托馬斯·哈代在《1912-1913組詩(shī)》中的自我超越
發(fā)布時(shí)間:2021-06-22 01:34
在英國(guó)文學(xué)史上,托馬斯·哈代(Thomas Hardy,1840-1928)既是一位偉大的小說(shuō)家也是一位成功的詩(shī)人。作為詩(shī)人,哈代在英國(guó)詩(shī)歌的發(fā)展過(guò)程中發(fā)揮了重要作用。他繼承和發(fā)展了浪漫主義詩(shī)歌傳統(tǒng)并為現(xiàn)代詩(shī)歌的發(fā)展鋪平了道路。哈代一生創(chuàng)作了近千首詩(shī)歌,其中《1912-1913組詩(shī)》是一組21首創(chuàng)作于妻子愛瑪去世后的悼亡詩(shī),被認(rèn)為是哈代最偉大的詩(shī)歌成就。然而,國(guó)內(nèi)外對(duì)《1912-1913組詩(shī)》的研究卻非常有限�!�1912-1913組詩(shī)》真實(shí)而全面地展現(xiàn)了哈代豐富而復(fù)雜的內(nèi)心世界。本文以哈代與亡妻愛瑪?shù)男睦砑m葛為線索,全面展現(xiàn)了哈代在組詩(shī)中的自我超越。全文由五章組成。第一章對(duì)《1912-1913組詩(shī)》的相關(guān)背景進(jìn)行了簡(jiǎn)要介紹,包括哈代與愛瑪?shù)幕橐�,愛瑪之死和哈代�?duì)組詩(shī)的創(chuàng)作。圍繞組詩(shī)展開的相關(guān)研究也在本章中得到了介紹。第二章分析了哈代在組詩(shī)中表現(xiàn)出的強(qiáng)烈失落感。這種失落感是通過(guò)哈代在愛瑪死后所產(chǎn)生的各種復(fù)雜情感相互作用而形成的,它使哈代陷入了一個(gè)失落的世界。第三章進(jìn)一步分析了哈代在組詩(shī)中的無(wú)意識(shí)活動(dòng)。哈代在無(wú)意識(shí)中建構(gòu)出了愛瑪在不同世界中的各種形象,然而,哈代與被建構(gòu)出的愛瑪形象始終是分...
【文章來(lái)源】:中南大學(xué)湖南省 211工程院校 985工程院校 教育部直屬院校
【文章頁(yè)數(shù)】:93 頁(yè)
【學(xué)位級(jí)別】:碩士
【文章目錄】:
摘要
Abstract
Introduction
0.1 Thomas Hardy and His Poetry
0.2 Literature Survey of Hardy Studies
0.3 Jungian Analytical Psychology
0.4 Brief of the Thesis
Chapter 1 Emma and Hardy's "Poems of 1912-1913"
1.1 Marriage of Hardy and Emma
1.2 Death of Emma
1.3 Hardy's Writing of "Poems of 1912-1913"
1.4 Criticism on "Poems of 1912-1913"
Chapter 2 Hardy's Sense of Loss after Emma's Death
2.1 Sorrow of a Bereaved Husband
2.2 Regret for the Unhappy Marriage
2.3 Fruitless New Passion for the Dead Emma
Chapter 3 Hardy's Unconscious Construction of Emma
3.1 Construction of Emma in the Past
3.2 Construction of Emma in the Virtual World
3.3 Separation of Hardy and the Constructed Emma
Chapter 4 Disintegration Behind Hardy's Construction
4.1 Concept of the Anima
4.2 Emma: Hardy's Anima Figure
4.3 Disintegration between Hardy and His Anima Figure Emma
Chapter 5 Integration: the Way towards Reconciliation
5.1 Integration of Hardy and the Anima
5.2 Hardy's Extrication after the Integration
5.3 Hardy's Final Reconciliation
Conclusion
Notes
Bibliography
Acknowledgements
攻讀碩士學(xué)位期間主要的研究成果目錄
本文編號(hào):3241846
【文章來(lái)源】:中南大學(xué)湖南省 211工程院校 985工程院校 教育部直屬院校
【文章頁(yè)數(shù)】:93 頁(yè)
【學(xué)位級(jí)別】:碩士
【文章目錄】:
摘要
Abstract
Introduction
0.1 Thomas Hardy and His Poetry
0.2 Literature Survey of Hardy Studies
0.3 Jungian Analytical Psychology
0.4 Brief of the Thesis
Chapter 1 Emma and Hardy's "Poems of 1912-1913"
1.1 Marriage of Hardy and Emma
1.2 Death of Emma
1.3 Hardy's Writing of "Poems of 1912-1913"
1.4 Criticism on "Poems of 1912-1913"
Chapter 2 Hardy's Sense of Loss after Emma's Death
2.1 Sorrow of a Bereaved Husband
2.2 Regret for the Unhappy Marriage
2.3 Fruitless New Passion for the Dead Emma
Chapter 3 Hardy's Unconscious Construction of Emma
3.1 Construction of Emma in the Past
3.2 Construction of Emma in the Virtual World
3.3 Separation of Hardy and the Constructed Emma
Chapter 4 Disintegration Behind Hardy's Construction
4.1 Concept of the Anima
4.2 Emma: Hardy's Anima Figure
4.3 Disintegration between Hardy and His Anima Figure Emma
Chapter 5 Integration: the Way towards Reconciliation
5.1 Integration of Hardy and the Anima
5.2 Hardy's Extrication after the Integration
5.3 Hardy's Final Reconciliation
Conclusion
Notes
Bibliography
Acknowledgements
攻讀碩士學(xué)位期間主要的研究成果目錄
本文編號(hào):3241846
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