【摘要】：松本清張是現(xiàn)代日本大眾小說(shuō)史上“社會(huì)派推理小說(shuō)”的創(chuàng)始人。他是戰(zhàn)后日本文壇有非常大影響力的一位作家,不僅在日本,而且在中國(guó)日語(yǔ)學(xué)界也頗具名聲。他的推理小說(shuō)的出現(xiàn),為日本推理小說(shuō)注入了新鮮的血液。因此,提到松本清張,人們便會(huì)想起他的帶有重視犯罪動(dòng)機(jī)風(fēng)格的推理小說(shuō),這些作品最受讀者歡迎,影響力最大。清張對(duì)文學(xué)創(chuàng)作傾注了很大的心血,除推理小說(shuō)之外,還相繼創(chuàng)作了現(xiàn)代小說(shuō)、時(shí)代小說(shuō)、歷史小說(shuō)、評(píng)論等多種題材的作品。但本文僅對(duì)他的推理小說(shuō)進(jìn)行一些試探性分析。 本篇論文運(yùn)用作家論和作品論并行的方法,結(jié)合時(shí)代背景以及代表作中人物的性格、特征等的描寫,對(duì)松本清張推理小說(shuō)的整體特征進(jìn)行了考察。全文主要內(nèi)容如下。 第一,對(duì)于松本清張的生平和寫作背景簡(jiǎn)要分析介紹。 任何作品的風(fēng)格和思想都與作者本人的經(jīng)歷有關(guān),清張也不例外。清張的小說(shuō)以重視犯罪動(dòng)機(jī)和描寫人物心理而著名；作品的特點(diǎn)也同樣與其個(gè)人經(jīng)歷密不可分。他自幼家境貧寒,從事過(guò)各種階層的多種工作,由于其社會(huì)經(jīng)驗(yàn)豐富,作品通常涉及社會(huì)各個(gè)階層并且富有深刻的現(xiàn)實(shí)性與社會(huì)性。1950年松本清張以《西鄉(xiāng)鈔票》登上日本文壇,之后又憑借純文學(xué)作品《某個(gè)小倉(cāng)日記傳》獲得芥川獎(jiǎng),為他以后創(chuàng)作推理小說(shuō)鋪平了道路。這也從側(cè)面說(shuō)明了他的推理小說(shuō)有很強(qiáng)的文學(xué)性及可讀性。1958年清張發(fā)表了推理小說(shuō)《點(diǎn)與線》,從此之后便在推理文壇上大放異彩。 第二,主要針對(duì)松本清張的推理小說(shuō)的特征進(jìn)行分析。首先,與以前的偵探小說(shuō)不同,他的推理小說(shuō)重視動(dòng)機(jī)的描寫并且為其加入了顯著的社會(huì)特征。其次,不放棄傳統(tǒng)的推理手法——作為社會(huì)派推理小說(shuō)家的清張也重視具有真實(shí)性的圈套的設(shè)置。同時(shí),他的推理小說(shuō)與普通人的個(gè)人生活密切聯(lián)系在一起。最后,成了以松本清張為代表的獨(dú)特的社會(huì)派推理小說(shuō)。他的推理小說(shuō)的創(chuàng)新之處就在于,將推理解迷的樂(lè)趣和社會(huì)性的動(dòng)機(jī)結(jié)合在了一起。為以后的推理小說(shuō)家提供了一個(gè)新的創(chuàng)作模板。 第三,通過(guò)分析典型人物和代表作,進(jìn)一步闡明了松本清張推理小說(shuō)的主要特征。松本清張創(chuàng)作了很多優(yōu)秀的推理小說(shuō),涉及了各個(gè)階層的問(wèn)題。由于時(shí)代性的關(guān)系,松本清張最優(yōu)秀的小說(shuō)多創(chuàng)作于昭和三十年代。本論文根據(jù)時(shí)間的前后順序,選取了昭和時(shí)代清張最具代表性的三部作品,《點(diǎn)與線》、《砂之器》和《零的焦點(diǎn)》。希望通過(guò)對(duì)這三部作品的分析,討論其中體現(xiàn)的社會(huì)性和現(xiàn)實(shí)性,以及它們所帶來(lái)的社會(huì)影響。 第四,在論文的第五部分,歸納出由于這些創(chuàng)作特征,松本清張的推理小說(shuō)如實(shí)的反映了昭和時(shí)期日本社會(huì)的具體情形和形勢(shì),以及二戰(zhàn)后普通人們的生活現(xiàn)狀。也正是由于以上所述的這些特征所表現(xiàn)出的人的心理矛盾和感情,他的社會(huì)派推理小說(shuō)才被人廣為推崇,甚至被稱為“日本國(guó)情教科書(shū)”而這些又在極大程度上影響了后來(lái)的推理小說(shuō)家的創(chuàng)作。甚至出現(xiàn)了所謂的“清張咒縛”一詞,清張的影響力之大可見(jiàn)一斑。 第五,論文最后,作為結(jié)論總結(jié)出清張小說(shuō)的主要特征,同時(shí)提出本論文的各種不足之處。松本清張為推理小說(shuō)加入了社會(huì)性、日常性,描寫了普通人的日常生活,他保持著這種風(fēng)格創(chuàng)作了各種各樣題材的優(yōu)秀作品,至今仍對(duì)中日推理文壇留有不容忽視的影響。
[Abstract]:Matsumoto Chiang-chang is the founder of the "Socialist Inference Novels" in the history of modern Japanese popular fiction. He is a very influential writer in the postwar Japanese literary world. He is not only famous in Japan, but also in the Chinese Japanese academic circles. The emergence of his Inference Novels injected fresh blood into Japanese Inference Novels. Qing Zhang, people will think of his reasoning novels with the style of attaching importance to criminal motives, which are most popular with readers and have the greatest influence. Some speculative analysis is carried out in the mystery novels.
In this paper, the author and the works of the parallel approach, combined with the background of the times, as well as the characterization of the characters in the representative works, characteristics, etc., the overall characteristics of Matsumoto's reasoning novels were investigated.
