追尋精神家園—評(píng)《雨王漢德森》
發(fā)布時(shí)間：2020-12-12 14:29
作為戰(zhàn)后美國(guó)最優(yōu)秀的作家之一,索爾·貝婁榮獲了許多榮譽(yù),其中包括最有影響力的諾貝爾文學(xué)獎(jiǎng)。貝婁擅長(zhǎng)描寫(xiě)現(xiàn)代知識(shí)分子的生活和心態(tài),探索現(xiàn)代人的精神危機(jī)和出路,多層次、富有質(zhì)感地刻畫(huà)人物的心理活動(dòng),對(duì)美國(guó)表面物質(zhì)繁榮之下的精神危機(jī)進(jìn)行了深入和獨(dú)到的觀察。他不僅擁有深厚的猶太文化傳統(tǒng)、極其淵博的知識(shí),更通過(guò)對(duì)美國(guó)社會(huì)的觀察和分析,形成了既富于同情,又兼有喜劇性的嘲諷和嚴(yán)肅的思考相結(jié)合的獨(dú)特的“貝婁式風(fēng)格”。現(xiàn)代人進(jìn)退維谷的生存困境在貝婁作品中得到了真實(shí)的體現(xiàn)。在1959年出版的《雨王漢德森》一書(shū)中,貝婁對(duì)于現(xiàn)代社會(huì)的異化現(xiàn)象和現(xiàn)代人的精神危機(jī)更是進(jìn)行了深刻的洞察。 《雨王漢德森》講述的是現(xiàn)代人追尋精神家園的故事。主人公漢德森為了尋找精神危機(jī)的出路而深入非洲腹地,經(jīng)過(guò)一系列的歷險(xiǎn)最終完成了精神轉(zhuǎn)變�，F(xiàn)代人對(duì)于死亡和生存危機(jī)的焦慮,通過(guò)漢德森內(nèi)心所受到的折磨和他的非洲之行清晰地表現(xiàn)出來(lái)。貝婁獨(dú)特的人物刻畫(huà)以及對(duì)于神話原型中的追尋主題的運(yùn)用為小說(shuō)帶來(lái)了成功。而主人公內(nèi)心那個(gè)“我要,我要”的聲音更是給讀者留下了深刻的印象。貝婁選擇了連他自己都沒(méi)有到過(guò)的非洲作為漢德森的目的地,給他的創(chuàng)造力和想象...
【文章來(lái)源】：四川大學(xué)四川省 211工程院校 985工程院校 教育部直屬院校
【文章頁(yè)數(shù)】：81 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Introduction
Chapter One Quest-myth as an Archetype in Henderson the Rain King
1.1 About the Author, His Works and the Brief Critical History of His Works
1.2 A General Introduction to the Novel
1.3 The Quest-myth Archetype in Henderson the Rain King
1.3.1 Bellow's Use of the Quest-theme
1.3.2 Henderson: an Archetypal Hero Analogous to the Greek Mythology
1.3.3 Henderson: as an Archetype of the Modern Man
Chapter Two Quest for Individual Existential Value: Henderson's Journey to Africa
2.1 The American Section: the Reason to Go to Africa
2.1.1 The Urge of the Inner Voice
2.1.2 Alienation in Henderson's Relations with Others
2.2 Henderson's Trip to Africa
2.2.1 The Archetypal Meaning of Africa in This Work
2.2.2 Henderson's Trip to Arnewi—a Failure
2.2.3 The Trip to Wariri—a Transition to the Reality
2.3 The Ending of the Story—Return to Civilization
Chapter Three Return of the Hero: the Completion of the Quest-myth
3.1 Elements that Promote the Protagonist's Quest
3.1.1 Death—the Activator in Henderson's Transformation
3.1.2 Animals—the Promoter in the Change of the Protagonist
3.2 The Settlement of the Existential Problem in the Novel
3.3 The Completion of the Quest-myth
Conclusion
Bibliography
本文編號(hào)：2912732
【文章來(lái)源】：四川大學(xué)四川省 211工程院校 985工程院校 教育部直屬院校
【文章頁(yè)數(shù)】：81 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Introduction
Chapter One Quest-myth as an Archetype in Henderson the Rain King
1.1 About the Author, His Works and the Brief Critical History of His Works
1.2 A General Introduction to the Novel
1.3 The Quest-myth Archetype in Henderson the Rain King
1.3.1 Bellow's Use of the Quest-theme
1.3.2 Henderson: an Archetypal Hero Analogous to the Greek Mythology
1.3.3 Henderson: as an Archetype of the Modern Man
Chapter Two Quest for Individual Existential Value: Henderson's Journey to Africa
2.1 The American Section: the Reason to Go to Africa
2.1.1 The Urge of the Inner Voice
2.1.2 Alienation in Henderson's Relations with Others
2.2 Henderson's Trip to Africa
2.2.1 The Archetypal Meaning of Africa in This Work
2.2.2 Henderson's Trip to Arnewi—a Failure
2.2.3 The Trip to Wariri—a Transition to the Reality
2.3 The Ending of the Story—Return to Civilization
Chapter Three Return of the Hero: the Completion of the Quest-myth
3.1 Elements that Promote the Protagonist's Quest
3.1.1 Death—the Activator in Henderson's Transformation
3.1.2 Animals—the Promoter in the Change of the Protagonist
3.2 The Settlement of the Existential Problem in the Novel
3.3 The Completion of the Quest-myth
Conclusion
Bibliography
本文編號(hào)：2912732
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