A.S.拜厄特是20世紀(jì)英國(guó)文壇炙手可熱的小說家之一。其代表作《占有》以其獨(dú)特的敘述和引人入勝的故事情節(jié)榮膺備受矚目的英國(guó)文學(xué)布克獎(jiǎng)。本文以歷史和女性話語(yǔ)兩個(gè)角度為切入點(diǎn),深入研究拜厄特重塑女性歷史和女性文學(xué)創(chuàng)作傳統(tǒng)的方法和途徑。本文指出,拜厄特通過敘述兩對(duì)分別生活在維多利亞時(shí)代和現(xiàn)代社會(huì)的戀人之間的情感故事,利用色彩,人物命名,意象等把生活在不同歷史時(shí)期的婦女緊密連接起來,打破時(shí)間和空間的限制,形成一條女性抗?fàn)幍臍v史長(zhǎng)河。與此同時(shí),拜厄特在創(chuàng)作中積極尋求突破,大膽運(yùn)用意識(shí)流、開放性結(jié)局等手法。這種獨(dú)特的敘事手法的重要價(jià)值在于,它打破了男性話語(yǔ)的主導(dǎo)地位,為當(dāng)代女性主義作家開辟了一條全新的文學(xué)創(chuàng)作之路,也為當(dāng)今世界文壇注入了一股全新的力量。

【文章頁(yè)數(shù)】：59 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgements
Abstract
摘要
Chapter 1 General Introduction
    1.1 General Introduction to A. S. Byatt
    1.2 General Introduction to Possession
    1.3 Literature Review and Methodology
        1.3.1 Literature Review in China
        1.3.2 Literature Review in Western Countries
        1.3.3 Research Methodology
Chapter 2 Women as "Others"
    2.1 Women Are Treated as "Others"
        2.1.1 Women Are Gazed by Men
        2.1.2 Women Are Robbed of Their Own Identity
        2.1.3 Women Are Silenced
    2.2 Women Have No Literary Tradition to Turn to
Chapter 3 Rewriting Female History
    3.1 Retelling Fairy Tales
        3.1.1 The Glass Coffin
        3.1.2 An Adapted Version of Adam and Eve
    3.2 Female History Reconnected Through Names
    3.3 Female History Reconnected Through Colors
        3.3.1 Colors Modifying Female Characters
        3.3.2 Colors Modifying Male Characters
    3.4 Female History Reconnected Through Imagery
    3.5 Female History Reconnected Through Kinship
Chapter 4 Rewriting Female Literature History
    4.1 Nonlinearity of Narration
        4.1.1 Sufficient Use of Streams of Consciousness
        4.1.2 Nonlinearity of Time and Space
    4.2 Metafiction
        4.2.1 the Involvement of Reader and Author
        4.2.2 An Open Ending
Chapter 5 Conclusion
Bibliography



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