First, brief analysis and introduction of Matsumoto Kiyozhang's life and writing background.
The style and thought of any work is related to the author's own experience, and Qingzhang is no exception. Qingzhang's novels are famous for attaching importance to the motive of crime and describing the psychology of the characters. The characteristics of his works are also closely related to his personal experience. He was born in a poor family and engaged in a variety of jobs of various classes. Because of his rich social experience, Qingzhang wrote. In 1950, Matsumoto Chiang-chang ascended the Japanese literary arena with "Xixiang Banknote" and later won Akutagawa Akutagawa Prize for his pure literary work "A Diary Biography of a Small Cang", which paved the way for his later writing of reasoning novels. This also illustrates from the side that his reasoning novels are very strong. Literariness and readability. In 1958, Qingzhang published a novel of inference, Point and Line.
Secondly, it mainly analyzes the characteristics of Matsumoto's unrestrained reasoning novels. First, unlike previous detective novels, his reasoning novels attach importance to the description of motivation and add remarkable social characteristics to it. Secondly, he does not abandon the traditional reasoning techniques - as a social reasoning novelist, his unrestrained reasoning novels also attach importance to authenticity. At the same time, his reasoning novel is closely related to the personal life of ordinary people. Finally, it becomes a unique social reasoning novel represented by Matsumoto Chiang-zhang. A new creation template is provided.
Thirdly, through the analysis of typical characters and representative works, the main features of Matsumoto Chiang-zhang's reasoning novels are further clarified. In this order, three representative works of Zhaohe Qingzhang are selected, namely, Point and Line, Sand Tool and Zero Focus.
Fourthly, in the fifth part of the thesis, it is concluded that because of these creative features, Matsumoto's unrestrained reasoning novels faithfully reflect the specific situation and situation of Japanese society in the Showa period, and the living conditions of ordinary people after World War II. It is precisely because of the psychological contradictions and feelings of the above-mentioned people, his society. Novels of academic reasoning were widely praised, even called "textbooks of Japanese national conditions", which greatly influenced the later works of reasoning novelists. Even the so-called "Qingzhang Mantra" appeared, the influence of Qingzhang can be seen.
Fifthly, as a conclusion, the paper summarizes the main features of Qingzhang's novels and points out the various shortcomings of this paper. There is no neglecting influence.
【學(xué)位授予單位】：遼寧師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074

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