【摘要】：作為近現(xiàn)代世界文學(xué)史上最偉大的文學(xué)家之一,羅賓德拉納特·泰戈?duì)枮楹笕司喸炝艘蛔馓N(yùn)深遠(yuǎn)、內(nèi)涵豐富、絢爛至極、別具一格的文學(xué)圣殿。泰戈?duì)柕纳詈蛣?chuàng)作正處于19世紀(jì)末20世紀(jì)初的印度民族主義轉(zhuǎn)型期,印度的民族傳統(tǒng)文化與西方的外來現(xiàn)代文化深深地影響了泰戈?duì)柕某砷L,對東方和西方也就是帝國主義與被殖民地之間的文化關(guān)系有著切身的感受和深刻的思考。這些無疑在詩人的詩歌中有充分表證,但無論從創(chuàng)作數(shù)量、創(chuàng)作手法、還是從作品題材來看,長篇小說在泰戈?duì)柕淖髌分卸颊加歇?dú)特而重要的地位,它們是作者對現(xiàn)實(shí)生活和內(nèi)心世界的真實(shí)反映,與作者的生命感受、生存體驗(yàn)緊密相連。本文通過研究泰戈?duì)柕拈L篇小說創(chuàng)作及其身份認(rèn)同問題,有助于厘清后殖民主義與文化多元主義產(chǎn)生的文化語境以及相互之間復(fù)雜的關(guān)系,更加全面、系統(tǒng)、客觀地理解和把握泰戈?duì)柕男≌f創(chuàng)作與文本意義。尤其是泰戈?duì)柕奈幕矸菁确从沉擞《仍谥趁駝萘浩认驴是笪幕瘹w屬的痛苦和迷惘,也表現(xiàn)了一種通過“政治認(rèn)同”將長期共居于全世界而又具有不同族群、語言、文化、歷史傳統(tǒng)的族群凝聚起來,創(chuàng)造出一個(gè)“想象的共同體”,在一個(gè)東西方文化共融的和諧統(tǒng)一的“第三空間”獲得繁榮和幸福的理想。 本論文在梳理評述國內(nèi)外泰戈?duì)柕难芯楷F(xiàn)狀的基礎(chǔ)上,首先從歷時(shí)的、動(dòng)態(tài)的角度概括泰戈?duì)栭L篇小說譜系,描述泰戈?duì)栭L篇小說與東西方文化雜交的概貌,以及與文化身份建構(gòu)的互動(dòng)關(guān)系。進(jìn)而引出泰戈?duì)柹矸莓a(chǎn)生的社會(huì)背景以及文化背景,簡要說明其受到的印度傳統(tǒng)文化、家庭、個(gè)人成長經(jīng)歷以及英國為代表的西方文化等方面的影響。其次,對泰戈?duì)栭L篇小說中的人物形象進(jìn)行分析,重點(diǎn)探討女性形象的隱喻性和象征性。通過對長篇小說中女性形象本身及這些形象之間的矛盾與分裂的說明,揭示矛盾的女性觀是泰戈?duì)栁幕矸萁?gòu)的雜糅性的直接地、最有代表性的體現(xiàn)。再次,從后現(xiàn)代和后殖民文化身份認(rèn)同的核心問題入手,集中探討兩個(gè)問題：殖民入侵如何造成泰戈?duì)柕纳娼?jīng)驗(yàn)與其表述話語之間的斷裂?泰戈?duì)柸绾瓮ㄟ^長篇小說創(chuàng)作反抗殖民話語霸權(quán)建構(gòu)自我的文化身份?他在賦予長篇小說中的人物以生動(dòng)鮮明的性格的同時(shí),也投射出了自己的身份困惑和身份危機(jī),兩者之間像在鏡子中一樣形成一種互相映射的關(guān)系。同時(shí),本文為讀者了解泰戈?duì)栁幕矸莸碾s糅性提供了一個(gè)出發(fā)點(diǎn),其中也加入了一些作者不成熟的觀點(diǎn)和見解。筆者認(rèn)為,每種文化肯定都有其精華與糟粕,沒有一種文化具有終極的普遍意義,不同文化間的沖突并不是文化發(fā)展的根本,而是沖突中的接觸才使得不同文化之間搭起橋梁,從而實(shí)現(xiàn)交融。
[Abstract]:As one of the greatest writers in the history of modern world literature, Robin Delanat Tagore has created a literary temple with profound meaning, rich connotation, gorgeous and unique for future generations. Tagore's life and creation are in the transition period of Indian nationalism at the end of the 19th century and the beginning of the 20th century. The national traditional culture of India and the foreign modern culture of the West have deeply influenced the growth of Tagore. There are immediate feelings and profound thoughts on the cultural relationship between the East and the West, that is, imperialism and colonization. There is no doubt that these are fully demonstrated in the poet's poems, but whether in terms of the number of creations, the creative techniques and the subject matter of the works, novels occupy a unique and important position in Tagore's works. They are the real reflection of the author to the real life and the inner world, and are closely related to the author's life feeling and survival experience. By studying Tagore's novel creation and his identity, this paper helps to clarify the cultural context and the complex relationship between post-colonialism and cultural pluralism, which is more comprehensive and systematic. Objectively understand and grasp Tagore's novel creation and text significance. In particular, Tagore's cultural identity not only reflects the pain and confusion of India's thirst for cultural belonging under the oppression of colonial forces, but also shows