【摘要】：在《失樂(lè)園》和《復(fù)樂(lè)園》中,彌爾頓沿用西方史詩(shī)傳統(tǒng),先后五次展開(kāi)"詩(shī)歌吁求"。但他每次所用稱呼均不相同,其中,"繆斯"和"尤拉尼亞"屬于古希臘羅馬史詩(shī)傳統(tǒng),而"圣靈"、"神圣的光"和"我天上的女詩(shī)神"則明顯屬于基督教史詩(shī)傳統(tǒng)。然而,彌爾頓的"繆斯"和"尤拉尼亞"是被基督教化了的"天上的繆斯"。彌爾頓在"詩(shī)歌吁求"中堅(jiān)持呼吁基督教史詩(shī)繆斯,強(qiáng)調(diào)其繆斯"勝過(guò)一切"的力量,為其史詩(shī)的圣經(jīng)主題進(jìn)行辯護(hù),并重新定義"真正的史詩(shī)英雄"和"英雄主義"。由此,彌爾頓發(fā)展了西方史詩(shī)傳統(tǒng),在史詩(shī)史上占據(jù)了"永恒的經(jīng)典地位"。
[Abstract]:In Paradise lost and Paradise recovery, Milton followed the tradition of western epic and launched poetry appeal five times. However, his address is different every time, in which "muse" and "Eulania" belong to the ancient Greek and Roman epic tradition, while "Holy Spirit", "Holy Light" and "my heavenly female Poetry God" obviously belong to the Christian epic tradition. However, Milton's Muse and Yurania are the Muse of Heaven, which was taught by Christ. Milton insisted on the Christian epic muse in his poetic appeal, emphasizing the power of his muse to "outweigh everything", defending the biblical theme of his epic, and redefining "true epic hero" and "heroism". As a result, Milton developed the western epic tradition and occupied the eternal classical position in the history of historical poetry.
【作者單位】： 湖南師范大學(xué)外國(guó)語(yǔ)學(xué)院;中南大學(xué)外國(guó)語(yǔ)學(xué)院;
【分類號(hào)】：I561.072

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