【摘要】：東野圭吾是日本推理小說(shuō)界的一顆明星。多年來(lái),他在創(chuàng)作中探討了關(guān)于女性犯罪的問(wèn)題,塑造了一類被稱為“惡女”的典型女性形象。本文主要以東野圭吾的幾部重要的代表作《放學(xué)后》、《嫌疑人X的獻(xiàn)身》、《圣女的救濟(jì)》、《白夜行》和《幻夜》為研究?jī)?nèi)容,結(jié)合作品中女性生活的時(shí)代背景及其發(fā)展變化,來(lái)分析作品中的“惡女”形象。 論文的主要內(nèi)容包括以下幾個(gè)部分： 首先在序言里簡(jiǎn)單地介紹東野圭吾這個(gè)作家以及中國(guó)文學(xué)界對(duì)其作品的翻譯和研究狀況。 然后第一節(jié)對(duì)從近代到二戰(zhàn)后日本經(jīng)濟(jì)起飛時(shí)期這一段時(shí)間內(nèi)日本女性地位的發(fā)展變化做一個(gè)梳理,這是東野文學(xué)世界的現(xiàn)實(shí)基礎(chǔ),是我們準(zhǔn)確把握東野小說(shuō)中惡女形象的必要準(zhǔn)備。 緊接著的第二、三節(jié)是論文的主題部分。通過(guò)對(duì)五部小說(shuō)做對(duì)比分析,得出東野小說(shuō)中惡女的發(fā)展軌跡,即惡女形象經(jīng)歷了被動(dòng)作惡到主動(dòng)作惡的發(fā)展。這種發(fā)展不僅表現(xiàn)出惡女作惡程度的加深,更表現(xiàn)出惡女對(duì)男權(quán)社會(huì)反抗的進(jìn)一步深化,這些女性已經(jīng)認(rèn)識(shí)到將一切寄托在男性身上的危險(xiǎn)性。 第四節(jié),主要是基于以上部分的分析與探討,總結(jié)出惡女的特質(zhì)。從角色塑造來(lái)講,東野塑造的惡女形象都屬扁平人物,這種扁平人物的塑造有利于作者對(duì)人性的觀察。同時(shí),惡女又具有鮮明的時(shí)代特征,是對(duì)這個(gè)男權(quán)社會(huì)的反動(dòng),也表現(xiàn)了東野圭吾的女性觀和社會(huì)觀。東野塑造惡女形象,不僅是對(duì)社會(huì)中女性作惡的一種披露,更從側(cè)面表達(dá)了對(duì)充斥日本社會(huì)的男性霸權(quán)及其對(duì)女性壓迫的揭露與批判,以及對(duì)男女平等的一種呼喚。
[Abstract]:Takeshi Tokano is a star in Japanese reasoning fiction. For many years, he explored the problem of female crime in his works, and created a typical female image called "evil woman". This paper mainly focuses on several important masterpieces of Edomino Kurou, "after school", "the death of suspect X", "Relief of the Holy Lady", "White Night" and "Magic Night". Combining with the background and development of women's life in the works, this paper analyzes the images of "evil women" in the works. The main contents of the thesis include the following parts: first of all, a brief introduction is given in the preface to Dongye Guiwu, as well as the translation and research situation of his works in Chinese literary circles. Then the first section combs the development and changes in the status of Japanese women during the period from modern times to the period of Japanese economic take-off after World War II, which is the realistic basis of Tokano's literary world. It is the necessary preparation for us to grasp the images of evil women in Dongye's novels. The second and third sections are the theme of the paper. Through the comparative analysis of five novels, the author draws the development track of evil women in Dongye's novels, that is, the image of evil women has experienced the development from passive evil to active evil. This development not only shows the deepening of evil women's evil degree, but also shows the further deepening of evil women's resistance to male-dominated society. These women have realized the danger of pinning everything on men. The fourth section, mainly based on the above part of the analysis and discussion, summed up the characteristics of evil women. From the perspective of character shaping, Dongye's evil female images belong to flat characters, which are beneficial to the author's observation of human nature. At the same time, evil women have distinct characteristics of the times, which are reactionary to this patriarchal society, and also show Dongye Guiwu's view of women and society. Dongye's portrayal of evil female image is not only a kind of disclosure of female evil in society, but also a kind of exposition and criticism of male hegemony and female oppression in Japanese society, as well as a call for equality between men and women.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074

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本文編號(hào)：2298023