“單一神話”視角下的村上春樹作品解讀
發(fā)布時間：2019-06-27 14:09
【摘要】：村上春樹登上文壇已逾三十載，獲得了眾多頗具份量的文學(xué)獎項。作品被翻譯成三十多種語言，暢銷世界各地，擁有龐大的讀者群。值得一提的是，村上春樹在我國的譯介尤為成功。截至目前，我國已引進(jìn)出版村上作品三十余部，包括他的長篇小說十二部，以及短篇小說集、散文隨筆和游記等。中國的村上讀者數(shù)量也僅次于日本，村上春樹相關(guān)研究可謂是當(dāng)下熱點。 目前國內(nèi)關(guān)于村上春樹的研究論述主要集中在村上文學(xué)的后現(xiàn)代性、孤獨情境、追尋主題；或著眼于他的西化色彩，對美國作家的借鑒模仿；或研究村上春樹創(chuàng)作中隱含的東方本質(zhì)等等。但尚未見有從原型批評角度入手，較全面地對村上春樹多部主要作品進(jìn)行對比研究的先例。美國比較神話學(xué)者約瑟夫坎貝爾基于榮格的原型理論提出了英雄冒險神話敘事模式——“單一神話”原型，認(rèn)為全世界的英雄冒險神話故事具有相似的圓環(huán)結(jié)構(gòu)，即分離→考驗→歸來。日本學(xué)者大XZ英志甚至斷言村上春樹的小說《尋羊冒險記》明顯遵循單一神話的套路。他的研究給了拙論極大的啟發(fā)，同時也存在很大修正和完善的空間。 拙論主要以村上春樹的六部長篇小說代表作《尋羊冒險記》、《舞舞舞》、《世界盡頭與冷酷仙境》、《奇鳥形狀錄》、《海邊的卡夫卡》、《1Q84》為研究對象，發(fā)掘其中潛藏的單一神話原型，梳理單一神話原型的各個要素在村上小說中的表現(xiàn)形式及意義。解讀作品的同時，分析村上春樹“神話再造”的現(xiàn)實意義，最終揭示村上春樹作品風(fēng)靡世界的深層原因。本論由以下內(nèi)容構(gòu)成： 緒論，介紹研究背景，，闡明采用相關(guān)理論研究村上春樹作品的合理性和可行性。 第一部分，介紹研究的相關(guān)理論，并借村上春樹的短篇小說《UFO降落釧路》，勾勒出單一神話原型的基本構(gòu)成。交待本論中涉及的六部主要長篇小說的情節(jié)梗概。 第二、三、四部分，按照單一神話原型的三大階段，分別對英雄冒險神話各典型要素在村上春樹小說中的出現(xiàn)情況進(jìn)行分析。例如出發(fā)階段母親的退場、超自然的助力、跨越閾限、鯨魚腹腔幾大要素；考驗階段的與女神結(jié)合、與天父和解等要素；以及最后階段的的跨越閾限歸來。對這些要素在村上小說中的表現(xiàn)形式和意義進(jìn)行解讀。 最后為結(jié)束語。村上春樹的小說獲得世界范圍讀者的接受，究其深層原因，和作品中廣泛存在的神話敘事原型有著千絲萬縷的聯(lián)系。另外，村上春樹神話再造的新意在于他筆下的“現(xiàn)代英雄”冒險的終極意義并非在社會中獲得怎樣的地位，而是使自身靈魂變得獨立、自主。而讓更多人的靈魂獲得自由，也正是身為作家的村上春樹一直引以為己任的事情。
[Abstract]:Murakami has been in the literary world for more than 30 years and has won many important literary awards. The work is translated into more than 30 languages and sells well all over the world, with a large readership. It is worth mentioning that Haruki Murakami's translation and introduction in China is particularly successful. Up to now, more than 30 Murakami works have been introduced and published in our country, including 12 of his novels, as well as collections of short stories, essays and travel notes. The number of Murakami readers in China is also second only to Japan, and Murakami's research can be described as a hot spot. At present, the domestic research on Murakami mainly focuses on the postmodernism, lonely situation, pursuit theme of Murakami literature, or focusing on his westernization color, drawing lessons from and imitating American writers, or studying the oriental essence implied in Murakami's creation, and so on. However, there is no precedent for a comprehensive comparative study of many main works of Haruki Murakami from the perspective of archetypal criticism. Based on Jung's archetypal theory, Joseph Campbell, an American comparative mythologist, put forward the narrative model of heroic adventure myth-"single myth" archetypal, which holds that heroic adventure myths all over the world have a similar ring structure, that is, the return of separation and test. XZ Yingzhi, a Japanese scholar, even affirmed that Haruki Murakami's novel Adventure for Sheep obviously follows the routine of a single myth. His research has given great inspiration to the clumsy theory, at the same time, there is also a lot of room for revision and perfection. This paper mainly takes Murakami's six novels, "Hunt for Sheep Adventure", "Dance", "the end of the World and the Cold Wonderland", "Strange Bird shape record", "Kavka by the Sea", < 1Q84 > as the research objects, excavates the hidden single mythological archetypes, and combs the expression forms and significance of each element of the single mythological archetypes in Murakami's novels. While interpreting the works, this paper analyzes the practical significance of Murakami's "mythological reconstruction", and finally reveals the deep reasons why Murakami's works are popular in the world. This theory is composed of the following contents: introduction, introduce the research background, clarify the rationality and feasibility of using the relevant theory to study Murakami's works. The first part introduces the relevant theories of the study, and outlines the basic composition of a single mythological prototype by using Murakami's short story "UFO landed Kushiro". Explain the plot outline of the six main novels involved in this theory. The second, third and fourth parts, according to the three stages of a single mythological prototype, analyze the emergence of the typical elements of heroic adventure myth in Murakami Chunshu's novels. For example, the departure of the mother in the departure stage, the supernatural power, the crossing threshold, the whale abdominal cavity, the combination of the goddess and the heavenly father in the test stage, and the return of the crossing threshold in the final stage. This paper interprets the manifestation and significance of these elements in Murakami's novels. Finally, the conclusion is made. Murakami's novel has been accepted by readers all over the world, and its deep reasons are inextricably linked to the mythological narrative archetypes that widely exist in the works. In addition, the new idea of Murakami's mythology reconstruction lies in the fact that the ultimate significance of his adventure of "modern hero" is not what kind of position he obtains in society, but makes his soul independent and independent. And letting more people's souls be free is what Haruki Murakami, as a writer, has always taken for himself.
