of these have to expand the meaning of the female consciousness in female literature.

九十年代 ,陳染、林白以西方女性主義理論為創(chuàng)作出發(fā)點(diǎn) ,在長(zhǎng)篇小說(shuō)《私人生活》和《一個(gè)人的戰(zhàn)爭(zhēng)》里 ,從孤獨(dú)意識(shí)、軀體覺(jué)醒、女性情誼等方面呈現(xiàn)女性自我 ,挖掘個(gè)人經(jīng)驗(yàn) ,講述了女性豐富獨(dú)特的私人生活 ,對(duì)女性文學(xué)中女性意識(shí)的發(fā)展具有開(kāi)拓意義。

This article mainly discusses how the domestic cultural context play,an important role in the reception to the Western Feminist Theory, and in the development of critical discourse of Chinese Feminism Criticism. Meanwhile, it explores the methodological significance of "gender analysis" to the prospects of Chinese Feminist Criticism.

本文主要考察本土語(yǔ)境是如何制約西方女性主義理論在中國(guó)的接受 ,規(guī)定中國(guó)女性主義文學(xué)批評(píng)話語(yǔ)的發(fā)展路徑 ,同時(shí)也探究“社會(huì)性別”這一分析范疇之于中國(guó)女性主義批評(píng)前景的意義

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  本文關(guān)鍵詞：西方女性主義戲劇理論，，由筆耕文化傳播整理發(fā)布。