本文關(guān)鍵詞：蘇州滑稽戲研究　出處：《蘇州大學(xué)》2010年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 蘇州滑稽戲 “蘇滑現(xiàn)象” 張幻爾 方笑笑 顧薌 張克勤

【摘要】： 滑稽戲作為一種新興劇種,既擁有悠久的歷史傳統(tǒng),又具有扎實的群眾基礎(chǔ),成為20世紀(jì)以來博采眾長、特立獨行的市民文化產(chǎn)品。蘇州滑稽戲是滑稽戲的一個分支劇種,由于受地域文化、歷史傳統(tǒng)、觀眾群體等影響,而形成“冷雋幽默、爽甜潤口、滑而有稽、寓理于戲”的藝術(shù)特點。論文以追本溯源的“滑稽”考原開始,分析滑稽戲之遠(yuǎn)祖與近親:即以逗樂諷刺為主要功能的滑稽戲有著從先秦古優(yōu)開始的深厚歷史淵源,同時又與近現(xiàn)代市民文化層中文明戲、獨腳戲等戲劇、曲藝樣式關(guān)系密切。論文主體以蘇州滑稽戲的歷史、代表劇目及表演藝術(shù)家為相互參照三個基本方面,希望能從歷史與現(xiàn)代、資料與采訪、史論結(jié)合與點面參照等多層次整理和論述蘇州滑稽戲的歷史狀況,真實反映蘇州滑稽戲的存活狀態(tài)。 論文視角緊扣極具地方色彩的蘇州滑稽戲,在蘇州滑稽戲歷史的述論中,按照時間順序,以解放前、解放初及改革開放以來三個階段分述蘇州滑稽戲的發(fā)展歷史,并對蘇州滑稽劇團(tuán)兩大前身“璇宮團(tuán)”和“七星團(tuán)”以及后來的“星藝”和“新聲”進(jìn)行了重點關(guān)注和梳理:在解放前后的歷史背景下,通過對人員變遷、劇目表演、演出經(jīng)歷等多方面史論結(jié)合的梳理,多角度反映出蘇州滑稽劇團(tuán)的形成過程;有關(guān)蘇州滑稽戲的經(jīng)典劇目在本文中被分為20世紀(jì)50年代、60年代到80年代及90年代以來這樣三階段,不同階段形成了以經(jīng)典傳統(tǒng)的古裝滑稽戲、服務(wù)行業(yè)的現(xiàn)代滑稽戲及寓教于樂的青少年滑稽戲為主流的三大類別。論文選取每一類別中家喻戶曉、耳熟能詳?shù)牡浞秳∧咳纭短K州二公差》、《滿意不滿意》、《小小得月樓》、《快活的黃帽子》、《一二三,起步走》等進(jìn)行特點和意義論述。這些劇目不僅代表了蘇州滑稽戲解放后每一階段所取得的最高成果,更是承載著蘇州滑稽戲獨特的藝術(shù)風(fēng)格,能讓觀眾品過笑過,若有所思,有所回味;當(dāng)然,演繹蘇州滑稽戲的表演藝術(shù)家更是技藝高超,聲名遠(yuǎn)揚(yáng)。從劇團(tuán)成立初期的張幻爾、方笑笑,到顧薌、張克勤,再到如今一代滑稽戲新秀,盡管人才的培養(yǎng)曲折艱辛,但蘇州滑稽戲已經(jīng)搭建起保護(hù)、傳承、發(fā)揚(yáng)蘇州滑稽戲的人才梯隊。 在大量閱讀相關(guān)文字及音像資料,并先后采訪滑稽戲圈內(nèi)知名導(dǎo)演、演員、作家、劇團(tuán)管理層等相關(guān)人士十余次的基礎(chǔ)上,論文以調(diào)查與研究互為印證、史論結(jié)合為基礎(chǔ),多角度就蘇州滑稽戲的生長歷程、發(fā)展?fàn)顩r、演出劇目、知名演員及成就特色等加以整理論述,并在此基礎(chǔ)上總結(jié)蘇州滑稽戲的藝術(shù)特征與“蘇滑現(xiàn)象”的原因和啟示�？偟膩碚f,蘇州滑稽戲給人的印象是幽默、有趣、冷中有雋、冷而不板。這與它貼近現(xiàn)實的題材、細(xì)膩打磨的表演及滑而有稽的噱頭等藝術(shù)特征互為表里。與海派滑稽戲等相比,蘇州滑稽戲獨特的藝術(shù)特征及“蘇滑現(xiàn)象”與其產(chǎn)生的人文環(huán)境關(guān)系緊密。吳地上風(fēng)上水烘焙出的千年文化,千年吳文化所孕育滋養(yǎng)的人文精神、以及人文精神所凝結(jié)的觀眾群體意識、性格特點和思維方式等是蘇州滑稽戲得以存活發(fā)展的活的土壤,也是其表現(xiàn)出雅化和文氣特點的最本質(zhì)的先天因素。當(dāng)然,除此以外,蘇州滑稽戲從業(yè)人員以現(xiàn)實為依據(jù),緊扣市場的運作思路及對于藝術(shù)勇攀高峰、不懈追求的精神則是“蘇滑現(xiàn)象”產(chǎn)生的后天因素。 論文以目前學(xué)界少有專門而系統(tǒng)研究的蘇州滑稽戲為研究對象,不僅是一份直觀記錄其頑強(qiáng)存活,永續(xù)發(fā)展的個體檔案;而針對“蘇滑現(xiàn)象”的總結(jié)分析在遠(yuǎn)未停歇的戲曲改革與發(fā)展的當(dāng)代,對于其他地方劇種也具有一定的參照和借鑒意義。
[Abstract]:As a new comic opera, which has a long history and tradition, but also has a solid foundation for the masses, since twentieth Century to become the public cultural products learn widely from others'strong points, personal independence of conduct. Suzhou burlesque is a branch of opera burlesque, due to geographical culture, historical tradition, audience and other factors, and the formation of "cold Jun humor, cool sweet mouth, and a slide inspection, pay attention to the artistic characteristics of the opera". In order to trace the origin of the "funny" original test, analysis of ancestor kin with burlesque: that is to amuse the irony as the main function of the comic has a deep history since the pre Qin ancient advantages, and at the same time the modern city culture in the civilization drama, drama, folk art style, close to Suzhou. The main body of the comic opera history, on behalf of the repertoire and performing artists for cross referencing three basic aspects, hope from the history and present Generation, information and interview, the combination of historical theory and point and point reference, etc., collate and discuss the historical situation of Suzhou's funny play, which truly reflects the survival state of Suzhou's funny play.
