【摘要】：阿里斯托芬是古希臘最偉大的喜劇詩(shī)人，其作品與雅典民主政治息息相關(guān)。就生成背景而言，古希臘詩(shī)學(xué)的涉政傳統(tǒng)賦予了其涉政的先天可能性，同時(shí)期哲學(xué)、悲劇的現(xiàn)實(shí)性轉(zhuǎn)向也影響著喜劇創(chuàng)作，公民政治的繁榮催生了文化題材的政治性，而政治實(shí)踐中存在的問(wèn)題賦予了喜劇以攻擊之資；就喜劇內(nèi)容而言，阿里斯托芬的政治訴求盡管看似荒誕不羈，但本質(zhì)上卻關(guān)注了危及雅典民主政治的三大問(wèn)題，在一定程度上真實(shí)反映了彼時(shí)雅典政治現(xiàn)狀；就表達(dá)技巧而言，通過(guò)插曲中的正面表達(dá)與非理性因素的間接表達(dá)相結(jié)合，阿里斯托芬將自己的政治訴求融入喜劇之中，并對(duì)城邦政治造成了一定影響。 本文除緒論外共計(jì)三章，茲將各章主要內(nèi)容摘要如下： 緒論主要闡述了本文的選題意義、研究現(xiàn)狀以及本文的寫(xiě)作思路與創(chuàng)新之處。 第一章：阿里斯托芬喜劇的生成背景�？疾炝讼ＥD傳統(tǒng)詩(shī)學(xué)與政治的聯(lián)系，指出詩(shī)人們通過(guò)界定正義與詮釋正義實(shí)現(xiàn)了對(duì)現(xiàn)實(shí)政治的關(guān)注；對(duì)前5世紀(jì)下半葉雅典的哲學(xué)與悲劇狀況進(jìn)行研究，指出悲劇與哲學(xué)的政治轉(zhuǎn)向；分析前5世紀(jì)末期雅典民主政治的發(fā)展及其遇到的困境。 第二章：阿里斯托芬的政治訴求。考察史實(shí)中的政治領(lǐng)袖與平民問(wèn)題，分析阿里斯托芬對(duì)政治領(lǐng)袖的攻擊及其意義；考察阿里斯托芬對(duì)于戰(zhàn)爭(zhēng)的態(tài)度，分析其筆下的和平主義；考察阿里斯托芬針對(duì)政治實(shí)踐弊端的洞見(jiàn)，分析其夸大這些弊端的意義。 第三章：阿里斯托芬的政治表達(dá)�？疾彀⒗锼雇蟹覍�(duì)于插曲的使用，分析插曲與喜劇結(jié)構(gòu)之間的關(guān)系；考察阿里斯托芬對(duì)穢語(yǔ)的使用，，分析穢語(yǔ)在政治表述中的作用；考察喜劇的表達(dá)效果，分主動(dòng)與被動(dòng)兩方面分析喜劇對(duì)現(xiàn)實(shí)政治所造成的影響。
[Abstract]:Aristophane is the greatest comedy poet in ancient Greece, whose works are closely related to Athenian democracy. In terms of background, the tradition of political involvement in ancient Greek poetics endowed it with the innate possibility of political involvement. Meanwhile, the realistic turn of tragedy also influenced comedy creation, and the prosperity of civil politics gave birth to the political nature of cultural subject matter. The problems in political practice have given comedy the money to attack. As far as comedy content is concerned, Aristophanes' political demands, although seemingly absurd and unruly, in essence focus on the three major issues that endanger the Athenian democratic politics, and to some extent reflect the current political situation of Athens at that time. As far as expression skills are concerned, through the combination of positive expression in the interlude and indirect expression of irrational factors, Aristophane integrates his political demands into comedy and has a certain influence on polis politics. There are three chapters in this paper except the introduction. The main contents of each chapter are summarized as follows: the introduction mainly describes the significance of the topic, the current research situation, and the writing ideas and innovations of this paper. Chapter one: the background of Aristophane comedy. This paper examines the relationship between Greek traditional poetics and politics, and points out that poets have paid attention to realistic politics by defining justice and interpreting justice. This paper studies the philosophy and tragedy of Athens in the second half of the first five centuries, points out the political turn of tragedy and philosophy, and analyzes the development of democracy in Athens at the end of the first five century and the difficulties encountered. Chapter two: Aristophane's political appeal. This paper examines the issue of political leaders and civilians in historical facts, analyzes Aristophane's attack on political leaders and its significance, examines Aristophane's attitude towards war, and analyzes his pacifism in his writings. This paper examines Aristophane's insight into the drawbacks of political practice and analyzes the significance of exaggerating them. Chapter three: the political expression of Aristophane. This paper examines Aristophane's use of interlude, analyzes the relationship between interlude and comedy structure, examines Aristofen's use of Gilles de la Tourette, and analyzes the role of Gilles de la Tourette in political expression. This paper investigates the expressive effect of comedy and analyzes the influence of comedy on realistic politics from active and passive aspects.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：D082;I545.073

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