本文關(guān)鍵詞：《蝴蝶君》文化符號及其效應(yīng)研究　出處：《北京語言大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 《蝴蝶君》 黃哲倫 大衛(wèi)·柯南伯格 文化符號 文化效應(yīng)

【摘要】： 1988年黃哲倫的戲劇《蝴蝶君》在百老匯贏得了商業(yè)上的巨大成功,同時榮獲該年托尼獎,贏得了主流戲劇界的認(rèn)可。1993年大衛(wèi)·柯南伯格將該劇改編為電影,為該劇贏得了更廣范圍的受眾。從符號學(xué)的角度看,美國華裔戲劇《蝴蝶君》是一個大的文化符號場,出于百老匯戲劇藝術(shù)性、文化性和商業(yè)性的考慮,黃哲倫在該劇中設(shè)置了大量文化符號。對于這些文化符號,主流戲劇界、文學(xué)批評界和大眾表現(xiàn)出了不同的興趣點,給予了不同層面的解讀。電影版《蝴蝶君》實際上是導(dǎo)演柯南伯格對戲劇《蝴蝶君》的個性化解讀和詮釋的產(chǎn)物。 本文從文化符號傳播的角度研究黃哲倫戲劇《蝴蝶君》中的文化符號及其在美國產(chǎn)生的文化效應(yīng),并以此探討異質(zhì)文化符號的傳播和接受中符號先行文化策略的可行性,以及文化誤讀的積極作用。 第一章概述國內(nèi)外對黃哲倫戲劇《蝴蝶君》的研究現(xiàn)狀,并確立從文化符號傳播的理論維度研究該劇及其在美國的接受,提出論文的研究意義和研究價值。 第二章分析黃哲倫在戲劇《蝴蝶君》設(shè)置的種種文化符號,以及這些文化符號在該劇的商業(yè)性、策略性和藝術(shù)性訴求中的作用。 第三章在對比分析戲劇《蝴蝶君》和電影改編版《蝴蝶君》的基礎(chǔ)上,考察大衛(wèi)·柯南伯格對黃哲倫戲劇的接受和詮釋。具體從三個層面展開論述,即對原戲劇主題的置換、人物角色功能的轉(zhuǎn)換以及柯南伯格對符號化東方的理解和重新塑造,旨在論證柯南伯格對戲劇《蝴蝶君》文化符號的接受和創(chuàng)造性詮釋。 最后,第四章從大眾、戲劇界、文學(xué)批評界對該劇的不同關(guān)注點,分析美國受眾基于自身不同的文化視野,對《蝴蝶君》文化符號的不同理解和接受。對《蝴蝶君》文化效應(yīng)的考察,實際上是對該劇在美國傳播效果與接受的考察,并借此探討文化誤讀和符號先行文化策略在異質(zhì)文化交流中的積極作用。
[Abstract]:In 1988 Huang Zhelun's drama < butterfly > won a great commercial success on Broadway, also won the Toni prize, won the recognition of.1993 mainstream theatre in David Conan Berg will play for the film adaptation, won a wider audience for the show. From the perspective of semiotics, the United States Chinese drama < > butterfly is a cultural symbol of the large field for Broadway theater arts, cultural and commercial considerations, Huang Zhelun set up a lot of cultural symbols in the play. For these cultural symbols, mainstream theatre, literary critics and the public showed different points of interest, given the interpretation different level. The movie version of "Butterfly" is actually the product of director Conan Berg to play "Butterfly" personalized interpretation and interpretation.
From the perspective of cultural symbol transmission, this paper studies the cultural symbols in Huang Zhelun's drama butterfly and its cultural effects in the US, and explores the feasibility of the cultural strategy of the symbol's first move and the positive role of cultural misreading in the dissemination and reception of the heterogeneous cultural symbols.
The first chapter summarizes the research status of Huang Zhelun's drama Butterfly King at home and abroad, and establishes the acceptance of the drama and its acceptance in the United States from the theoretical dimension of cultural symbol communication, and puts forward the research significance and research value of the thesis.
The second chapter analyzes Huang Zhelun's various cultural symbols in the drama "Butterfly King", as well as the role of these cultural symbols in the commercial, strategic and artistic appeal of the play.
In the third chapter, a comparative analysis of drama < butterfly > and < > movie adaptation of butterfly on the basis of the study, David Conan Berg Huang Zhelun on the drama acceptance and interpretation. Concretely discusses from three aspects, namely the replacement of the original drama theme, characters and functions of the role conversion of symbolic Oriental Nanboge Ke understanding and re shaping, to prove that Conan Berg on the drama < butterfly > cultural symbols accepted and creative interpretation.
Finally, the fourth chapter from the public, the theatre, the drama circles on the different concerns of literary criticism, analysis of American audiences own different cultural perspective based on different understanding and acceptance of < butterfly > cultural sign. Study on < butterfly > cultural effect, is actually on the play in the United States and communication effect accept the inspection, and to explore the positive role of cultural misreading and cultural symbols first strategy in culture communication.

【學(xué)位授予單位】：北京語言大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J805;I712

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 范夢圓;民國時期香煙畫的文化解讀[D];南昌大學(xué);2012年

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本文編號：1395842