《我的名字叫紅》敘述聲音研究
發(fā)布時間：2019-03-08 14:34
【摘要】：奧爾罕·帕慕克是當代土耳其最具世界影響的作家之一，在近半個世紀的創(chuàng)作實踐中，他不斷探索、創(chuàng)新，創(chuàng)造了一系列杰出的作品。代表作《我的名字叫紅》為他帶來了諸多聲譽，并最終于2006年奪得諾貝爾文學獎桂冠，夯實了其在國際文壇的地位。國內(nèi)也于此時翻譯出版了這部獲獎小說，這也是帕慕克的作品第一次被引進中國�！段业拿纸屑t》是一部集愛情、懸疑、哲思等為一體的當代小說，，它以特定的時空為背景，講述著離奇曲折的故事，具有獨特高妙的敘事技巧，并蘊含著深刻的文化主旨，是能夠集中體現(xiàn)帕慕克在文學創(chuàng)作方面造詣的高明之作。 本文將以這部作品為研究對象，立足于文本細讀的基礎(chǔ)，著重分析小說多聲部第一人稱敘述帶來的顛覆性閱讀體驗，通過對作品敘述聲音的分析與探討，挖掘其深層次文化內(nèi)涵。文章從三個章節(jié)展開論述。第一章以梳理“敘述聲音”的概念為基礎(chǔ)，分析敘事作品中“敘述聲音”與“敘述視角”的關(guān)系，探討《我的名字叫紅》一書中第一人稱敘述者與隱含作者的雙重“聲音”。第二章依據(jù)蘇珊·蘭瑟對敘述聲音的分類，從“作者型敘述聲音”、“個人型敘述聲音”和“集體型敘述聲音”三個角度對文章中的敘述聲音系統(tǒng)進行細致探究。三種不同類型的敘述聲音和諧統(tǒng)一于這一文本中，由于故事背景的特殊性，使得作者從主旨出發(fā)，根據(jù)表達的需要安排了“多聲部”敘述的獨特方式，每一個敘述者都能根據(jù)自己的意志，自由地向讀者傳達觀點。第三章在前文研究的基礎(chǔ)上，挖掘多元化敘述聲音表述系統(tǒng)中凸顯的文化主題。帕慕克對東西方文化的思考，突破了簡單的二元對立思想，不同文化的碰撞、交鋒、融合是歷史流變過程中的必然過程，這一切均體現(xiàn)在作者透過文本折射出的文化身份意識。無論是個體的訴求還是集體的期盼，現(xiàn)代土耳其民族的文化身份與文化認同都應(yīng)該被置于一個開放的立場上，在現(xiàn)代化的具體實踐中被重新定義與建構(gòu)。
[Abstract]:Orhan Pamuk is one of the most influential writers in the world in contemporary Turkey. In the past half century, he has been exploring, innovating and creating a series of outstanding works. His masterpiece, my name Red, brought him many reputations, and finally won the Nobel Prize for Literature in 2006, strengthening his position in the international literary world. At this time, this award-winning novel was translated and published in China, and this is the first time that Pamuk's work has been introduced into China. < my name is Red > is a contemporary novel that integrates love, suspense, philosophy, and so on. It is based on a specific space-time background. The story of strange twists and turns, with its unique and exquisite narrative skills and profound cultural thrust, is a brilliant work that can reflect Pamuk's literary attainments. This article will take this work as the research object, base on the text close reading foundation, emphatically analyses the subversive reading experience brought by the first person narration of the multi-voice part of the novel, through the analysis and the discussion to the narrative sound of the work, Excavate its deep-seated cultural connotation. The article starts from three chapters. Based on the concept of narrative sound, the first chapter analyzes the relationship between narrative sound and narrative perspective in narrative works, and probes into the dual "sound" of the first-person narrator and the implicit author in the book "my name is Red". In the second chapter, according to Susan Lanser's classification of narrative sound, the narrative sound system in this paper is studied from three angles: author-type narrative sound, individual narrative sound and collective narrative sound, which are divided into three parts: the author-type narrative sound, the individual narrative sound and the collective narrative sound. The three different types of narrative sounds are harmonious and unified in this text. Due to the particularity of the background of the story, the author arranges the unique way of "multi-part" narration according to the needs of expression and from the point of view of the theme. Each narrator is free to convey his views to the reader according to his own will. The third chapter, based on the previous study, excavates the cultural themes highlighted in the voice expression system of pluralistic narration. Pamuk's thinking of East and West culture breaks through the simple dualistic opposites, the collision, confrontation and fusion of different cultures, which is an inevitable process in the process of historical change, all of which are reflected in the cultural identity consciousness reflected by the author through the text. Whether individual or collective, the cultural identity and cultural identity of the modern Turkish nation should be put in an open position and redefined and constructed in the concrete practice of modernization.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I374.074
本文編號：2436905
[Abstract]:Orhan Pamuk is one of the most influential writers in the world in contemporary Turkey. In the past half century, he has been exploring, innovating and creating a series of outstanding works. His masterpiece, my name Red, brought him many reputations, and finally won the Nobel Prize for Literature in 2006, strengthening his position in the international literary world. At this time, this award-winning novel was translated and published in China, and this is the first time that Pamuk's work has been introduced into China. < my name is Red > is a contemporary novel that integrates love, suspense, philosophy, and so on. It is based on a specific space-time background. The story of strange twists and turns, with its unique and exquisite narrative skills and profound cultural thrust, is a brilliant work that can reflect Pamuk's literary attainments. This article will take this work as the research object, base on the text close reading foundation, emphatically analyses the subversive reading experience brought by the first person narration of the multi-voice part of the novel, through the analysis and the discussion to the narrative sound of the work, Excavate its deep-seated cultural connotation. The article starts from three chapters. Based on the concept of narrative sound, the first chapter analyzes the relationship between narrative sound and narrative perspective in narrative works, and probes into the dual "sound" of the first-person narrator and the implicit author in the book "my name is Red". In the second chapter, according to Susan Lanser's classification of narrative sound, the narrative sound system in this paper is studied from three angles: author-type narrative sound, individual narrative sound and collective narrative sound, which are divided into three parts: the author-type narrative sound, the individual narrative sound and the collective narrative sound. The three different types of narrative sounds are harmonious and unified in this text. Due to the particularity of the background of the story, the author arranges the unique way of "multi-part" narration according to the needs of expression and from the point of view of the theme. Each narrator is free to convey his views to the reader according to his own will. The third chapter, based on the previous study, excavates the cultural themes highlighted in the voice expression system of pluralistic narration. Pamuk's thinking of East and West culture breaks through the simple dualistic opposites, the collision, confrontation and fusion of different cultures, which is an inevitable process in the process of historical change, all of which are reflected in the cultural identity consciousness reflected by the author through the text. Whether individual or collective, the cultural identity and cultural identity of the modern Turkish nation should be put in an open position and redefined and constructed in the concrete practice of modernization.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I374.074
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