《哈姆雷特》所呈現(xiàn)的復(fù)雜人性和悲劇之美吸引了一代代讀者大眾和人文學(xué)者的關(guān)注,其中哈姆雷特作為復(fù)仇者所帶有的深沉的猶豫和憂(yōu)郁更是數(shù)百年來(lái)爭(zhēng)論不休的永恒話(huà)題。人們從時(shí)代,階級(jí)背景,心理分析等諸多層面對(duì)此進(jìn)行深入的解讀和探討,已經(jīng)取得了豐富的學(xué)術(shù)成就。 然而,絕大多數(shù)分析都是在基于西方文化自身的傳統(tǒng)語(yǔ)境中進(jìn)行。 本文試圖在前人研究基礎(chǔ)上,從跨文化的角度出發(fā),引入莎士比亞同時(shí)代的中國(guó)古典文學(xué)名著《西游記》中《烏雞國(guó)》這一則有著相似冤魂顯靈和王子復(fù)仇母題的故事, 在此故事中,中國(guó)王子的復(fù)仇帶有輕率和盲從性,而并不具有哈姆雷特的猶豫和憂(yōu)郁色彩。本文在跨文化比較的基礎(chǔ)上,著重從東方直覺(jué)頓悟型思維和西方分析型思維對(duì)比,中國(guó)巫術(shù)信仰和西方宗教信仰對(duì)比,中國(guó)環(huán)型時(shí)間觀(guān)和西方線(xiàn)形時(shí)間觀(guān)對(duì)比等三方面入手,以《烏雞國(guó)》這一異質(zhì)文化的他者為參照物,來(lái)揭示哈姆雷特的猶豫和憂(yōu)郁的文化成因——即文藝復(fù)興這一西方世界開(kāi)始擺脫神學(xué)的陰影并與東方分道揚(yáng)鑣而走向理性和科學(xué)的特定時(shí)代塑造了莎翁筆下復(fù)仇王子異于東方的氣質(zhì)——他作為一個(gè)具有不同于東方的人文主義者,對(duì)冤魂的可靠性從西方宗教觀(guān)和時(shí)間觀(guān)上加以質(zhì)疑和否定而摒棄巫術(shù)上的盲從,...

【文章頁(yè)數(shù)】：52 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgements
Abstract
中文摘要
Chapter One Introduction
    1.1 General Introduction
    1.2 Review of Literature
        1.2.1 Classical Interpretations of Hamlet’s Delay
        1.2.2 Modern Interpretations of Hamlet’s Delay
    1.3 Summary
Chapter Two Thinking Patterns and Motives of Revenges in Hamlet and Wuji Episode
    2.1 Intuition and its Relation to Revenge in Wuji Episode
        2.1.1 A Brief Review of Intuitive Thinking in Chinese Culture and its Influence on Literature
        2.1.2 Intuition in Wuji Episode and its Relations to Motive of Revenge
    2.2 Reasoning and Hamlet’s Delay
        2.2.1 A Brief Review of Western Analytical Thinking
        2.2.2 Skepticism and Logics in Hamlet and their Relation to Hamlet’s Delay
            2.2.2.1 Hamlet’s Doubt of the Ghost
            2.2.2.2 Hamlet, a Successful Detective?
Chapter Three Concepts of Religion, Magic and Motives of Revenges in Hamlet and Wuji Episode
    3.1 Difference Between Religion and Magic
    3.2 Magic and Revenge in Wuji Episode
        3.2.1 Chinese View of Magic
        3.2.2 Magic and Revenge in Wuji Episode——Man as a Passive Social Being
    3.3 Christianity and Hamlet’s Hesitation
        3.3.1 Westerners’ View of Christian Humanism in Renaissance
        3.3.2 Hamlet’s Doubt of Magic——Man as an Individual Being
Chapter Four Concepts of Time Underlying Revengesin Hamlet and Wuji Episode
    4.1 Organization of Time in the Eastern and Western Traditions
    4.2 Credulity of Revival and Curtness of Revenge in Wuji Episode
    4.3 Hamlet’s Mediation and Doubt of Eternity and Existence
Conclusion
Works Cited



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