本文關(guān)鍵詞：清初曲學的經(jīng)史化取向——以毛先舒為例的研究　出處：《戲劇藝術(shù)》2017年03期 　論文類型：期刊論文

  更多相關(guān)文章： 毛先舒 曲學 曲韻 詩學 史學

【摘要】：清初經(jīng)學體系更新,走向復古返經(jīng)、求真求實一途,并力求經(jīng)世以致用。毛先舒以學者與文人雙重身份涉足曲學,將曲學研究籠入正統(tǒng)學術(shù)研究視野,呈現(xiàn)出清初學術(shù)思潮影響下經(jīng)史化的鮮明時代特征。作為音韻學家,他貫通曲韻與古音學研究,相互發(fā)明;作為經(jīng)史學家,他的詩學理論含戲曲理論之于內(nèi),而其歷史本位思想也深入影響了他對歷史與戲曲關(guān)系的認知。
[Abstract]:In the early Qing Dynasty, the system of Confucian classics was renewed, and he went back to the ancient times, seeking truth and reality. Mao Xianshu, as a scholar and literati, set foot in the study of qu, and put the study of qu into the field of orthodox academic research. Under the influence of the academic trend of thought in the early Qing Dynasty, he presented the distinctive characteristics of the history of classics. As a phonologist, he intersected the study of classical rhyme and ancient phonology, and invented each other. As a historian, his theory of poetics contains the theory of opera, and his history-oriented thought deeply influences his cognition of the relationship between history and drama.
【作者單位】： 上海大學電影學院;
【分類號】：J809.2
【正文快照】： 清初學者總結(jié)明亡教訓,痛理學之空疏與明儒之不學,主張復古以回歸經(jīng)學元典,和理學爭奪經(jīng)學闡釋的話語權(quán),因此,他們以考據(jù)為法,以復古為途徑,考文訓經(jīng),帶動了經(jīng)學、史學、音韻、訓詁、名物諸學的全面發(fā)展,同時,他們也關(guān)注現(xiàn)實和注重實踐,力求通經(jīng)以致用,學風日益趨向求實與理性，

本文編號：1410969