論卡爾維諾的敘事速度
發(fā)布時間：2019-06-17 14:43
【摘要】：卡爾維諾在《美國講稿》中對文學(xué)的價值、性質(zhì)與特性進(jìn)行總結(jié),融合他自身閱讀、思考與創(chuàng)作的經(jīng)驗,展望未來千年文學(xué)發(fā)展,提出了輕逸、迅速、精確、形象鮮明和內(nèi)容多樣五項基本的文學(xué)理念,本文針對“迅速”概念進(jìn)行考察。本文第一部分為敘事速度與卡爾維諾“迅速”概念的解析。首先闡述文學(xué)作品中與敘事時間相關(guān)的概念,得出敘事速度是故事時間與文本長度的比值的定義,通過停頓、減緩、場景、概要、省略可以改變文本的敘事速度。然后分析卡爾維諾的理論,根據(jù)卡爾維諾本人的論述將“迅速”概括為；迅速,是敘事速度的快速,與敘事時間相關(guān)；敘述應(yīng)當(dāng)是快速的；迅速通過情節(jié)、語言、作品篇幅的簡練、邏輯與節(jié)奏實現(xiàn)；迅速與人的思維相互關(guān)聯(lián),內(nèi)容的積淀是迅速的前提。通過對作品的分析得出等時敘事是卡爾維諾作品敘事速度的起點,而加速敘事是其主體。第二部分為卡爾維諾式“迅速”的實現(xiàn)形式�？柧S諾通過三種途徑實現(xiàn)文本中的“迅速”。途徑一為簡潔的作品語言、可控的三段式結(jié)構(gòu)與短篇小說的篇幅,這是卡爾維諾受民間故事影響的結(jié)果。途徑二為從非線性敘事到空間敘事的結(jié)構(gòu),卡爾維諾將自己最濃縮最精華的思想凝練成長文短寫的非線性“時間零”文本,運(yùn)用互文的仿擬等手法實現(xiàn)原結(jié)構(gòu)的復(fù)制與增殖,從非線性敘事轉(zhuǎn)移到晶體結(jié)構(gòu)的空間敘事,從而在文本一定的基礎(chǔ)上實現(xiàn)敘事時間的空間化與無限化。途徑三為百科全書式開放敘事,百科全書跨越多種學(xué)科豐富了小說的內(nèi)容,母系統(tǒng)下的子系統(tǒng)相互作用產(chǎn)生離心力,使作品的結(jié)構(gòu)與內(nèi)容具有自我生成的開放特性,讀者作為開放型文本最后的接收者與創(chuàng)造者,加入到作品的創(chuàng)作中,實現(xiàn)故事時間的延長。第三部分為卡爾維諾式“迅速”的功能與啟示�？柧S諾借助開放敘事,消除作者全知全能的色彩,將其解構(gòu)為故事角色植入文本之中,賦予讀者理解和再創(chuàng)造作者所呈現(xiàn)出來文本世界的無限可能。同時,卡爾維諾在后現(xiàn)代主義去中心化理念的影響下,借助非線性敘事與空間敘事,消解統(tǒng)一主旨而加固故事內(nèi)涵的廣度與深度,通過讀者的詮釋與完善,文本在思想上呈現(xiàn)出統(tǒng)一主旨所無法具備的多元性與豐富性。最后,“迅速”為卡爾維諾文學(xué)理念的核心“輕逸”服務(wù),消解沉重的分量,最終將沉重轉(zhuǎn)化為“輕逸”。
[Abstract]:In the American speech, Calvino summarizes the value, nature and characteristics of literature, merges his own experience of reading, thinking and creating, looks forward to the development of literature in the next thousand years, and puts forward five basic literary ideas: lightness, rapidity, precision, vivid image and diverse content. this paper investigates the concept of "rapidity". The first part of this paper is the analysis of narrative speed and Calvino's concept of "rapidity". Firstly, this paper expounds the concepts related to narrative time in literary works, and concludes that narrative speed is the definition of the ratio of story time to text length. The narrative speed of the text can be changed by pausing, slowing down, scene, outline and omission. Then it analyzes Calvino's theory and sums up "rapidity" according to Calvino's own exposition. Rapidity is the rapidity of narrative speed, which is related to narrative time; narration should be fast; it should be realized quickly through plot, language, concise length of works, logic and rhythm; quick and human thinking is related to each other, and the accumulation of content is the premise of rapidity. Through the analysis of the works, it is concluded that isochronous narration is the starting point of Calvino's narrative speed, and accelerated narration is its main body. The second part is the Calvino type "fast" realization form. Calvino realizes "rapidity" in the text in three ways. The first way is a concise working language, a controllable three-paragraph structure and the length of short stories, which is the result of Calvino's influence by folk stories. The second way is from nonlinear narration to spatial narrative structure. Calvino condensed his most concentrated and best thought into nonlinear "time zero" text in short writing, and realized the replication and proliferation of the original structure by means of paraphrase of intertextuality, and transferred from nonlinear narrative to spatial narrative of crystal structure, so as to realize the spatialization and infinity of narrative time on a certain basis of the text. The third way is the encyclopedia open narration, which enriches the content of the novel across many disciplines. The interaction of subsystems under the parent system produces centrifugal force, which makes the structure and content of the work have the open characteristics of self-generation. As the final receiver and creator of the open text, the reader adds to the creation of the work to realize the extension of the story time. The third part is the Calvino style "rapid" function and enlightenment. With the help of open narration, Calvino eliminates the omnipotence color of the author, interprets it into the story character into the text, and gives the reader the infinite possibility of understanding and recreating the text world presented by the author. At the same time, under the influence of the concept of post-modernism decentralization, Calvino strengthens the breadth and depth of the connotation of the story with the help of nonlinear narration and spatial narration, and strengthens the breadth and depth of the connotation of the story through the interpretation and perfection of the readers. through the interpretation and perfection of the readers, the text presents the pluralism and richness that the unified theme cannot have. Finally, "Quick" serves the core "lightness" of Calvino's literary idea, dispels the heavy weight, and finally converts the heavy into "light".
