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勞倫斯小說中女性平衡形象的研究

發(fā)布時間:2018-09-18 19:19
【摘要】:D.H勞倫斯是20世紀(jì)最重要的英國作家之一,也是最受爭議的作家之一。勞倫斯的作品大量地描寫了色情,受到過猛烈的抨擊和批判。他認(rèn)為性生活是生命力的主宰,所以在其作品中挑釁性地赤裸裸地描述性生活的感受,通過對性的描寫,力求探索人的靈魂深處,并成功地運用了感人的藝術(shù)描寫。因此,從他生前直到迄今為止,他的作品一直被世界文壇所重視。他所描述的女性形象一直都是爭論中的焦點。 他在作品中塑造了一系列的女性形象,受到成千上萬的讀者、評論家和出版者的批評和探討。實際上,通過對女性形象的描寫,他的作品反映了現(xiàn)代工業(yè)化社會非人性的影響。為了對這些女性形象有更加深入和更清楚的了解,論文作者將對這些形象進行詳盡分析,并運用相關(guān)理論對她們的個性和心理進行探索研究。 論文首先對勞倫斯筆下的女性形象分為了四類,并對女性形象原型和性格形成原因進行了深入分析,涉及作者的個人背景、作品的社會背景以及文學(xué)傳統(tǒng)。女性形象的象征意義也是一個探討的重點。論文最后對勞倫斯筆下的女性形象用本文的觀點進行總結(jié),進一步說明了他們?nèi)绾螐膬A斜走向平衡。 本篇論文共分五章。第一章詳細(xì)介紹勞倫斯本人的生平經(jīng)歷,家庭背景,教育背景以及論文涉及到的主要作品《兒子與情人》,《虹》,《查泰萊夫人的情人》以及《戀愛中的女人》等,還介紹了論文當(dāng)中所要運用的兩個理論:弗羅伊德的無意識理論以及尼采的權(quán)力意志理論,旨在通過這兩個理論來深入的反映勞倫斯在作品中所想要表達的社會現(xiàn)實意義。第二章將勞倫斯筆下的女性形象進行了分類,分別是“俄狄浦斯”、“純精神”、“肉欲”和“自然”四類女性形象,通過對四種模式進行分析,認(rèn)為前三種是“不和諧”,“不均衡”的,是工業(yè)文明下異化的產(chǎn)物,而第四種“自然型”則是一種“和諧”、“平衡”的理想型女性的狀態(tài),這種女性是解決社會異化問題的主體力量。第三章則通過勞倫斯的家庭背景和戀愛經(jīng)歷,當(dāng)時的社會背景、文化背景以及文學(xué)傳統(tǒng)來分析了作者筆下女性形象形成的原因。勞倫斯對于象征手法的運用也是相當(dāng)巧妙的,所以第四章會對作者為更好的表達其主題所運用的象征手法進行分析。第五章則對論文的內(nèi)容進行了總結(jié)以及更進一步的升華。 勞倫斯的文學(xué)作品的主題是多樣的。論文通過相關(guān)理論以及方法對具有代表性小說當(dāng)中女性形象進行了研究與分析,從而進一步揭示了勞倫斯所想要表達的主題,同時也豐富了該領(lǐng)域的研究。
[Abstract]:D. H. Lawrence is one of the most important British writers and one of the most controversial writers in the 20 th century. Lawrence's works depict a great deal of pornography and have been severely criticized and criticized. He thinks that life is the master of life, so he describes the feeling of sexual life defiantly and naked in his works. Through the description of sex, he tries to explore the depths of man's soul and successfully uses the touching artistic description. Therefore, from his death until now, his works have been valued by the world literary world. His portrayal of women has always been the focus of debate. He portrays a series of female images in his works, which are criticized and discussed by thousands of readers, critics and publishers. In fact, through the description of female images, his works reflect the non-human influence of modern industrialized society. In order to have a deeper and clearer understanding of these images, the author will make a detailed analysis of these images, and use relevant theories to explore their personality and psychology. In this paper, the female images in Lawrence's works are divided into four categories, and the author's personal background, the social background and the literary tradition are involved in the analysis of the female image archetypes and the causes of the formation of personality. The symbolic meaning of female image is also a focus of discussion. At the end of the paper, the author summarizes the female images in Lawrence's works, and further explains how they move from tilting to balance. This paper is divided into five chapters. The first chapter introduces Lawrence's life experience, family background, educational background and the main works of the thesis, such as "son and lover", "Rainbow", "Lady Chatterley's lover" and "woman in love", etc. It also introduces two theories in the thesis: Freud's unconscious theory and Nietzsche's power will theory, which are aimed at reflecting the social and practical significance that Lawrence wants to express in his works. The second chapter classifies the female images in Lawrence's works, which are "Oedipus", "pure spirit", "carnal desire" and "nature". Through the analysis of the four models, the author thinks that the first three are "disharmony". "unbalanced" is the product of alienation under industrial civilization, while the fourth "natural" is a "harmonious", "balanced" state of ideal women, which is the main force to solve the problem of social alienation. The third chapter analyzes the reasons for the formation of female image in the author's works through Lawrence's family background and love experience, social background, cultural background and literary tradition. Lawrence's use of symbolism is also quite clever, so the fourth chapter will analyze the symbolism used by the author for better expression of his theme. The fifth chapter summarizes the content of the thesis and further sublimates it. The themes of Lawrence's literary works are varied. Through the research and analysis of the female images in the representative novels, the thesis further reveals the theme that Lawrence wants to express, and enriches the research in this field.
【學(xué)位授予單位】:北京交通大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2012
【分類號】:I561.074

【參考文獻】

相關(guān)期刊論文 前2條

1 李藍(lán)玉;勞倫斯小說中的生存意識與權(quán)力意識[J];黑龍江教育學(xué)院學(xué)報;2000年01期

2 漆以凱;勞倫斯小說藝術(shù)初探[J];南京師大學(xué)報(社會科學(xué)版);1996年04期



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