【摘要】：正一雖然德勒茲沒(méi)有寫(xiě)過(guò)文學(xué)作品,也從未直接提出一套文學(xué)的系統(tǒng)化"理論",但從他各式各樣的文學(xué)研究中,我們能隨處可見(jiàn)他對(duì)于文學(xué)的關(guān)注和引用。德勒茲關(guān)于文學(xué)的論述大抵都是對(duì)文學(xué)作品的平行思考,如對(duì)美國(guó)作家赫爾曼.麥爾維爾的《白鯨》與奧地利作家卡夫卡的《變形記》的解讀。德勒茲指出:"寫(xiě)作是一種生成,寫(xiě)作之中滲透著異樣的生成,它們不是生成為作家,而是生成——老鼠,生成——昆蟲(chóng),生成——狼。"[1]338同時(shí),"生成
[Abstract]:Although he has never written literary works and never put forward a set of systematic literary "theories" directly, from his various literary studies, we can see his attention and references to literature everywhere. Deleuze's discourse on literature is mostly a parallel reflection on literary works, such as Herman, an American writer. The interpretation of Melville's Moby Dick and Austrian writer Kafka's Metamorphosis. "Writing is a kind of generation," Deleuz pointed out. "Writing is permeated with strange forms. They are not generated as writers, but generation-mice, generation-insects, generation-wolves." [1] 338 at the same time, "Generation"
【作者單位】： 貴州民族大學(xué)旅游與航空服務(wù)學(xué)院;
【基金】：教育部人文社科研究西部和邊疆地區(qū)項(xiàng)目(12XJC751003) 貴州省教育廳高校人文社科研究青年項(xiàng)目(11QN013)
【分類(lèi)號(hào)】：I565.06
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本文編號(hào)：2318598