發(fā)布時(shí)間：2018-01-11 19:43

  本文關(guān)鍵詞：清初曲學(xué)的經(jīng)史化取向——以毛先舒為例的研究　出處：《戲劇藝術(shù)》2017年03期 　論文類型：期刊論文

  更多相關(guān)文章： 毛先舒 曲學(xué) 曲韻 詩學(xué) 史學(xué)

【摘要】：清初經(jīng)學(xué)體系更新,走向復(fù)古返經(jīng)、求真求實(shí)一途,并力求經(jīng)世以致用。毛先舒以學(xué)者與文人雙重身份涉足曲學(xué),將曲學(xué)研究籠入正統(tǒng)學(xué)術(shù)研究視野,呈現(xiàn)出清初學(xué)術(shù)思潮影響下經(jīng)史化的鮮明時(shí)代特征。作為音韻學(xué)家,他貫通曲韻與古音學(xué)研究,相互發(fā)明;作為經(jīng)史學(xué)家,他的詩學(xué)理論含戲曲理論之于內(nèi),而其歷史本位思想也深入影響了他對(duì)歷史與戲曲關(guān)系的認(rèn)知。
[Abstract]:In the early Qing Dynasty, the system of Confucian classics was renewed, and he went back to the ancient times, seeking truth and reality. Mao Xianshu, as a scholar and literati, set foot in the study of qu, and put the study of qu into the field of orthodox academic research. Under the influence of the academic trend of thought in the early Qing Dynasty, he presented the distinctive characteristics of the history of classics. As a phonologist, he intersected the study of classical rhyme and ancient phonology, and invented each other. As a historian, his theory of poetics contains the theory of opera, and his history-oriented thought deeply influences his cognition of the relationship between history and drama.
【作者單位】： 上海大學(xué)電影學(xué)院;
【分類號(hào)】：J809.2
【正文快照】： 清初學(xué)者總結(jié)明亡教訓(xùn),痛理學(xué)之空疏與明儒之不學(xué),主張復(fù)古以回歸經(jīng)學(xué)元典,和理學(xué)爭(zhēng)奪經(jīng)學(xué)闡釋的話語權(quán),因此,他們以考據(jù)為法,以復(fù)古為途徑,考文訓(xùn)經(jīng),帶動(dòng)了經(jīng)學(xué)、史學(xué)、音韻、訓(xùn)詁、名物諸學(xué)的全面發(fā)展,同時(shí),他們也關(guān)注現(xiàn)實(shí)和注重實(shí)踐,力求通經(jīng)以致用,學(xué)風(fēng)日益趨向求實(shí)與理性，

本文編號(hào)：1410969