【摘要】：東南亞華文文學(xué),是海外華文文學(xué)的重要組成部分。它具有鮮明而濃厚的地方特色,別有風(fēng)味。而其中,馬來(lái)西亞華文文學(xué)是其重要的一支文學(xué)力量。隨著馬華新生代作家登上歷史舞臺(tái),成為馬華文壇的弄潮兒,他們的創(chuàng)作也得到了越來(lái)越多的關(guān)注。在已經(jīng)展開(kāi)的研究中,大部分還局限于對(duì)單個(gè)作家、單個(gè)文本的分析,或者是對(duì)一些共有文學(xué)特征的簡(jiǎn)單歸納和闡述,并沒(méi)有深入到新生代作家文學(xué)深層的肌理,做整體的把握和研究。本文在既有研究成果的基礎(chǔ)上,力圖將馬華新生代作家的創(chuàng)作放置在后殖民這個(gè)錯(cuò)綜復(fù)雜的大背景下,揭示其豐富的文化內(nèi)涵。本文在方法上借鑒了后殖民文化批評(píng)以及新歷史主義的相關(guān)理論,文化分析和作品細(xì)讀相結(jié)合,用文化分析的方法得出文學(xué)的結(jié)論。本文分成四個(gè)部分進(jìn)行論述。首先是理清概念。對(duì)馬華新生代作家的創(chuàng)作進(jìn)行概述,對(duì)后殖民理論的發(fā)展流變,相關(guān)理論的研究成果做一個(gè)總體的梳理。其次,結(jié)合馬來(lái)西亞的社會(huì)歷史背景,分析“族群政治”的發(fā)展演變,對(duì)于新生代作家創(chuàng)作所產(chǎn)生的影響。第三則是從三個(gè)方面歸納和總結(jié)新生代作家創(chuàng)作的基本特征、成因和發(fā)展趨勢(shì),包括“家園”想象的發(fā)展演變、“流散”的美學(xué)風(fēng)格和重構(gòu)歷史等等。這三個(gè)方面都涉及到了新生代作家筆下常出現(xiàn)的題材,是新生代創(chuàng)作文本的代表性特征,其中飽含著他們對(duì)于國(guó)家、歷史、民族、人生、世界的哲學(xué)思考。最后,指出在后殖民主義的大語(yǔ)境下,馬華新生代作家既不可避免地受到周圍環(huán)境的種種影響,又試圖開(kāi)創(chuàng)屬于馬華文學(xué)的新天地,屬于馬華人的新的歷史記憶。在這樣的大背景中,他們應(yīng)對(duì)挑戰(zhàn)和機(jī)遇的現(xiàn)狀和前景。
[Abstract]:Southeast Asian Chinese literature is an important part of overseas Chinese literature. It has distinct and strong local characteristics, unique flavor. Among them, Malaysian Chinese literature is an important literary force. With the new generation of writers on the stage of history, they become the literary children of Mahua, their creation has been paid more and more attention. In the studies that have been carried out, most of them are limited to the analysis of individual writers, single texts, or the simple induction and elaboration of some common literary features, without going deep into the deep texture of the literature of the Cenozoic writers. Do the overall grasp and research. On the basis of the existing research results, this paper tries to put the creation of the new generation writers of Ma Hua in the complicated background of post-colonization and reveal its rich cultural connotation. In this paper, the author draws the conclusion of literature by means of the theory of post-colonial culture criticism and new historicism, the combination of cultural analysis and detailed reading of works. This paper is divided into four parts to discuss. The first is to clarify the concept. This paper summarizes the creation of Ma Hua's new generation writers, and makes a general combing of the development and evolution of postcolonial theory and the research results of relevant theories. Secondly, it analyzes the influence of the development and evolution of ethnic politics on the creation of the new generation writers with the social and historical background of Malaysia. The third is to sum up the basic characteristics, causes and development trends of the new generation writers' creation from three aspects, including the development and evolution of the "homeland" imagination, the aesthetic style of "dispersal" and the history of reconstruction and so on. These three aspects are related to the themes that often appear in the writings of the new generation writers, which are the representative features of the new generation's creative texts, which are full of their philosophical thinking about the country, history, nation, life and the world. Finally, it is pointed out that in the context of post-colonialism, the writers of the new generation of Ma Hua are not only inevitably influenced by the surrounding environment, but also try to create a new world of Ma Hua literature and a new historical memory belonging to the Chinese in Malaysia. In this context, they deal with the challenges and opportunities of the current situation and prospects.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I338.06

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本文編號(hào)：2342015