論志賀直哉的《暗夜行路》
發(fā)布時間：2019-03-06 16:40
【摘要】：白樺派代表作家志賀直哉是在日本近代文學(xué)史上占有重要地位的文壇巨匠�！栋狄剐新贰肥侵举R直哉作品中唯一一部長篇小說，且從其前身《時任謙作》著手創(chuàng)作至全篇出版，整體創(chuàng)作過程前后長達(dá)25年之久，跨越了志賀直哉文學(xué)創(chuàng)作生涯的各個時期。本論以《暗夜行路》25年的創(chuàng)作時間這一特殊屬性為出發(fā)點，，系統(tǒng)分析《暗夜行路》各部分的創(chuàng)作過程，介紹該作創(chuàng)作過程中的三個中斷時期并探討中斷時期產(chǎn)生的必然性及其意義，分析《暗夜行路》前篇和后篇之間創(chuàng)作風(fēng)格的變化，探討作家志賀直哉從追求自我意識到回歸東方傳統(tǒng)文化的必然性。 通過綜合分析，得出結(jié)論：《暗夜行路》經(jīng)歷了25年的創(chuàng)作時間是這部作品擁有自己特殊性的關(guān)鍵，創(chuàng)作過程中存在的三個中斷期是志賀直哉實際生活中的最終心境達(dá)到主人公時任謙作最后心境的必需時間。作品前后篇之間創(chuàng)作風(fēng)格的改變源于作家從早期傾向于西方個人自由主義到后期回歸東方傳統(tǒng)文化的轉(zhuǎn)變。在日本傳統(tǒng)文化意識影響下作家的這種向傳統(tǒng)的回歸具有一定的必然性以及代表性。
[Abstract]:Bai Hua, a representative writer, is an important literary master in the history of modern Japanese literature. "the Dark Night Journey" is the only novel in Shiga's works, and from his predecessor, the then humble work, he began to create and publish the whole piece. The whole creative process lasted 25 years, spanning all the periods of Shiga's literary career. Based on the special attribute of the creation time of "dark night road" 25 years, this paper systematically analyzes the creative process of each part of "dark night road", and makes a systematic analysis of the creation process of each part of "dark night road". This paper introduces the three periods of interruption in the process of writing, probes into the inevitability and significance of the interruption period, and analyzes the change of writing style between the previous and later articles of "the Dark Night Road". This paper discusses the inevitability of the writer Shiga from pursuing self-consciousness to returning to the oriental traditional culture. Through the comprehensive analysis, it is concluded that after 25 years of writing, the creation time of the Dark Night Journey is the key for this work to have its own particularity. The three interruptions in the process of creation are the necessary time for Shiga to achieve the final state of mind in real life to reach the final state of humility of the protagonist at that time. The change of writing style between pre-and post-works stems from the change of writers' tendency to western individual liberalism in the early stage to returning to the eastern traditional culture in the later period. Under the influence of Japanese traditional culture consciousness, the writer's return to tradition has certain inevitability and representativeness.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I313.074
本文編號：2435705
[Abstract]:Bai Hua, a representative writer, is an important literary master in the history of modern Japanese literature. "the Dark Night Journey" is the only novel in Shiga's works, and from his predecessor, the then humble work, he began to create and publish the whole piece. The whole creative process lasted 25 years, spanning all the periods of Shiga's literary career. Based on the special attribute of the creation time of "dark night road" 25 years, this paper systematically analyzes the creative process of each part of "dark night road", and makes a systematic analysis of the creation process of each part of "dark night road". This paper introduces the three periods of interruption in the process of writing, probes into the inevitability and significance of the interruption period, and analyzes the change of writing style between the previous and later articles of "the Dark Night Road". This paper discusses the inevitability of the writer Shiga from pursuing self-consciousness to returning to the oriental traditional culture. Through the comprehensive analysis, it is concluded that after 25 years of writing, the creation time of the Dark Night Journey is the key for this work to have its own particularity. The three interruptions in the process of creation are the necessary time for Shiga to achieve the final state of mind in real life to reach the final state of humility of the protagonist at that time. The change of writing style between pre-and post-works stems from the change of writers' tendency to western individual liberalism in the early stage to returning to the eastern traditional culture in the later period. Under the influence of Japanese traditional culture consciousness, the writer's return to tradition has certain inevitability and representativeness.
【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I313.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前7條
1 藍(lán)泰凱;“具備著全人格的大藝術(shù)家”——志賀直哉[J];貴陽師范高等�？茖W(xué)校學(xué)報(社會科學(xué)版);2003年02期
2 劉立善;《暗夜行路》中關(guān)于人與自然的哲學(xué)思考[J];貴州大學(xué)學(xué)報(社會科學(xué)版);2005年04期
3 黃玉萍;;試析日本國民集團(tuán)性的成因及其特點[J];甘肅政法成人教育學(xué)院學(xué)報;2007年02期
4 馬艷波;程躍;;試論《暗夜行路》連載中斷期存在的合理性[J];懷化學(xué)院學(xué)報;2012年06期
5 杜文倩;;自我意志與人類意識的統(tǒng)一——從《暗夜行路》看白樺派的“調(diào)和”意識[J];蘭州學(xué)刊;2006年03期
6 吳光輝;自然與生命的調(diào)和“心境”——論志賀直哉《暗夜行路》的文學(xué)表象[J];外國文學(xué)評論;2002年04期
7 肖書文;;論志賀直哉《在城崎》中的死亡意識[J];云夢學(xué)刊;2006年06期
本文編號：2435705
本文鏈接：http://sikaile.net/wenyilunwen/wxchuangz/2435705.html
