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論艾米·洛威爾詩歌中的“姐妹情誼”

發(fā)布時間:2021-01-14 17:25
  艾米.洛威爾是二十世紀(jì)前期美國一位杰出的女詩人。她是意象派的主要倡導(dǎo)者之一,也是二十世紀(jì)初“詩歌復(fù)興”運(yùn)動中的重要人物。她在詩歌作品中大膽嘗試新的韻律和模式,所涉及的題材也極為廣泛。然而,在她逝世后,她的詩歌并沒有得到人們的重視。洛威爾常被認(rèn)為是一位離經(jīng)叛道的女詩人,因此她的關(guān)于女性的詩歌,對于她的詩歌價值的研究具有重大意義,而目前關(guān)于這方面的研究也尚欠充分。本文正是要借助女性主義中關(guān)于“姐妹情誼”的理論,來探討洛威爾的詩歌中是如何表現(xiàn)女性之間的關(guān)系的。根據(jù)女性主義理論,“姐妹情誼”這個概念的產(chǎn)生,根源于父權(quán)社會中女性被邊緣化的地位以及女性共同的生理體驗(yàn)和心理特征,主要表現(xiàn)為女性之間的親昵關(guān)系和她們在政治、經(jīng)濟(jì)、文學(xué)上的團(tuán)結(jié)。在她的詩歌中,洛威爾為我們描繪了一幅“姐妹情誼”的藍(lán)圖。在一些詩歌里,她剖析了女性的激情是如何在兩性關(guān)系中被湮滅的。洛威爾還有有大量寫給女性密友艾達(dá).拉塞爾和埃莉諾拉.杜絲的詩歌,這些詩歌體現(xiàn)了女性之間的親昵關(guān)系。而在對女性美的崇拜和對分離的焦慮中,女性的激情表露無遺。洛威爾對于女性親昵關(guān)系的討論,也表明了這種關(guān)系中對于女性的重要意義。同時,洛威爾還關(guān)照了女性詩人... 

【文章來源】:廣東外語外貿(mào)大學(xué)廣東省

【文章頁數(shù)】:67 頁

【學(xué)位級別】:碩士

【文章目錄】:
ACKNOWLEDGEMENT
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
    1.1 Amy Lowell:A Brief Introduction
    1.2 Literature Review
    1.3 Significance of the Thesis
    1.4 Research Questions and Thesis Statement
CHAPTER TWO THEORETICAL RATIONALE OF "SISTERHOOD"
    2.1 Reasons for the Emergence of the Concept of "Sisterhood"
        2.1.1 Marginalization of women
        2.1.2 Common characteristics of women
    2.2 Manifestations of "Sisterhood"
        2.2.1 Female Intimacy
        2.2.2 Female Solidarity in Politics,Economy and Literature
    2.3 Significance of the Construction of"Sisterhood"
CHAPTER THREE AMY LOWELL'S PRESENTATION OF "SISTERHOOD" IN FEMALE INTIMACY
    3.1 Revelation of Repression of Women's Passions in Heterosexual Relationships
        3.1.1 Revelation of Repression of Women's Passions by Marriage
        3.1.2 Revelation of Repression of Women's Passions by Social Convention
    3.2 Presentation of Women's Passions in Female Intimacy
        3.2.1 Celebration of the Divinity of Female Beauty
        3.2.2 Anxiety about Separation from the Beloved Lady
    3.3 Presentation of the Significance of Female Intimacy
CHAPTER FOUR AMY LOWELL'S PRESENTATION OF "SISTERHOOD" IN FEMALE SOLIDARITY
    4.1 Revelation of the Marginalization of Female Poets
    4.2 Discussion of the Solidarity of Female Poets
        4.2.1 Identification with Other Female Poets
        4.2.2 Appreciation of Female Poets and Examination of their Limitations
CHAPTER FIVE CONCLUSION
WORKS CITED



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