西方有句諺語“笑是一劑良藥”。有詩人說:“你若歡笑,世人同喜;你若痛哭,唯你悲傷。”喜劇文學(xué)就是笑的載體之一。從古到今,在文學(xué)歷史上的各個(gè)階段,人們都能聽到笑的聲音。喜劇文學(xué)有她獨(dú)特的魅力,經(jīng)久不衰,為人們喜聞樂見,雅俗共賞。 作為一種特殊的審美客體,喜劇文學(xué)有她獨(dú)特的美學(xué)特征。喜劇文學(xué)的美學(xué)特征是本文的研究對(duì)象。作為一種引人注目和引人發(fā)笑的文學(xué)現(xiàn)象,她存在于文學(xué)發(fā)展的各個(gè)歷史時(shí)期,在今天仍屢見不鮮,長(zhǎng)盛不衰;她包括多種文學(xué)樣式如詩歌、小說、寓言、散文、喜劇和電影等文學(xué)樣式。 本論文分三部分,第一部分為引言,在第二部分,作者深入分析了喜劇文學(xué)的七個(gè)方面的美學(xué)特征;第三部分為結(jié)論,總結(jié)了本論文的研究成果及研究局限與不足等。 在第一部分,作者介紹了研究范圍、研究目的和研究方法。在基于對(duì)喜劇這一美學(xué)樣式和文學(xué)樣式的研究與討論的基礎(chǔ)上作者界定了喜劇文學(xué)范疇。喜劇文學(xué)包括多種引人發(fā)笑的文學(xué)樣式如詩歌、小說、散文、寓言、喜劇和電影等。她以一種扭曲和夸張的技巧,通過模仿人性中的弱點(diǎn)和丑陋,使人發(fā)笑,揭露假、惡、丑,倡導(dǎo)真、善、美。 作者在第二部分,即第一至六章,論文的主體部分... 

【文章來源】：山西大學(xué)山西省

【文章頁數(shù)】：56 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgements
Abstract in Chinese
Abstract
Introduction
    1 Introduction
    2 Comedy in Aesthetics
    3 Comedy as a Genre of Literature
    4 The Scope of Study
    5 The Objective of Study
    6 The Present Study on Comic Literature
    7 The Methodology of the Study
Chapter I The Origin and Nature of Comic Literature
    1.1 Introduction
    1.2 A Literary Review on the Origin and Nature of Comic Literature and the Author' s Analysis on it
    1.3 A Summary on the Origin and Nature of Comic Literature
    1.4 A Further Empirical Study on the Origin and Nature of Comic Literature
Chapter II The Object and the Conventional Images of Comic Literature
    2.1 Introduction
    2.2 A Literary Review on the Object of Comic Literature and the Author' s Analysis on It
    2.3 A Summary on the Object of Comic Literature
    2.4 A Further Empirical Study on the Object of Comic Literature
    2.5 A Literary Review on the Characteristics of Conventional Images of Comic Literature and the Author' s Analysis on It
    2.6 A Summary on the Characteristics of Conventional Images of Comic Literature
    2.7 A Further Empirical Study on the Characteristics of Conventional Images of Comic Literature
Chapter III The Devices Employed in Comic Literature
    3.1 Introduction
    3.2 A Literary Review on the Devices Employed in Comic Literature and the Author' s Analysis on It
    3.3 The Psychological Explanation of the Devices in Comic Literature
    3.4 A Summary on the Devices Employed in Comic Literature
    3.5 A Further Empirical Study on the Devices Employed in Comic Literature
    3.6 Rhetoric Devices Employed in Comic Literature
        3.6.1 Simile
        3.6.2 Hyperbole
        3.6.3 Personification
        3.6.4 Irony
        3.6.5 Paradox
        3.6.6 Understatement
        3.6.7 Parody
        3.6.8 Reverse
        3.6.9 Paregmenon
        3.6.10 Malapropism
        3.6.11 Pun
        3.6.12 A Psychological Explanation of the Effect of the Rhetoric Devices
Chapter IV The Language Style of Comic Literature
    4.1 Introduction
    4.2 An Analysis from the Socio-linguistic Perspective: Register
    4.3 A Literary Review on the Language Style of Comic Literature and the Author' s Analysis on it
    4.4 A Summary on the Language Style of Comic Literature
    4.5 A Further Empirical Study on the Language Style of Comic Literature
Chapter V The Function of Comic Literature
    5.1 Introduction
    5.2 A Literary Review on the Function of Comic Literature and the Author' s Analysis on it
    5.3 A Conclusion on the Functions of the Comic Literature: Entertaining or Recreational, Ironic, Subversive and Heuristic
        5.3.1 Entertaining or Recreational
        5.3.2 Ironic
        5.3.3 Subversive
        5.3.4 Heuristic
Chapter VI The Tragic Connotation of Comic Literature
    6.1 Introduction
    6.2 A literary review on the Tragic Connotation of the Comic Literature and the Author' s Analysis on It
    6.3 A Summary on the Tragic Connotation of Comic Literature
    6.4 A Further Empirical Discussion on the Tragic Connotation of Comic Literature
7 Conclusion
    7.1 Introduction
    7.2 Major Findings
    7.3 Implications
    7.4 Limitations
    7.5 Suggestions for Further Study
Bibliography
承諾書


【參考文獻(xiàn)】：
期刊論文
[1]丑:現(xiàn)實(shí)的否定和人性的拯救——阿多諾美學(xué)思想片談[J]. 羅顯克.  外國(guó)文學(xué)研究. 2004(03)
[2]智者和愚人的對(duì)應(yīng)與耦合 評(píng)《誘人的傻瓜——莎劇中的職業(yè)小丑》[J]. 李偉民.  外國(guó)文學(xué). 2004(02)
[3]約瑟夫·海勒小說中的后現(xiàn)代主義藝術(shù)手法[J]. 陳世丹,孟昭富.  國(guó)外文學(xué). 2003(04)
[4]略論英美愚人文學(xué)的源流[J]. 田俊武.  國(guó)外文學(xué). 2003(03)
[5]《坎特伯雷故事》中的狂歡化喜劇特色[J]. 何岳球.  外國(guó)文學(xué)研究. 2003(04)
[6]弗洛伊德笑論批判[J]. 孫占奎.  煙臺(tái)大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版). 2003(01)
[7]莎氏喜劇丑角地位和作用之管窺——波頓與馬伏里奧比較一得[J]. 李聶海.  深圳大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版). 2002(03)
[8]幽默小說:品性與歷史——米蘭·昆德拉的啟示[J]. 李鳳亮.  暨南學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版). 2002(03)
[9]巴赫金對(duì)西方喜劇美學(xué)的理論貢獻(xiàn)[J]. 蘇暉.  華中師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版). 2002(01)
[10]巴赫金對(duì)席勒諷刺觀的繼承與發(fā)展──兼及巴赫金笑論的美學(xué)史意義[J]. 曾軍.  外國(guó)文學(xué)研究. 2001(03)



本文編號(hào)：2951536