“單一神話”視角下的村上春樹(shù)作品解讀
發(fā)布時(shí)間：2019-06-27 14:09
【摘要】：村上春樹(shù)登上文壇已逾三十載，獲得了眾多頗具份量的文學(xué)獎(jiǎng)項(xiàng)。作品被翻譯成三十多種語(yǔ)言，暢銷(xiāo)世界各地，擁有龐大的讀者群。值得一提的是，村上春樹(shù)在我國(guó)的譯介尤為成功。截至目前，我國(guó)已引進(jìn)出版村上作品三十余部，包括他的長(zhǎng)篇小說(shuō)十二部，以及短篇小說(shuō)集、散文隨筆和游記等。中國(guó)的村上讀者數(shù)量也僅次于日本，村上春樹(shù)相關(guān)研究可謂是當(dāng)下熱點(diǎn)。 目前國(guó)內(nèi)關(guān)于村上春樹(shù)的研究論述主要集中在村上文學(xué)的后現(xiàn)代性、孤獨(dú)情境、追尋主題；或著眼于他的西化色彩，對(duì)美國(guó)作家的借鑒模仿；或研究村上春樹(shù)創(chuàng)作中隱含的東方本質(zhì)等等。但尚未見(jiàn)有從原型批評(píng)角度入手，較全面地對(duì)村上春樹(shù)多部主要作品進(jìn)行對(duì)比研究的先例。美國(guó)比較神話學(xué)者約瑟夫坎貝爾基于榮格的原型理論提出了英雄冒險(xiǎn)神話敘事模式——“單一神話”原型，認(rèn)為全世界的英雄冒險(xiǎn)神話故事具有相似的圓環(huán)結(jié)構(gòu)，即分離→考驗(yàn)→歸來(lái)。日本學(xué)者大XZ英志甚至斷言村上春樹(shù)的小說(shuō)《尋羊冒險(xiǎn)記》明顯遵循單一神話的套路。他的研究給了拙論極大的啟發(fā)，同時(shí)也存在很大修正和完善的空間。 拙論主要以村上春樹(shù)的六部長(zhǎng)篇小說(shuō)代表作《尋羊冒險(xiǎn)記》、《舞舞舞》、《世界盡頭與冷酷仙境》、《奇鳥(niǎo)形狀錄》、《海邊的卡夫卡》、《1Q84》為研究對(duì)象，發(fā)掘其中潛藏的單一神話原型，梳理單一神話原型的各個(gè)要素在村上小說(shuō)中的表現(xiàn)形式及意義。解讀作品的同時(shí)，分析村上春樹(shù)“神話再造”的現(xiàn)實(shí)意義，最終揭示村上春樹(shù)作品風(fēng)靡世界的深層原因。本論由以下內(nèi)容構(gòu)成： 緒論，介紹研究背景，，闡明采用相關(guān)理論研究村上春樹(shù)作品的合理性和可行性。 第一部分，介紹研究的相關(guān)理論，并借村上春樹(shù)的短篇小說(shuō)《UFO降落釧路》，勾勒出單一神話原型的基本構(gòu)成。交待本論中涉及的六部主要長(zhǎng)篇小說(shuō)的情節(jié)梗概。 第二、三、四部分，按照單一神話原型的三大階段，分別對(duì)英雄冒險(xiǎn)神話各典型要素在村上春樹(shù)小說(shuō)中的出現(xiàn)情況進(jìn)行分析。例如出發(fā)階段母親的退場(chǎng)、超自然的助力、跨越閾限、鯨魚(yú)腹腔幾大要素；考驗(yàn)階段的與女神結(jié)合、與天父和解等要素；以及最后階段的的跨越閾限歸來(lái)。對(duì)這些要素在村上小說(shuō)中的表現(xiàn)形式和意義進(jìn)行解讀。 最后為結(jié)束語(yǔ)。村上春樹(shù)的小說(shuō)獲得世界范圍讀者的接受，究其深層原因，和作品中廣泛存在的神話敘事原型有著千絲萬(wàn)縷的聯(lián)系。另外，村上春樹(shù)神話再造的新意在于他筆下的“現(xiàn)代英雄”冒險(xiǎn)的終極意義并非在社會(huì)中獲得怎樣的地位，而是使自身靈魂變得獨(dú)立、自主。而讓更多人的靈魂獲得自由，也正是身為作家的村上春樹(shù)一直引以為己任的事情。
[Abstract]:Murakami has been in the literary world for more than 30 years and has won many important literary awards. The work is translated into more than 30 languages and sells well all over the world, with a large readership. It is worth mentioning that Haruki Murakami's translation and introduction in China is particularly successful. Up to now, more than 30 Murakami works have been introduced and published in our country, including 12 of his novels, as well as collections of short stories, essays and travel notes. The number of Murakami readers in China is also second only to Japan, and Murakami's research can be described as a hot spot. At present, the domestic research on Murakami mainly focuses on the postmodernism, lonely situation, pursuit theme of Murakami literature, or focusing on his westernization color, drawing lessons from and imitating American writers, or studying the oriental essence implied in Murakami's creation, and so on. However, there is no precedent for a comprehensive comparative study of many main works of Haruki Murakami from the perspective of archetypal criticism. Based on Jung's archetypal theory, Joseph Campbell, an American comparative mythologist, put forward the narrative model of heroic adventure myth-"single myth" archetypal, which holds that heroic adventure myths all over the world have a similar ring structure, that is, the return of separation and test. XZ Yingzhi, a Japanese scholar, even affirmed that Haruki Murakami's novel Adventure for Sheep obviously follows the routine of a single myth. His research has given great inspiration to the clumsy theory, at the same time, there is also a lot of room for revision and perfection. This paper mainly takes Murakami's six novels, "Hunt for Sheep Adventure", "Dance", "the end of the World and the Cold Wonderland", "Strange Bird shape record", "Kavka by the Sea", < 1Q84 > as the research objects, excavates the hidden single mythological archetypes, and combs the expression forms and significance of each element of the single mythological archetypes in Murakami's novels. While interpreting the works, this paper analyzes the practical significance of Murakami's "mythological reconstruction", and finally reveals the deep reasons why Murakami's works are popular in the world. This theory is composed of the following contents: introduction, introduce the research background, clarify the rationality and feasibility of using the relevant theory to study Murakami's works. The first part introduces the relevant theories of the study, and outlines the basic composition of a single mythological prototype by using Murakami's short story "UFO landed Kushiro". Explain the plot outline of the six main novels involved in this theory. The second, third and fourth parts, according to the three stages of a single mythological prototype, analyze the emergence of the typical elements of heroic adventure myth in Murakami Chunshu's novels. For example, the departure of the mother in the departure stage, the supernatural power, the crossing threshold, the whale abdominal cavity, the combination of the goddess and the heavenly father in the test stage, and the return of the crossing threshold in the final stage. This paper interprets the manifestation and significance of these elements in Murakami's novels. Finally, the conclusion is made. Murakami's novel has been accepted by readers all over the world, and its deep reasons are inextricably linked to the mythological narrative archetypes that widely exist in the works. In addition, the new idea of Murakami's mythology reconstruction lies in the fact that the ultimate significance of his adventure of "modern hero" is not what kind of position he obtains in society, but makes his soul independent and independent. And letting more people's souls be free is what Haruki Murakami, as a writer, has always taken for himself.
