澳大利亞女作家考林·麥卡洛（Colleen McCullough）的代表作《荊棘鳥》是一部氣勢恢宏的家世小說,講述了1915-1969年間克里利一家三代女性的情感和人生經(jīng)歷。小說中四位女性人物各自的經(jīng)歷和命運成為不同歷史時期澳大利亞女性成長的真實寫照。本論文主要以女性人物為研究對象,運用女性主義批評的相關(guān)理論,從主體性和話語的角度解讀小說中女性主義的思想。論文認為女性一方面在惡劣的自然社會環(huán)境中頑強的生存意志和堅定的愛情追求為其贏得了主體地位,同時女性表現(xiàn)出對男性主流話語的反抗,兩者論證了女性主義基調(diào)的維系；另一方面女性在家庭生活（不幸的愛情婚姻生活）和社會生活（男性間親密的社會關(guān)系）中論為她者、客體,同時對主流話語不徹底的、有限的抵抗又使她們與主流話語形成合謀,女性主義最終走向顛覆。論文共包括五個部分：導論、理論概述、女性主義的維系、女性主義的顛覆和結(jié)論。導論部分簡要介紹作家考林·麥卡洛的文學成就,綜述當前國內(nèi)外對《荊棘鳥》的研究現(xiàn)狀,并陳述本文的主要觀點、研究方法。第二章結(jié)合女性主義理論和女性主義文學批評闡述、解讀本論文運用到的女性主義理論—對父權(quán)制的挑戰(zhàn)、女性主體性、以及女性話語... 

【文章來源】：安徽大學安徽省 211工程院校

【文章頁數(shù)】：76 頁

【學位級別】：碩士

【文章目錄】：
Acknowledgements
Abstract
摘要
Chapter One Introduction
    1.1 A brief introduction to the writer's literary achievements and the work
    1.2 Literature review
    1.3 Central argument and research methodology
    1.4 Framework of the thesis
Chapter Two Feminist Theoretical Concerns in the Thesis
    2.1 Challenge against patriarchy
    2.2 Female subjectivity & objectification
    2.3 Female discourse
Chapter Three Maintenance of Feminism in ThP Thorn Birds
    3.1 Female subjectivity in the novel
        3.1.1 Women's will of survival
        3.1.2 Courageous and persistent pursuit of love
    3.2 Women's resistance to male-centered discourse in the novel
        3.2.1 Mary Carson's overwhelming socialized identity
        3.2.2 Aged Fee's reclaiming her dignity and voice
        3.2.3 Meggie's initiative consciousness of love
        3.2.4 Justine's contempt for traditional morals and pursuits of vocational career
Chapter Four Subversion of Feminism in The Thorn Birds
    4.1 Female objectification in cultural and social environment in the novel
        4.1.1 Female inferiority in tragic love and marriage
        4.1.2 Male social relationships debasing women's value
            4.1.2.1. Luke's mateship with Arne,a sugarcane cutter
            4.1.2.2 Ralph's closely spiritual relationship with Archbishop di Contini-Verchese
    4.2 Women's affirmation of male-centered discourse in the novel
        4.2.1 Mary Carson's "male-identified" image
        4.2.2 Fee's tragic life
        4.2.3 Meggie's deferring to patriarchy
        4.2.4 Retrogress of Justine's identity pursuit
Chapter Five Conclusion
Works Cited
Publications



本文編號：3248658