that it will live together all over the world for a long time through "political identity" and has different ethnic groups, languages and cultures. The ethnic groups of historical tradition unite to create a "imaginary community" to achieve the ideal of prosperity and happiness in a harmonious and unified "third space" of the integration of eastern and western cultures. On the basis of combing and reviewing the research status of Tagore at home and abroad, this paper first summarizes the pedigree of Tagore's novels from a diachronic and dynamic point of view, and describes the general situation of the hybrid of Tagore's novels with Eastern and Western cultures. And the interaction with the construction of cultural identity. Then it leads to the social background and cultural background of Tagore's identity, and briefly explains the influence of Indian traditional culture, family, personal growth experience and western culture represented by Britain. Secondly, it analyzes the characters in Tagore's novels, focusing on the metaphorical and symbolic nature of female images. Through the explanation of the female image itself and the contradiction and division between these images in the novel, it is revealed that the contradictory view of women is the direct and most representative embodiment of the mixed nature of Tagore's cultural identity construction. Thirdly, starting with the core issues of postmodern and post-colonial cultural identity, this paper focuses on two issues: how did colonial invasion cause the break between Tagore's survival experience and his expressive discourse? How does Tagore construct his own cultural identity through novel creation against colonial discourse hegemony? While giving vivid and vivid characters to the characters in the novel, he also projects his own identity confusion and identity crisis, which form a mapping relationship as in the mirror. At the same time, this paper provides a starting point for readers to understand the mixed nature of Tagore's cultural identity, and also adds some immature views and opinions of the author. The author believes that every culture must have its essence and dross, no culture has the ultimate universal significance, the conflict between different cultures is not the foundation of cultural development, but the contact in the conflict makes the bridge between different cultures. In order to achieve integration.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I351.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 董紅鈞;淺談泰戈?duì)柕男≌f創(chuàng)作[J];上海大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);1997年02期

2 王轉(zhuǎn)先;;從《戈拉》看泰戈?duì)枌τ《葌鹘y(tǒng)文化的態(tài)度[J];山西煤炭管理干部學(xué)院學(xué)報(bào);2009年04期

相關(guān)博士學(xué)位論文 前3條

1 生安鋒;霍米·巴巴的后殖民理論研究[D];北京語言大學(xué);2004年

2 侯傳文;話語轉(zhuǎn)型與詩學(xué)對話[D];四川大學(xué);2004年

3 李文斌;泰戈?duì)柮缹W(xué)思想研究[D];華中師范大學(xué);2007年

相關(guān)碩士學(xué)位論文 前3條

1 尹錫南;泰戈?duì)柕奈拿饔^及其在東西方的反響[D];四川大學(xué);2002年

2 曾瓊;試論泰戈?duì)栔衅≌f中的女性形象及其思想內(nèi)涵[D];湘潭大學(xué);2004年

3 楊斌鑫;泰戈?duì)柹鷳B(tài)倫理思想研究[D];內(nèi)蒙古大學(xué);2007年

，

本文編號(hào)：2495474