【學(xué)位授予單位】：中國(guó)海洋大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074
本文編號(hào)：2506858
[Abstract]:Murakami has been in the literary world for more than 30 years and has won many important literary awards. The work is translated into more than 30 languages and sells well all over the world, with a large readership. It is worth mentioning that Haruki Murakami's translation and introduction in China is particularly successful. Up to now, more than 30 Murakami works have been introduced and published in our country, including 12 of his novels, as well as collections of short stories, essays and travel notes. The number of Murakami readers in China is also second only to Japan, and Murakami's research can be described as a hot spot. At present, the domestic research on Murakami mainly focuses on the postmodernism, lonely situation, pursuit theme of Murakami literature, or focusing on his westernization color, drawing lessons from and imitating American writers, or studying the oriental essence implied in Murakami's creation, and so on. However, there is no precedent for a comprehensive comparative study of many main works of Haruki Murakami from the perspective of archetypal criticism. Based on Jung's archetypal theory, Joseph Campbell, an American comparative mythologist, put forward the narrative model of heroic adventure myth-"single myth" archetypal, which holds that heroic adventure myths all over the world have a similar ring structure, that is, the return of separation and test. XZ Yingzhi, a Japanese scholar, even affirmed that Haruki Murakami's novel Adventure for Sheep obviously follows the routine of a single myth. His research has given great inspiration to the clumsy theory, at the same time, there is also a lot of room for revision and perfection. This paper mainly takes Murakami's six novels, "Hunt for Sheep Adventure", "Dance", "the end of the World and the Cold Wonderland", "Strange Bird shape record", "Kavka by the Sea", < 1Q84 > as the research objects, excavates the hidden single mythological archetypes, and combs the expression forms and significance of each element of the single mythological archetypes in Murakami's novels. While interpreting the works, this paper analyzes the practical significance of Murakami's "mythological reconstruction", and finally reveals the deep reasons why Murakami's works are popular in the world. This theory is composed of the following contents: introduction, introduce the research background, clarify the rationality and feasibility of using the relevant theory to study Murakami's works. The first part introduces the relevant theories of the study, and outlines the basic composition of a single mythological prototype by using Murakami's short story "UFO landed Kushiro". Explain the plot outline of the six main novels involved in this theory. The second, third and fourth parts, according to the three stages of a single mythological prototype, analyze the emergence of the typical elements of heroic adventure myth in Murakami Chunshu's novels. For example, the departure of the mother in the departure stage, the supernatural power, the crossing threshold, the whale abdominal cavity, the combination of the goddess and the heavenly father in the test stage, and the return of the crossing threshold in the final stage. This paper interprets the manifestation and significance of these elements in Murakami's novels. Finally, the conclusion is made. Murakami's novel has been accepted by readers all over the world, and its deep reasons are inextricably linked to the mythological narrative archetypes that widely exist in the works. In addition, the new idea of Murakami's mythology reconstruction lies in the fact that the ultimate significance of his adventure of "modern hero" is not what kind of position he obtains in society, but makes his soul independent and independent. And letting more people's souls be free is what Haruki Murakami, as a writer, has always taken for himself.
【學(xué)位授予單位】：中國(guó)海洋大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 歐陽(yáng)韻竹;孟維杰;;神話的原型生態(tài)意義新探[J];心理研究;2011年02期
2 于麗娜;;約瑟夫·坎貝爾英雄冒險(xiǎn)神話模式淺論[J];世界宗教文化;2009年02期
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