本文關(guān)鍵詞：贛胡伴奏藝術(shù)之研究　出處：《江西師范大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 贛劇 贛胡 構(gòu)造 伴奏手法 贛胡發(fā)展

【摘要】：贛劇作為贛文化的一個(gè)重要組成部分，其悠久的歷史和濃郁的藝術(shù)魅力，使之成為江西最具代表的地方大戲劇種，于2011年被列入國(guó)務(wù)院頒布的第三批國(guó)家級(jí)非物質(zhì)文化遺產(chǎn)的名錄中�！摆M劇”之名是由20世紀(jì)50年代贛東北地區(qū)的“饒河戲”和“信河戲”合流而定名的。在其發(fā)展的進(jìn)程中逐漸融入高腔、亂彈腔、昆腔等，形成了一個(gè)多聲腔的劇種。它除了在語(yǔ)言、聲腔、音樂(lè)旋律等方面有著自己獨(dú)特的藝術(shù)風(fēng)格外，為唱腔伴奏的主奏樂(lè)器——贛胡，也在其形制、音色及伴奏手法上，形成了自身所獨(dú)有的特征。因此，作為贛劇音樂(lè)重要的組成部分，對(duì)贛胡的演奏及伴奏藝術(shù)進(jìn)行全面的研究，無(wú)論從贛胡這一樂(lè)器的角度出發(fā)，還是對(duì)贛劇音樂(lè)中唱腔、曲牌及舞臺(tái)表演的認(rèn)識(shí)都具有重要意義。 本文以贛劇及其音樂(lè)為基礎(chǔ)，對(duì)贛胡的構(gòu)造、演奏技法、伴奏手法，以及贛胡所演奏的過(guò)門、曲牌和其他音樂(lè)在劇種中所起的作用等幾個(gè)方面進(jìn)行分析，并對(duì)贛胡發(fā)展現(xiàn)狀和前景做了初步的論述。 全文包括四個(gè)部分： 第一章贛劇的淵源及其音樂(lè)構(gòu)成：本章從贛劇的起源、發(fā)展及其音樂(lè)藝術(shù)特征上對(duì)贛劇藝術(shù)進(jìn)行了簡(jiǎn)單的梳理，并明確贛胡在贛劇音樂(lè)中所起的作用。 第二章贛劇主奏樂(lè)器贛胡的演奏藝術(shù)：本章分析贛胡成為主奏樂(lè)器的源由，并對(duì)贛胡的構(gòu)造與演奏技法及其特點(diǎn)進(jìn)行了較為詳細(xì)的闡述。 第三章贛劇主奏樂(lè)器贛胡的伴奏藝術(shù)：本章以贛劇音樂(lè)為基礎(chǔ)，分析了贛胡所演奏的過(guò)門在唱腔中的程式性特點(diǎn)；為烘托唱腔旋律，以“同音伴腔”為主，“同中有異”為輔的伴奏手法，，使贛胡的伴奏旋律與唱腔旋律產(chǎn)生交錯(cuò)的融合，凸顯了唱腔與伴奏的不可分割性；同時(shí)，贛胡在演奏曲牌和其他音樂(lè)時(shí)在唱腔中所起到前奏、間奏及尾奏的作用也是不容忽視的伴奏特點(diǎn)。 第四章贛劇主奏樂(lè)器贛胡的藝術(shù)發(fā)展：本章分析了在贛胡藝術(shù)發(fā)展現(xiàn)狀中所存在的問(wèn)題，提出解決方案并對(duì)其前景進(jìn)行了展望。
[Abstract]:Jiangxi as an important part of the culture, its long history and rich artistic charm, making Jiangxi the most representative of the local opera drama, in 2011 was included in the State Council issued the third batch of national intangible cultural heritage list. "Jiangxi" is the name of the Northeast Jiangxi area by 1950s "Raohe opera" and "the letter play" after confluence. In its development process has gradually integrated into the cavity Kunqiang, Luantan, etc., to form a multi cavity type. It is in addition to language, tune, has its own unique artistic style and other aspects of music melody, accompaniment to singing the main musical instrument - Jiangxi Hu, also in its shape, tone and accompaniment gimmick, formed its own unique characteristics. Therefore, as an important part of Jiangxi music, a comprehensive study and play accompaniment art of Jiangxi Hu, no From the view of Hu Jiangxi of the instrument or the angle of Jiangxi singing music, is of great significance to understanding Qupai and stage performance.
On the basis of Jiangxi and its structure of Jiangxi, hu music, playing techniques, accompaniment techniques, and through playing Hu Jiangxi, several tunes and other music played in the drama in the role of other aspects of the analysis, and the Jiangxi Hu development status and prospects is preliminary discussed.
The full text includes four parts:
A music origin and first chapter: this chapter from Jiangxi Jiangxi origin, development and characteristics of music art has carried on the simple review of Jiangxi art, and clearly in Jiangxi Jiangxi Hu Music in the role.
The second chapter Jiangxi Gan Hu's main musical instrument playing art: this chapter analysis is the main instrument become Hu Jiangxi, Jiangxi and Hu and the structure of the playing techniques and features are described in detail.
The third chapter Jiangxi Gan Hu's main musical instrument accompaniment: this chapter to Jiangxi music as the foundation, analyzes the characteristics of program of Jiangxi Hu playing in the door in the aria for foil; singing melodies, "homonym with cavity", "abnormal" auxiliary y-zg102 in Jiangxi, the Hu accompaniment melody and singing melody produced interlaced fusion, highlights the singing and accompaniment are indivisible; at the same time, Hu Jiangxi and other music playing tunes in singing plays prelude, interlude and postlude role is not to be ignored. The characteristics of accompaniment
The fourth chapter Jiangxi mainMusical instrument Jiangxi Hu's artistic development: this chapter analyzes the current situation existing in the development of Jiangxi Hu in the art of the problem, put forward the solution and its prospect.

【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J825

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本文編號(hào)：1403416