村上春樹與《奇鳥行狀錄》
發(fā)布時間：2019-03-18 09:45
【摘要】：村上春樹自登上日本文壇先后獲得諸多國內外文學獎項。2006、2007年成為諾貝爾文學獎的熱門候選人，在國際上的影響力已遠超獲得諾貝爾文學獎的川端康成和大江健三郎，可以說是當代日本最具國際影響力的文學大家。他的代表作《奇鳥行狀錄》獲得第47屆讀賣文學獎，是村上文學創(chuàng)作生涯中的一個重要轉折點。本論文在分析作品《奇鳥行狀錄》的基礎上，研究了作品中的戰(zhàn)爭與暴力問題，其目的為進一步研究村上文學提供借鑒。 從眾多對村上春樹有影響的美國作家中無疑菲茨杰拉德對村上文學產生深遠影響，本論文在深入分析兩者代表作品的基礎上，指出在比喻的運用、人物設定等方面兩者的作品存在相似之處。兩者在比喻的運用上都是本體與喻體之間存在巨大的差異性。在《挪威的森林》與《夜色溫柔》中的人物設定上，《挪威的森林》中的直子、綠子分別對應《夜色溫柔》中的尼科爾、羅斯瑪麗。在《挪威的森林》中渡邊愛著患有精神疾病的直子而后又被年輕富有活力的綠子吸引。而在《夜色溫柔》中，男主人公迪克愛著患有精神疾病的尼科爾而后又被年輕富有活力的羅斯瑪麗吸引。 從《奇鳥行狀錄》這部作品開始，，村上文學發(fā)生創(chuàng)作轉型,從遠離日本社會喧囂到主動同日本社會中的暴力進行斗爭，從逃避社會責任到主動承擔社會責任�？梢�，這部作品是村上文學的創(chuàng)作轉折點�！熬痹诖俗髌分邢笳髁舜迳洗簶鋬刃纳钐帗]之不去的暴力死亡陰影，從此引發(fā)村上對日本國家暴力體系的深入思考。 村上春樹在《奇鳥行狀錄》這部作品中通過諾門坎戰(zhàn)役與侵華戰(zhàn)爭的描寫，揭示了日本社會中殘暴、回避責任的封閉國家的“暴力”系統從戰(zhàn)時一直延存至今，批判了日本社會體制在本質上沒有任何改變。作品中對侵華戰(zhàn)爭中日軍殘忍行為的無情揭露，表現了村上作為日本作家的良知與強烈的社會責任感。并指出日本裕仁天皇對二戰(zhàn)中的日軍暴行負有直接責任及戰(zhàn)后日本對戰(zhàn)爭責任清算的不徹底。村上就這樣勾勒出日本暴力的傳承路線，指明暴力是打開日本的鑰匙。村上對戰(zhàn)爭責任的追問，可以說與戰(zhàn)后一些日本作家形成鮮明反差。他通過《奇鳥行狀錄》讓日本人清醒的認識到他們不單單是原子彈的犧牲品，也曾犯下過南京大屠殺的滔天罪行。
[Abstract]:Haruki Murakami has won many literary awards at home and abroad since he ascended the Japanese literary scene. In 2006 and 2007, he became a popular candidate for the Nobel Prize in Literature, and his international influence has far exceeded that of the Nobel Prize-winning Kawabata and Kenzaburo Oejiang, who won the Nobel Prize in Literature. It can be said that contemporary Japan has the most international influence of literature everyone. He won the 47th Yomiuri Prize for Literature, which is an important turning point in Murakami's literary career. Based on the analysis of the works, this paper studies the problems of war and violence in the works, the purpose of which is to provide reference for further study of Murakami literature. From many American writers who have influenced Haruki Murakami, there is no doubt that Fitzgerald has a far-reaching influence on Murakami literature. On the basis of in-depth analysis of the two representative works, this paper points out the use of metaphors. There are similarities between the two works in the aspects of character setting and so on. There is a great difference between Noumenon and metaphorical object in the use of metaphor. In the Norwegian Forest and the Nightiness of the Night, the straight son and the green son correspond to Nicole and Rosemary in the Nightiness of the Night, respectively. In the Norwegian Forest Watanabe fell in love with the mentally ill straight son and was attracted to the young and vibrant greens. In the tenderness of the Night, Dick falls in love with Nicole, who is mentally ill, and is attracted to the young and energetic Rosemary. From the beginning of this work, Murakami literature has been transformed from far from Japanese social noise to active struggle against violence in Japanese society, from evading social responsibility to taking on social responsibility. Obviously, this work is the turning point of Murakami literature creation. Inoue symbolizes Murakami's lingering shadow of violent death in the heart of Haruki Murakami, causing Murakami to think deeply about Japan's national violence system. In this work, Haruki Murakami, through the description of the Battle of Nomenkan and the War of aggression against China, reveals the "violent" system of closed countries that evade responsibility and brutality in Japanese society from wartime until now. It criticizes the fact that the Japanese social system has not changed in essence. The ruthless disclosure of the cruel acts of the Japanese army in the War of aggression against China shows Murakami's conscience and strong sense of social responsibility as a Japanese writer. It also points out that Emperor Hirohito of Japan bears direct responsibility for the atrocities committed by the Japanese army in World War II and that Japan's post-war liquidation of responsibility for the war is not complete. Murakami thus outlined the line of inheritance of Japanese violence, indicating that violence is the key to opening Japan. Murakami's pursuit of war responsibility can be said to be in sharp contrast with some Japanese writers after the war. He awakened the Japanese through the record of Wonders to not only the victims of the atomic bomb, but also the heinous crimes of the Nanjing Massacre.
