文學(xué)文體學(xué)是連接語言學(xué)和文學(xué)批評的橋梁。基于對文學(xué)語言現(xiàn)象的客觀描述,文學(xué)文體學(xué)探索作品的主題意義和美學(xué)效果如何通過不同的語言選擇來實現(xiàn)和增強,從而有助于提供一種更為客觀的文學(xué)作品的闡釋和鑒賞方式。從文體學(xué)角度看,文學(xué)文本的價值在于形式和內(nèi)容的統(tǒng)一,因此,文學(xué)文體學(xué)專門研究表現(xiàn)主題的文學(xué)語言的選擇。就小說而言,文學(xué)語言的形式涉及宏觀和微觀兩個層面。微觀層面的文體分析審視諸如詞匯特征、語法特征、修辭手段、語境和句間照應(yīng)等; 宏觀層面的文體分析則研究構(gòu)建整部作品的方式,包括小說的敘述視角和人物話語的不同表達形式。本篇論文以《了不起的蓋茨比》的詳細文體分析為范例,試圖闡明一部小說的主題意義和美學(xué)效果是如何通過作者的語言選擇和敘述技巧得以實現(xiàn)的,從而證明較為全面的文體觀念有助于更好,更深刻地理解敘述作品的主題和文學(xué)意義。通過從文體學(xué)角度分析揭示《了不起的蓋茨比》的風(fēng)格特點,我們可以肯定,文體分析,既培養(yǎng)了我們對語言使用的敏感度,又為文學(xué)鑒賞鋪平了道路。因此,將文體學(xué)引入到文學(xué)闡釋和鑒賞中,使文學(xué)批評家具備適當?shù)奈捏w分析能力是大有用處、也是及其必要的。 

【文章來源】：福州大學(xué)福建省 211工程院校

【文章頁數(shù)】：88 頁

【學(xué)位級別】：碩士

【文章目錄】：
Acknowledgements
中文摘要
Abstract
中文提要
Synopsis
Chapter 1 Introduction
    1.1 F. Scott Fitzgerald and The Great Gatsby
        1.1.1 The Theme of The Great Gatsby
    1.2 The Purpose of This Investigation
    1.3 Literary Stylistics as A Discipline
    1.4 The Structure of This Thesis
Chapter 2 An Overview of Literary Stylistics
    2.1 Literary Language
        2.1.1 Foregrounding Theory
    2.2 Detecting Literary Significance from Linguistic Form: An Example
    2.3 Dimensions in Stylistic Analysis of Fiction
        2.3.1 A Checklist from A Micro Perspective
        2.3.2 Macro Dimensions
            2.3.2.1 Point of View
                2.3.2.1.1 Third-person Point of View
                    2.3.2.1.1.1 Omniscient Third-person Point of View
                    2.3.2.1.1.2 Limited Omniscient Third-person Point of View
                    2.3.2.1.1.3 Objective Third-person Point of View
                2.3.2.1.2 First-person Point of View
                2.3.2.1.3 Shift of Point of View
            2.3.2.2 Speech Presentation
                2.3.2.2.1 Direct Speech (DS) and Indirect Speech (IS)
                2.3.2.2.2 Free Direct Speech (FDS) and Free Indirect Speech (FIS)
                2.3.2.2.3 Narrative Report of Speech Acts (NRSA)
Chapter 3 Stylistic Analysis of The Great Gatsby
    3.1 Micro Perspective of The Style of The Great Gatsby
        3.1.1 Lexical Features
            3.1.1.1 Lexical Items and The Depiction of American Society
            3.1.1.2 Lexical Features and Characterization
                3.1.1.2.1 Lexical Clusters
                3.1.1.2.2 Lexical Clusters and Depiction of Gatsby
                3.1.1.2.3 Lexical Clusters and Depiction of Tom Buchanan
            3.1.1.3 Lexical Deviation
            3.1.1.4 Word Connotations and Thematic Significance
                3.1.1.4.1 Color Connotations
                3.1.1.4.2 Guest List and Its Connotations
        3.1.2 Syntactical Features
            3.1.2.1 Narrative Sentence Type
            3.1.2.2 Contrasts of Registers
            3.1.2.3 Phrasal Level
                3.1.2.3.1 The Repeated Use of Appositional Phrase
                3.1.2.3.2 The Use of Prepositional Phrase
    3.2 Macro Perspective of The Style of The Great Gatsby
        3.2.1 Aspect of Point of View
            3.2.1.1 Limited First-person Witness Narrative
            3.2.1.2 Some Shifts of Narrative Perspective
                3.2.1.2.1 Narrating I & Experiencing I
                3.2.1.2.2 Alternating Third-person Point of View
                3.2.1.2.3 Switching to Second-person Point of View
        3.2.2 Modes of Speech Presentation
            3.2.2.1 Direct Speech (DS)
            3.2.2.2 Indirect Speech (IS)
            3.2.2.3 Free Indirect Speech (FIS)
            3.2.2.4 Free Direct Speech (FDS)
            3.2.2.5 Narrative Report of Speech Acts (NRSA)
Conclusion
Bibliography
個人簡歷


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期刊論文
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