【學(xué)位授予單位】：中國海洋大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I313.074
本文編號：2506858
[Abstract]:Murakami has been in the literary world for more than 30 years and has won many important literary awards. The work is translated into more than 30 languages and sells well all over the world, with a large readership. It is worth mentioning that Haruki Murakami's translation and introduction in China is particularly successful. Up to now, more than 30 Murakami works have been introduced and published in our country, including 12 of his novels, as well as collections of short stories, essays and travel notes. The number of Murakami readers in China is also second only to Japan, and Murakami's research can be described as a hot spot. At present, the domestic research on Murakami mainly focuses on the postmodernism, lonely situation, pursuit theme of Murakami literature, or focusing on his westernization color, drawing lessons from and imitating American writers, or studying the oriental essence implied in Murakami's creation, and so on. However, there is no precedent for a comprehensive comparative study of many main works of Haruki Murakami from the perspective of archetypal criticism. Based on Jung's archetypal theory, Joseph Campbell, an American comparative mythologist, put forward the narrative model of heroic adventure myth-"single myth" archetypal, which holds that heroic adventure myths all over the world have a similar ring structure, that is, the return of separation and test. XZ Yingzhi, a Japanese scholar, even affirmed that Haruki Murakami's novel Adventure for Sheep obviously follows the routine of a single myth. His research has given great inspiration to the clumsy theory, at the same time, there is also a lot of room for revision and perfection. This paper mainly takes Murakami's six novels, "Hunt for Sheep Adventure", "Dance", "the end of the World and the Cold Wonderland", "Strange Bird shape record", "Kavka by the Sea", < 1Q84 > as the research objects, excavates the hidden single mythological archetypes, and combs the expression forms and significance of each element of the single mythological archetypes in Murakami's novels. While interpreting the works, this paper analyzes the practical significance of Murakami's "mythological reconstruction", and finally reveals the deep reasons why Murakami's works are popular in the world. This theory is composed of the following contents: introduction, introduce the research background, clarify the rationality and feasibility of using the relevant theory to study Murakami's works. The first part introduces the relevant theories of the study, and outlines the basic composition of a single mythological prototype by using Murakami's short story "UFO landed Kushiro". Explain the plot outline of the six main novels involved in this theory. The second, third and fourth parts, according to the three stages of a single mythological prototype, analyze the emergence of the typical elements of heroic adventure myth in Murakami Chunshu's novels. For example, the departure of the mother in the departure stage, the supernatural power, the crossing threshold, the whale abdominal cavity, the combination of the goddess and the heavenly father in the test stage, and the return of the crossing threshold in the final stage. This paper interprets the manifestation and significance of these elements in Murakami's novels. Finally, the conclusion is made. Murakami's novel has been accepted by readers all over the world, and its deep reasons are inextricably linked to the mythological narrative archetypes that widely exist in the works. In addition, the new idea of Murakami's mythology reconstruction lies in the fact that the ultimate significance of his adventure of "modern hero" is not what kind of position he obtains in society, but makes his soul independent and independent. And letting more people's souls be free is what Haruki Murakami, as a writer, has always taken for himself.
【學(xué)位授予單位】：中國海洋大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I313.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 歐陽韻竹;孟維杰;;神話的原型生態(tài)意義新探[J];心理研究;2011年02期
2 于麗娜;;約瑟夫·坎貝爾英雄冒險神話模式淺論[J];世界宗教文化;2009年02期
本文編號：2506858
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