【摘要】：本篇論文運(yùn)用比較文學(xué)中的平行研究方法，從生態(tài)女性主義角度對(duì)賽珍珠的《大地三部曲》和莫言的《紅高粱家族》進(jìn)行了比較研究。兩位作家盡管?chē)?guó)籍不同，生活年代不同，但是兩部作品均反映了二十世紀(jì)上半期舊中國(guó)大地上的農(nóng)村生活風(fēng)貌，同時(shí)都表達(dá)了對(duì)女性與自然的人文關(guān)懷，因此具備了可比性。 本文首先闡述比較文學(xué)平行研究和生態(tài)女性主義理論內(nèi)涵。隨后，本文從概念關(guān)系、經(jīng)驗(yàn)關(guān)系和象征關(guān)系三方面詳細(xì)闡釋了女性和自然之間的聯(lián)系，揭示兩者共同的被剝削和被統(tǒng)治地位。之后，本文揭示了兩部作品中父權(quán)制和殖民者對(duì)女性和自然的壓迫，包括對(duì)女性身心的剝削和對(duì)自然無(wú)情的支配和破壞。此外，本文對(duì)比分析了兩部作品中關(guān)于兩性、人與自然矛盾的解決方法，以期加深對(duì)《大地三部曲》和《紅高粱家族》的理解，豐富對(duì)兩部作品的研究。 通過(guò)生態(tài)女性視角下的文本分析，，本文認(rèn)為《大地三部曲》和《紅高粱家族》揭露了男性與女性、人類(lèi)與自然的二元對(duì)立是父權(quán)制下女性和自然壓迫的思想根源；倡導(dǎo)了兩性之間、人與自然之間的和諧以期擺脫女性和自然的困境；體現(xiàn)了不同文化背景下文學(xué)創(chuàng)作的普遍規(guī)律和精神價(jià)值。通過(guò)平行研究，本文認(rèn)為不同的文化背景、性別和歷史階段造成了賽珍珠和莫言在解決兩性、人與自然矛盾方面的差異�！都t高粱家族》中女性和自然向父權(quán)制再次的妥協(xié)表明了莫言向現(xiàn)實(shí)的回歸和通往普遍和諧世界的艱難�！洞蟮厝壳分信宰罱K實(shí)現(xiàn)了自我的內(nèi)心和諧，實(shí)現(xiàn)了與男性和自然的和諧相處，表達(dá)了對(duì)理想未來(lái)的展望。
[Abstract]:This paper makes a comparative study of Pearl Buck's Terre Trilogy and Mo Yan's Red Sorghum Family from the angle of ecological feminism by using parallel research methods in comparative literature. Although the two writers have different nationalities and different living times, both of them reflect the rural life style of the old China in the first half of the 20th century, at the same time, they both express their humanistic concern for women and nature, so they are comparable. This paper first expounds the parallel study of comparative literature and the connotation of ecological feminism theory. Subsequently, this paper expounds the relationship between women and nature from three aspects: conceptual relationship, empirical relationship and symbolic relationship, and reveals the common exploitation and dominance of both women and nature. After that, this paper reveals the oppression of women and nature by patriarchy and colonists in the two works, including exploitation of women's body and mind and ruthless domination and destruction of nature. In addition, in order to deepen the understanding of the Terrestrial Trilogy and the Red Sorghum Family, this paper makes a comparative analysis of the solutions to the contradiction between the sexes, man and nature in the two works, and enriches the study of the two works in order to deepen the understanding of the Trilogy of the Earth and the Red Sorghum Family. Through the text analysis from the angle of view of ecological women, this paper holds that the Trilogy of the Earth and the Red Sorghum Family reveal men and women, and the dualistic opposition between human beings and nature is the ideological root of female and natural oppression under patriarchal system; It advocates the harmony between the two sexes and between man and nature in order to get rid of the dilemma of women and nature and embodies the universal law and spiritual value of literary creation under different cultural backgrounds. Through parallel studies, this paper argues that different cultural backgrounds, gender and historical stages have caused Pearl Buck and Mo Yan to solve the gender problem. The difference in the contradiction between man and nature. The compromise between women and nature to patriarchy in the Red Sorghum Family shows the return of Mo Yan to reality and the difficulty of reaching a world of universal harmony. Finally, Women in the Earth Trilogy To achieve self-harmony, Achieved harmony with men and nature, expressed the vision of the ideal future.
【學(xué)位授予單位】：南京航空航天大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I106-03

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