【摘要】：整個(gè)批評(píng)界一直以來(lái)都注意到哈姆雷特的抑郁,而忽略了他的另一面——躁狂。哈姆雷特不斷奔涌的思緒、無(wú)盡擴(kuò)充的意識(shí)、對(duì)王后和奧菲利婭的暴力都是他躁狂的表現(xiàn)。哈姆雷特的躁狂與抑郁相混合,在這種狀態(tài)下,他對(duì)生存與死亡進(jìn)行了深刻的思考。哈姆雷特的躁郁癥作為一種瘋癲狀態(tài),在莎士比亞的戲劇中享有終極的地位,具有審美和哲學(xué)的意義。
[Abstract]:The whole critics have always noticed Hamlet's depression and ignored his other side, mania. Hamlet's surging thoughts, endless expansion of consciousness, and violence against the Queen and Ophelia were all manifestations of his mania. Hamlet's mania is mixed with depression, in which he thinks deeply about survival and death. Hamlet's manic disorder, as a state of madness, enjoys the ultimate position in Shakespeare's plays and has aesthetic and philosophical significance.
【作者單位】： 北京郵電大學(xué)人文學(xué)院;
【分類號(hào)】：I561.073
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本文編號(hào)：2517928