【摘要】：奈保爾特殊的生活經(jīng)歷,使他受到了“混雜”文化的影響,具有多重的文化身份。無法棄絕的特立尼達(dá)情結(jié),家族賜予他的印度血統(tǒng),在宗主國(guó)學(xué)習(xí)、工作和生活的經(jīng)歷,讓他在多重文化身份之間游走,所以他被許多學(xué)者稱為“特立尼達(dá)的印度人”、“印度的海外浪子”、“英國(guó)的特立尼達(dá)人”、“無根的作家”、“世界作家”等等。奈保爾的作品中塑造了大量的印度“混雜人”形象,本文根據(jù)奈保爾作品中涉及到的地理空間作為分類標(biāo)準(zhǔn),分別研究了特立尼達(dá)的印度“混雜人”形象和西方世界中的印度“混雜人”形象,并且分析了他們的物質(zhì)生活狀況和精神生活狀況。同時(shí)以奈保爾的印度三部曲為文本,探究這些印度“混雜人”與印度之間的聯(lián)系。 本篇論文分為三章來研究奈保爾作品中的印度“混雜人”形象,運(yùn)用文本細(xì)讀的研究方法,并且參照了薩義德、霍米·巴巴、斯皮瓦克等后殖民理論家的理論展開研究。第一章,以奈保爾的出生地特立尼達(dá)為背景,將他的短篇小說集《米格爾街》作為文本,分析了西印度群島上的印度“混雜人”形象。他們與島上其他“混雜人”一樣處于物質(zhì)生活和精神生活上的邊緣境地,他們對(duì)于母國(guó)文化逐漸遺忘,同時(shí)不斷受到外來文化和其他種族文化的侵襲,無論他們?nèi)绾螔暝?這部分印度“混雜人”的生活都是悲劇的。將《靈異推拿師》中的甘涅沙作為典型人物形象進(jìn)行分析,并且運(yùn)用霍米·巴巴的雜交理論來分析這個(gè)把東西方文化混合成功的印度“混雜人”形象。第二章,以奈保爾的小說《孤獨(dú)的人》、《告訴我,殺了誰》和《抵達(dá)之謎》為文本進(jìn)行分析,深入的研究了流落到西方世界的印度“混雜人”的生存狀況�！豆陋�(dú)的人》中的主人公桑什托是從孟買跟隨雇主來到美國(guó)的,當(dāng)母國(guó)文化和異國(guó)文化在他內(nèi)心相互碰撞時(shí),他在這種文化差異的斷層中迷失了自己,精神上的疏離感與矛盾感讓他們失去了真正的“自由”�！兜诌_(dá)之謎》是奈保爾的自傳體小說,小說中的主人公與作者本人的生活經(jīng)歷相似。小說中的主人公,因?yàn)樵谟?guó)生活和工作,逐漸的接受了西方文明和宗主國(guó)的文化。對(duì)他而言,宗主國(guó)的文化是他的文化源泉,是他的文化養(yǎng)母,所以他對(duì)于殖民者持有一種和解的態(tài)度,盡管內(nèi)心之中仍然無法擺脫作為“外來人”的疏離感。第三章,主要是跟隨作者本人造訪印度,以奈保爾的印度三部曲為文本進(jìn)行分析,探究這些印度“混雜人”包括作者本人與印度本土的聯(lián)系,他們雖然離開了印度或者從未踏上印度,母國(guó)的血統(tǒng)使他們對(duì)于故土既想親近又不得不疏離。特立尼達(dá)上的印度“混雜人”無論是從生活習(xí)慣上還是宗教等方面都想要保留印度的傳統(tǒng),然而他們?cè)谶@些方面早已經(jīng)與印度的本土人有所區(qū)別。而作者本人,因?yàn)槭艿轿鞣缴鐣?huì)的世界觀影響,對(duì)于自己的母國(guó)是既想親近又不得不疏離。作為印度后裔的他無法否認(rèn)自己受到的印度影響,卻又與印度本土人有了本質(zhì)上的差別。 關(guān)于奈保爾的文化身份問題,許多學(xué)者已經(jīng)研究過了,但是他們對(duì)其作品中人物形象的混雜性研究不夠多,不夠系統(tǒng),也不夠詳實(shí)。在全球化、多元文化發(fā)展的今天,我們研究奈保爾作品中的印度“混雜人”形象也是非常具有現(xiàn)實(shí)意義的。
[Abstract]:Nai's special life experience made him suffer "Hybrid" The influence of culture has multiple cultural identities. He was called by many scholars because of his Indian descent, his Indian descent, his experience of studying, working and living in his country. "The Indians of Trinidad and Tobago", The Overseas Wave of India, "The Deddah in England.", a "rootless writer.", "World Writers" Wait. A large number of India has been shaped in Nai's works" Hybrid" In this paper, according to the geographical space involved in Nai's works as the classification criterion, the author studies the India of Trinidad and Tobago, respectively. "Hybrid" Image and India in the Western World "Hybrid" Image and analysis of their physical and spiritual life. At the same time, the Indian trilogy of Chennai is the text, exploring these India "Hybrid" Links between India and India. This paper is divided into three chapters: the study of Nai's works India in India A study of "heterosexuals", using text-reading methods, and taking into account the theoretical expansion of post-colonial theorists, such as Saeed, Hormi Baba and Spivak. The first chapter, in the first chapter, was the background of Naipaul's birthplace, and his short story set as the text, and analyzed the West Indies. India in India heterosexuals" Image. They're with the island UP OTHER" BLEND "They are at the edge of material life and spiritual life, and they gradually forget their home culture and continue to suffer from foreign cultures and other ethnic cultures, no matter how they struggle, this one" India "mixed Everyone's life is sad This paper analyzes the image of Gangnisha as the image of the Chinese character, and uses the hybrid theory of Hormi Baba to analyze the successful mix of the Eastern and Western cultures. India in India heterosexuals" Image. Chapter 2, Naipaul's novel , and analyze the text, deeply study the world in the west world India in India The Existence of Heterosis The protagonist, Sandusto, in the Lonely People>, came to the United States from Mumbai following an employer in Mumbai. When the home country culture and foreign culture collide with each other in his heart, he lost himself in the fault of the cultural difference, and the spirit's sense of alienation and contradiction caused them to lose Real" self From "...................................................................................................................... Similar. The hero in the novel, because in the British life and work, gradually accepted the Western civilization and the patriarchal clan Culture. For him, the culture of the main country is his cultural source, his culture foster mother, so he has a conciliatory attitude towards the colonists, although he still can't swing in his heart Deact as" The hydrophobicity of a man The third chapter is to follow the author's visit to India, to analyze and explore the Indian trilogy of Naipaul's Indian trilogy. Some India" Mixed "The alien" includes the author's contact with India, who has left India or has never set foot on India, and the descent of the home country makes them both close to and have to Come on. Come on. India in India "Everyone wants to preserve Indian traditions, both in terms of living habits or religion," but they are already in touch with India's native people The author himself, because of the influence of the world outlook of the western society, is both close to and has to be close to his home country As a descendant of India, he cannot deny the influence of India, but it is in essence with the native people of India The difference is that many scholars have studied the cultural identity of Nai's works, but they are not enough to study the intermixing of the characters in their works, and they are not enough system. It's not enough. In the globalization and multi-cultural development today, we studied Naipaul. the print in a work The image of "hybrid" is also very important
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I767.074

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本文編號(hào)：2264358

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