This paper from the perspective of local color very closely in Suzhou Suzhou burlesque, farce on the history, according to the time order, to liberation, liberation and development history since the beginning of reform and opening up the three stages of the Suzhou comic opera, and the Suzhou Comic Troupe two predecessor "Xuangong group" and "seven Star Group" and later "art" and "new ideas" are the focus of attention and carding: in before and after the liberation of the historical background, the personnel changes, theatrical performances, performances and other aspects through combing the combination of history, multi angle reflects the formation of the Suzhou Comic Troupe; Suzhou burlesque classical repertoire is this paper is divided into 1950s in 60s to 80s, and since 90s three stage, different stages of formation of the ancient classic comic opera, comic opera and the combination of modern service industry in the Youth Music Teaching In the comic opera into three categories. The mainstream selection in each category of model operas such as known to every family, for having heard it many times "Suzhou two > < satisfactory tolerance, >, < small > < Deyue tower, a yellow hat >, < 123 >, start walking are discussed. The characteristics and significance of the highest achievements the repertoire not only represents the Suzhou farce after the liberation of each phase obtained, it is carrying a Suzhou comic art style is unique, can let the audience have laughed, thoughtfully, somewhat aftertaste; of course, the interpretation of Suzhou comic opera performing artist is art high, reputation from the troupe was established. Huaner, Zhang early party smiled, to Gu Xiang, Zhang Keqin, and now a generation of burlesque star, although the twists and turns of talent cultivation, but the Suzhou farce has set up protection, inheritance, carry forward the Suzhou burlesque talent.
In reading a lot of relevant information of text and audio, and has an interview with famous director, burlesque circle actor, writer, theatre management and other related professionals based on more than ten times, based on the investigation and study mutually confirmed, the combination of history based on the multi angle growth process, the development status of Suzhou comic opera repertoire, the famous actor, and achievement characteristics to organize discussion, and on the basis of summarizing the artistic features of Suzhou burlesque and "Su slip phenomenon" reason and revelation. In general, the Suzhou burlesque gives the impression of being humorous, funny, with Juan cold, cold and not in that it is closer to reality. The theme, exquisite performance and smooth and polished with Ji gimmick artistic features interacts. Compared with the Shanghai farce, Suzhou burlesque unique artistic features and Suhua phenomenon and the human environment relationship on Wu closely. Feng Shui baked Millennium culture, Wu culture Millennium nurtured humanistic spirit nourishing, consciousness of audience and humanistic spirit of condensation, character and mode of thinking of Suzhou burlesque survival development of living soil, is the most essential factor to exhibit innate elegance and the characteristics of the gas. Of course, in addition, Suzhou burlesque practitioners based on reality, closely linked to the market and operation ideas for art Yongpangaofeng, relentless pursuit of the spirit is "Su slip phenomenon" acquired factors.
Based on the current academic little specialized and systematic research of Suzhou burlesque as the research object, not only is a visual record of the tenacious survival, sustainable development of the individual archives; and according to the "Su slip phenomenon" in the analysis is far from out of the reform and development of contemporary drama, a reference to other places opera also has and the significance.

【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2010
【分類號】：J825

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