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I546.074
本文編號：2501061
[Abstract]:In the American speech, Calvino summarizes the value, nature and characteristics of literature, merges his own experience of reading, thinking and creating, looks forward to the development of literature in the next thousand years, and puts forward five basic literary ideas: lightness, rapidity, precision, vivid image and diverse content. this paper investigates the concept of "rapidity". The first part of this paper is the analysis of narrative speed and Calvino's concept of "rapidity". Firstly, this paper expounds the concepts related to narrative time in literary works, and concludes that narrative speed is the definition of the ratio of story time to text length. The narrative speed of the text can be changed by pausing, slowing down, scene, outline and omission. Then it analyzes Calvino's theory and sums up "rapidity" according to Calvino's own exposition. Rapidity is the rapidity of narrative speed, which is related to narrative time; narration should be fast; it should be realized quickly through plot, language, concise length of works, logic and rhythm; quick and human thinking is related to each other, and the accumulation of content is the premise of rapidity. Through the analysis of the works, it is concluded that isochronous narration is the starting point of Calvino's narrative speed, and accelerated narration is its main body. The second part is the Calvino type "fast" realization form. Calvino realizes "rapidity" in the text in three ways. The first way is a concise working language, a controllable three-paragraph structure and the length of short stories, which is the result of Calvino's influence by folk stories. The second way is from nonlinear narration to spatial narrative structure. Calvino condensed his most concentrated and best thought into nonlinear "time zero" text in short writing, and realized the replication and proliferation of the original structure by means of paraphrase of intertextuality, and transferred from nonlinear narrative to spatial narrative of crystal structure, so as to realize the spatialization and infinity of narrative time on a certain basis of the text. The third way is the encyclopedia open narration, which enriches the content of the novel across many disciplines. The interaction of subsystems under the parent system produces centrifugal force, which makes the structure and content of the work have the open characteristics of self-generation. As the final receiver and creator of the open text, the reader adds to the creation of the work to realize the extension of the story time. The third part is the Calvino style "rapid" function and enlightenment. With the help of open narration, Calvino eliminates the omnipotence color of the author, interprets it into the story character into the text, and gives the reader the infinite possibility of understanding and recreating the text world presented by the author. At the same time, under the influence of the concept of post-modernism decentralization, Calvino strengthens the breadth and depth of the connotation of the story with the help of nonlinear narration and spatial narration, and strengthens the breadth and depth of the connotation of the story through the interpretation and perfection of the readers. through the interpretation and perfection of the readers, the text presents the pluralism and richness that the unified theme cannot have. Finally, "Quick" serves the core "lightness" of Calvino's literary idea, dispels the heavy weight, and finally converts the heavy into "light".
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I546.074
【參考文獻(xiàn)】
相關(guān)碩士學(xué)位論文 前3條
1 連小紅;敘事時間與文本意義的生成[D];福建師范大學(xué);2008年
2 楊帆;卡爾維諾研究在中國[D];東北師范大學(xué);2009年
3 單娟;論卡爾維諾的未來文學(xué)價值觀[D];山東師范大學(xué);2010年
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