【摘要】：奧斯卡王爾德聞名于世起初是因?yàn)樗膽騽∽髌�，之后他的一部與眾不同的小說《道連格雷的畫像》使得更多的人們喜歡上了他相關(guān)類型的作品。但是，，他的童話作品的讀者在很長(zhǎng)一段時(shí)間內(nèi)卻局限于孩童，這主要是因?yàn)樽x者的固有觀念是童話只是寫給孩子們讀的枕邊書。從而有興趣對(duì)他的童話作品加以研究的專家少之又少。一直到王爾德的一位特殊的密友羅伯特·羅斯開始對(duì)王爾德作品進(jìn)行全面研究時(shí)，王爾德的童話才開始吸引了成年人的眼球。 本論文旨從文學(xué)倫理學(xué)批評(píng)方法的角度對(duì)王爾德的兩部童話作品：《石榴之家》和《快樂王子》.試圖將讀者慣常的用美學(xué)視角審視王爾德作品轉(zhuǎn)移到用倫理視角來重新審視，使更多的讀者視點(diǎn)聚焦在其社會(huì)倫理意義上。此論文關(guān)注的倫理學(xué)因素主要集中于王爾德童話中的真善圣。 通過對(duì)王爾德童話中倫理道德因素的分析，作者試圖闡釋本論文的主題---盡管王爾德是個(gè)唯美主義者并試圖忽視生活中的道德元素，他童話中所包含的倫理要素卻說明了他從未停止思考過社會(huì)中的倫理道德問題，這些因素都在他的“反童話”的寫作風(fēng)格中得到了完美的體現(xiàn)，這也正是作者試圖挖掘的王爾德與眾不同的所在。他總在期望理想的社會(huì)秩序，并一直用自己的方式渴望與追求著真，善和靈魂中的圣。他渴望一個(gè)沒有欺騙，沒有功利，沒有虛偽的理想世界，但他用反童話的因素告訴讀者：在維多利亞時(shí)代的社會(huì)背景下，那些只能是不能實(shí)現(xiàn)的奢望而已。
[Abstract]:Oscar Wang Erde first became famous for his dramatic work, and then his distinctive novel, the Portrait of Dorian Gray, made more people like his related works. However, the readers of his fairy tales have been confined to children for a long time, mainly because the reader's stereotype is that fairy tales are just pillowed books for children. Few experts are interested in studying his fairy tales. It was not until one of Wang Erde's special close friends, Robert Ross, who began to conduct a comprehensive study of Wang Erde's works, that his fairy tale began to attract the attention of adults. The purpose of this paper is to analyze Wang Erde's two fairy tales from the perspective of literary ethics criticism: pomegranate House and Happy Prince. This paper attempts to transfer the readers' usual aesthetic perspective to re-examine Wang Erde's works from an ethical perspective, so that more readers can focus on their social and ethical significance. This paper focuses on the ethical factors in Wang Erde's fairy tales. By analyzing the ethical and moral factors in Wang Erde's fairy tales, the author tries to explain the theme of this thesis-although Wang Erde is an aesthetist and tries to ignore the moral elements in life. However, the ethical elements contained in his fairy tales show that he has never stopped thinking about ethical and moral problems in society. These factors are perfectly reflected in his writing style of "anti-fairy tales". This is exactly where the author tries to dig Wang Erde out of the ordinary. He always aspires to the ideal social order, and always longs and pursues the truth, the good and the sanctity of the soul in his own way. He longed for an ideal world without deception, no utility, no hypocrisy, but he told readers with anti-fairytale elements: in Victorian society, those can only be impossible to achieve extravagance.
【學(xué)位授予單位】：合肥工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I561.078

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