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論E.E.卡明斯詩歌的語篇象似性特征

發(fā)布時間:2019-04-22 11:26
【摘要】:卡明斯是二十世紀美國最具創(chuàng)新精神的詩人之一,以詩風詭異戲謔而聞名。他的詩歌在印刷,拼寫,字母大小寫,標點符號和語法等方面拋棄了傳統(tǒng)的詩歌形式,吸引了眾多學者研究這些形式偏離所產(chǎn)生的意義。國內外,已經(jīng)有大量關于卡明斯詩歌的研究,這些研究對我們理解卡明斯詩歌的主題,意義和詩歌技巧有重要的幫助。然而,之前的研究大多聚焦在對卡明斯詩歌的詩歌語言特色和視覺形式的描寫上,忽視了詩歌形式和意義之間的理據(jù)。換句話說,這些研究未曾探討卡明斯詩歌獨特風格的合理性原因。本文旨在通過象似性理論發(fā)現(xiàn)卡明斯詩歌在詞匯層,句法層和語篇層次上詩歌形式和詩歌意義之間的聯(lián)系。 作為對語言任意性這一普遍原則的挑戰(zhàn),象似性理論已經(jīng)成為當前語言學研究的焦點。不同于語言任意性的概念,象似性理論認為在符號與物體之間存在著一定的理據(jù),也就是說,在能指和所指之間有一定的相似。這個理論對卡明斯變異詩風的形式提供了有益的啟示。根據(jù)象似性的分類,本文從映象象似,包括語音和視覺象似,以及擬象象似,包括關系和結構象似,兩個主要方面對卡明斯詩歌的象似性做了一個系統(tǒng)分析。 根據(jù)對卡明斯詩歌象似性的定性分析,本文發(fā)現(xiàn)在語篇的不同層面上卡明斯詩歌的形式與詩歌所表達的事物和主題之間存在著一定的相似?魉箲脝卧~拆分,新詞創(chuàng)造,句序錯亂,字母大小寫和標點符號另類使用等技巧是為了使得形式能夠反映詩歌的意義,以便能達到對詩歌形式和主題的和諧統(tǒng)一?魉乖姼瑾毺仫L格的形式或許是追求喚起讀者對詩歌形式和主題關聯(lián)感知的結果,而不是反抗傳統(tǒng)的結果?梢哉f象似性是卡明斯詩歌的一個本質。因而,當意識到卡明斯詩歌的象似性特征時,,讀者便能夠解讀卡明斯詩歌戲謔和毫無章法的表面下所具有的意義,從而更好地欣賞卡明斯詩歌風格。 本文的研究意義主要有兩個方面:第一,本文指出了卡明斯詩歌中詩歌形式和主題之間的聯(lián)系,并提出了卡明斯詩歌風格形成的一個新的假設;第二,本文啟發(fā)了讀者對卡明斯詩歌的解讀和欣賞;第三,本文對象似性和文學之間的關系做了嘗試性的研究,在某種程度上有益于象似性理論的發(fā)展。
[Abstract]:Cummings is one of the most innovative poets in the United States of America in the 20th century. His poetry abandoned traditional poetic forms in printing, spelling, alphabet case, punctuation and grammar, and attracted many scholars to study the meaning of deviation from these forms. There have been a lot of researches on Cummins poetry both at home and abroad, which are of great help for us to understand the theme, meaning and poetic skills of Cummins poetry. However, most of the previous studies focused on the description of the linguistic features and visual forms of Cummins poetry, ignoring the rationale between the poetic form and the meaning. In other words, these studies have not explored the reasonableness of the unique style of Cummins poetry. The purpose of this paper is to find out the relationship between the poetic form and the poetic meaning at the lexical, syntactic and textual levels by means of iconicity theory. As a challenge to the universal principle of arbitrariness, iconicity theory has become the focus of linguistic research. Different from the concept of linguistic arbitrariness, iconicity theory holds that there are certain justifications between symbols and objects, that is to say, there is a certain similarity between signifier and signifier. This theory provides a useful enlightenment to the style of Cummins variant poetry. According to the classification of iconicity, this paper makes a systematic analysis of the iconicity of Cummins poetry from two aspects: image similarity, including phonological and visual iconicity, and iconographic similarity, including relation and structural iconicity. Based on the qualitative analysis of the iconicity of Cummins poetry, this paper finds that there is a certain similarity between the form of Cummins poetry and the things and themes expressed in the poem at different levels of the discourse. Cummings applies the techniques of word splitting, neologism, sentence disorder, letters and case and punctuation in order to make the form reflect the meaning of poetry, so as to achieve the harmonious unity of the form and theme of poetry. The unique style of Cummins poetry may be the result of arousing the reader's perception of the relevance of poetry form and theme rather than of resisting tradition. It can be said that iconicity is one of the essence of Cummins poetry. Therefore, when aware of the iconicity of Cummins poetry, the reader can interpret the meaning of the humorous and disorganized poetry of Cummins, so as to better appreciate the style of Cummins poetry. The research significance of this paper mainly has two aspects: first, this paper points out the relationship between the poetry form and the theme in Cummins poetry, and puts forward a new hypothesis of the formation of Cummins poetry style; Second, this paper enlightens readers to interpret and appreciate Cummins poetry; third, this paper makes a tentative study of the relationship between object similarity and literature, which is beneficial to the development of iconicity theory to some extent.
【學位授予單位】:杭州電子科技大學
【學位級別】:碩士
【學位授予年份】:2012
【分類號】:I712.072

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