【學位授予單位】：哈爾濱理工大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I313.074
本文編號：2442738
[Abstract]:Haruki Murakami has won many literary awards at home and abroad since he ascended the Japanese literary scene. In 2006 and 2007, he became a popular candidate for the Nobel Prize in Literature, and his international influence has far exceeded that of the Nobel Prize-winning Kawabata and Kenzaburo Oejiang, who won the Nobel Prize in Literature. It can be said that contemporary Japan has the most international influence of literature everyone. He won the 47th Yomiuri Prize for Literature, which is an important turning point in Murakami's literary career. Based on the analysis of the works, this paper studies the problems of war and violence in the works, the purpose of which is to provide reference for further study of Murakami literature. From many American writers who have influenced Haruki Murakami, there is no doubt that Fitzgerald has a far-reaching influence on Murakami literature. On the basis of in-depth analysis of the two representative works, this paper points out the use of metaphors. There are similarities between the two works in the aspects of character setting and so on. There is a great difference between Noumenon and metaphorical object in the use of metaphor. In the Norwegian Forest and the Nightiness of the Night, the straight son and the green son correspond to Nicole and Rosemary in the Nightiness of the Night, respectively. In the Norwegian Forest Watanabe fell in love with the mentally ill straight son and was attracted to the young and vibrant greens. In the tenderness of the Night, Dick falls in love with Nicole, who is mentally ill, and is attracted to the young and energetic Rosemary. From the beginning of this work, Murakami literature has been transformed from far from Japanese social noise to active struggle against violence in Japanese society, from evading social responsibility to taking on social responsibility. Obviously, this work is the turning point of Murakami literature creation. Inoue symbolizes Murakami's lingering shadow of violent death in the heart of Haruki Murakami, causing Murakami to think deeply about Japan's national violence system. In this work, Haruki Murakami, through the description of the Battle of Nomenkan and the War of aggression against China, reveals the "violent" system of closed countries that evade responsibility and brutality in Japanese society from wartime until now. It criticizes the fact that the Japanese social system has not changed in essence. The ruthless disclosure of the cruel acts of the Japanese army in the War of aggression against China shows Murakami's conscience and strong sense of social responsibility as a Japanese writer. It also points out that Emperor Hirohito of Japan bears direct responsibility for the atrocities committed by the Japanese army in World War II and that Japan's post-war liquidation of responsibility for the war is not complete. Murakami thus outlined the line of inheritance of Japanese violence, indicating that violence is the key to opening Japan. Murakami's pursuit of war responsibility can be said to be in sharp contrast with some Japanese writers after the war. He awakened the Japanese through the record of Wonders to not only the victims of the atomic bomb, but also the heinous crimes of the Nanjing Massacre.
【學位授予單位】：哈爾濱理工大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I313.074
【參考文獻】
相關博士學位論文 前1條
1 張昕宇;從“日本”的歷史文脈中閱讀村上春樹[D];上海外國語大學;2007年
相關碩士學位論文 前1條
1 韓芳;“井”中探求世界本質[D];國際關系學院;2007年
本文編號：2442738
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