無論是在英國文學(xué)的長廊之中,抑或從整個英國文化的歷史來看,威廉·莎士比亞都占據(jù)著獨(dú)一無二的地位。他一生中共創(chuàng)作了39部戲劇,5首長詩,154首十四行詩,足以使其儕身于世界文學(xué)巨匠之列。因此,只要談到英國文學(xué),就必然會涉及到莎士比亞的作品。作為莎士比亞文學(xué)的初涉者,莎劇中人物形象的多樣化給我留下了深刻的印象,尤其是在喜劇中出現(xiàn)的眾多聰明智慧的女性,更引起了我濃厚的興趣。 本文以莎劇女性形象為主題,旨在反映莎士比亞喜劇中所描寫的伊麗莎白統(tǒng)治時期婦女地位上升的趨勢。我認(rèn)為,莎劇中女性角色占據(jù)了統(tǒng)治全局的地位,然而由于歷史及社會的局限性,莎士比亞在戲劇結(jié)尾處將女性塑造成了與社會傳統(tǒng)習(xí)俗更為相符的形象。文中首先討論的是女性在莎士比亞喜劇中的崇高地位。莎劇猶如一面明鏡,真實再現(xiàn)了當(dāng)時社會各階層女性為爭取自由、人權(quán)及社會尊重所做出的斗爭。例如,喜劇《威尼斯商人》中聰明果敢的女主角羅莎琳娜,反映了女性在社會中角色的轉(zhuǎn)變:又如《馴悍記》中著名的凱特這一形象更是有力反擊了社會上輕視女性的保守思潮�？傊�,莎士比亞喜劇中的女性形象豐滿而真實可信,其成就早已超越了莎士比亞同時代及以前的其他戲劇家的作品。 ... 

【文章來源】：安徽大學(xué)安徽省 211工程院校

【文章頁數(shù)】：60 頁

【學(xué)位級別】：碩士

【文章目錄】：
Acknowledgements
Abstract
摘要
Introduction
Part Ⅰ. Female Characters in Classical Comedy and Elizabethan Comedy
    i. The second-rate position of women in the four periods of Greek and Roman Comedy
    ii.The promoted situation of women in Elizabethan comedy
Part Ⅱ. The Dominant Status of Women in Shakespeare's Comedies
    i. Reasons of the exaltation of women in his comedies
    ii.The theme of love and matrimony in comedies
    iii. Shakespeare's favor of revolting daughters in the plot of marriage
Part Ⅲ. Detailed Analysis of Two Distinctive Women in Shakespeare's Comedies
    i. Adriana—jealous or not?
    ii. Portia—the "protector" in The Merchant of Venice
Part Ⅳ. The Restriction of Social Custom to Women in Shakespeare's Comedies
    i. Religious and social prejudice of women in Elizabethan age
    ii. Contradictions between Shakespeare's heroines and social convention
Part Ⅴ. Detailed Analysis of the Regress of Women in Three of Shakespeare's Comedies
    i. The cohesive group of the prince of France in Love's Labor's Lost
    ii.The sudden regress of faithful Sylvia and Julia in Two Gentlemen oj Verona
    iii.The promotional function of the disguise of Rosalind—the voice of order in As You Like It
Conclusion
Notes
Bibliography
Appendix



本文編號：3475672