海派京劇中連臺本戲的發(fā)展與反思
本文關(guān)鍵詞:海派京劇中連臺本戲的發(fā)展與反思 出處:《上海師范大學(xué)》2017年碩士論文 論文類型:學(xué)位論文
更多相關(guān)文章: 海派京劇 連臺本戲 美學(xué)特征
【摘要】:上海自開埠后,作為五口通商口岸之一的沿海城市,成為了中西方文明的匯合點。外國商品及西方經(jīng)濟模式的涌入,使得上海傳統(tǒng)的農(nóng)業(yè)經(jīng)濟模式逐漸瓦解,與此同時,商業(yè)化經(jīng)濟模式開始萌芽,上海進入歷史發(fā)展的轉(zhuǎn)折點,開啟了近代化進程。西風(fēng)東漸帶來的不僅是經(jīng)濟及社會環(huán)境的改變,更有西方文化的強勢融合,上海作為東南沿海重要的通商口岸,也匯聚了不同地域的形形色色的文化,在中西文明的碰撞中,傳統(tǒng)文明與近代文化兩者互相作用,由北方南傳而來的京劇在上海形成了一種極具上海地域特色的新的京劇流派,那便是海派京劇。而就在京劇傳入上海的同時,注重故事情節(jié),強調(diào)完整性的連臺本戲也隨之傳入上海。上海最早上演的連臺本戲就是同治年間京劇藝人夏奎章從北方帶來的的十本《五彩輿》,該劇一經(jīng)在上海上演,立即受到了觀眾的熱烈追捧。此后,連臺本戲便逐漸地在上海發(fā)展起來,成為了海派京劇最具代表性的劇目之一。本文立足于當(dāng)時的歷史背景,從空間載體,商業(yè)經(jīng)濟、文化傳播等方面分析海派京劇及其連臺本戲的產(chǎn)生與發(fā)展,從連臺本戲的舞臺表演形式,近代社會背景下的新劇目及其所體現(xiàn)的美學(xué)特征等方面歸納其藝術(shù)特色。在這個已經(jīng)更為開放的信息化新媒體時代,對“海派京劇中連臺本戲”進行更深一步的研究具有深刻的現(xiàn)實指導(dǎo)意義。我們正處于一個更為融合與多元化的社會化境,面臨著不同的社會矛盾,同時傳統(tǒng)文化生存環(huán)境也遇到了更大的挑戰(zhàn),但是挑戰(zhàn)也必然會帶來機遇,所以這也更加需要我們重新客觀的審視海派京劇中連臺本戲的創(chuàng)新性與生命力,適應(yīng)時代的發(fā)展要求與大眾多元化的審美需求,平衡藝術(shù)與商業(yè)之間的關(guān)系,尋求多平臺多渠道的輸出傳播,使這個本就是戲曲革新而生的文化產(chǎn)物在這個更為激變的時代得以延續(xù)與傳承,就是我們應(yīng)該擔(dān)負的弘揚優(yōu)秀傳統(tǒng)文化的重任,而這也是本文的根本立意所在。
[Abstract]:Since the opening of Shanghai, as one of the five ports of trade, the coastal city has become the meeting point of Chinese and Western civilization. The influx of foreign commodities and western economic models has made the traditional agricultural economic model of Shanghai disintegrate gradually. At the same time, the commercial economic model began to sprout, Shanghai entered the turning point of historical development, opened the process of modernization. More powerful integration of Western culture, Shanghai as an important port of trade in the southeast coast, but also a collection of different regional cultures, in the collision of Chinese and Western civilizations. The traditional civilization and the modern culture interact each other, and the Peking Opera from the north to the south has formed a new school of Beijing opera with the characteristics of the Shanghai region. That is the Shanghai School of Beijing Opera. And at the same time as Beijing Opera was introduced to Shanghai, attention was paid to the storyline. Liantai Opera, which emphasizes integrity, was introduced into Shanghai. The earliest Liantai opera in Shanghai was the ten "Wucai Yu" by Beijing opera artist Xia Kui-zhang from the northern part of Tongzhi period, once the play was staged in Shanghai. Immediately by the audience enthusiastically sought after. Since then, Liantai Opera has gradually developed in Shanghai, becoming one of the most representative opera of the Shanghai School of Peking Opera. This article based on the historical background at that time, from the space carrier. Commercial economy, cultural transmission and other aspects of the analysis of the emergence and development of the Shanghai School Beijing Opera and Liantai Opera, from the Liantai opera stage performance form. Under the background of modern society, the new plays and their aesthetic features are summed up in this new information media era, which is more open. The further study of Liantai Opera in Beijing Opera of Shanghai School has a profound practical significance. We are in a more integrated and diversified social environment, facing different social contradictions. At the same time, the living environment of traditional culture has also encountered greater challenges, but the challenges will inevitably bring opportunities, so it is even more necessary for us to re-examine the innovation and vitality of Liantai Opera in Beijing Opera of Shanghai School. To meet the needs of the development of the times and the diverse aesthetic needs of the public, to balance the relationship between art and commerce, to seek multi-platform and multi-channel output dissemination. It is the important task to carry forward the excellent traditional culture and this is the fundamental idea of this article to make this cultural product which is the innovation of opera to continue and inherit in this era of more radical change.
【學(xué)位授予單位】:上海師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:J821
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