1987年,托尼.莫里森的長篇小說《寵兒》的問世震動了美國文壇。評論家對這部作品的研究多集中在其敘事方法、黑人文學特征等方面。 本文以這部作品的女性哥特特點為突破口,透視女性哥特這種文學體裁對傳達這部作品內(nèi)涵和意義上所起得的重要作用。全文分四章:第一章介紹作家、作品及女性哥特;第二章對女性哥特三大特點之一的女性歌特女主人公在《寵兒》的分析;第三章女性哥特三大特點之一的“封閉空間”意象在《寵兒》中的分析及女性哥特不可避免的“幸福結(jié)局”在《寵兒》中的應用;第四章總結(jié)全文,并引伸出女性哥特這種文學體裁對傳達作品內(nèi)涵和意義上所起到得的重要作用。

【文章頁數(shù)】：56 頁

【學位級別】：碩士

【文章目錄】：
中文摘要
ABSTRACT
Chapter One Introduction
    1.1 An Introduction to Toni Morrison and her Beloved
    1.2 Female Gothic
    1.3 Literature Review
Chapter Two The Female Gothic Heroines in Beloved
    2.1 A General Introduction to the Female Gothic Heroine
    2.2 The Female Gothic Heroine—Sethe
        2.2.1 Sethe’s Sufferings as a Female Slave
        2.2.2 Sethe’s Escaping Journey
        2.2.3 Sethe’s Murder of her Infant Daughter
    2.3 The Female Gothic Heroine—Beloved
        2.3.1 Beloved—The Trauma Caused by a Cruel Villain
        2.3.2 Beloved—A Revenant and a Femme Fatale
    2.4 The Female Gothic Heroine—Denver
        2.4.1 Denver’s Nightmare in Freedom
        2.4.2 Denver—The Gateway to the Future
Chapter Three The Female Gothic Enclosures and the Heroines’Happy Endings in Beloved
    3.1 A General Introduction to the Female Gothic Enclosure
        3.1.1 Bluestone Road 124
        3.1.2 Clearing
        3.1.3 Denver’s Emerald Closet
    3.2 Denver’s and Sethe’s Happy Endings
Chapter Four Conclusion
Bibliography
Acknowledgements
在學期間發(fā)表的學術論文和參加科研情況



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