【摘要】：托妮·莫里森是1993年諾貝爾文學(xué)獎(jiǎng)獲得者，是第一位獲此獎(jiǎng)項(xiàng)的黑人女作家。關(guān)懷黑人歷史、命運(yùn)、精神生活，探求黑人身份和保持黑人文化傳統(tǒng)是莫里森小說(shuō)的重要主題�！端_門之歌》是莫里森的第三部小說(shuō)，小說(shuō)描寫(xiě)了主人公奶娃為逃離北方毫無(wú)意義的生活到美國(guó)南部尋寶，卻無(wú)意間追尋到家族的源頭和祖先真實(shí)姓名的冒險(xiǎn)歷程。尋金之旅變成了自發(fā)的尋根之旅。 該書(shū)自1977年出版以來(lái)受到了廣泛關(guān)注，中外學(xué)者已從女性主義，后殖民主義、敘事策略等多個(gè)角度對(duì)其進(jìn)行了探討。《所羅門之歌》的書(shū)名取自《舊約》中的雅歌，而且莫里森的多部作品均是富含神話原型的力作，因此，本文從原型批評(píng)角度出發(fā)，對(duì)這部小說(shuō)中所蘊(yùn)含的神話和圣經(jīng)原型從主題、人物和意象三個(gè)方面進(jìn)行全面的闡釋。 全文分為五個(gè)部分：第一章介紹了莫里森作品的寫(xiě)作主題和《所羅門之歌》的故事框架，回顧了《所羅門之歌》的中外研究現(xiàn)狀，并對(duì)本論文的理論基礎(chǔ)——原型批評(píng)做了相關(guān)鋪墊，簡(jiǎn)要介紹其代表人物、發(fā)展歷程和理論概念。第二章至第四章論文從主題、人物和意象三個(gè)方面對(duì)小說(shuō)展開(kāi)詳盡的分析。第二章闡述了貫穿全書(shū)的追尋、重生和飛翔主題。通過(guò)原型主題的討論，讀者感受到莫里森對(duì)黑人痛苦生活的關(guān)懷以及黑人保護(hù)民族文化傳統(tǒng)的迫切愿望。第三章對(duì)書(shū)中人物的神話原型進(jìn)行了討論，主人公奶娃是奧德修斯的置換，同樣都在追尋過(guò)去和家園；派拉特的形象體現(xiàn)了大母神的原型，她保護(hù)和引導(dǎo)奶娃的成長(zhǎng)，，使奶娃成為文化的繼承人；露絲和哈格爾在父權(quán)社會(huì)受盡壓迫，她們代表了替罪羊的原型。第四章探討了水意象和樹(shù)意象，這兩個(gè)意象與第二章談到的重生主題相呼應(yīng)，喻示著美國(guó)黑人渴望新的生活。最后是結(jié)論部分。對(duì)《所羅門之歌》的原型解讀不僅凸顯了作者的寫(xiě)作特色，更進(jìn)一步揭示了書(shū)中的所反映的深刻內(nèi)涵：美國(guó)黑人只有立足于本民族的文化傳統(tǒng),才能夠堅(jiān)守自己的民族身份，從而找到一條自由平等的出路。
[Abstract]:Toni Morrison was the winner of the 1993 Nobel Prize for Literature and the first black woman writer to win the award. Concern for black history, fate, spiritual life, search for black identity and the preservation of black cultural traditions are important themes in Morrison's novel, the Song of Solomon, which is Morrison's third novel. The novel depicts the adventure of Niwa, the protagonist, seeking treasure in the southern United States in order to escape from the meaningless life in the North, but inadvertently pursuing the origin of the family and the true name of her ancestors. The gold hunt became a spontaneous root-seeking journey. Since its publication in 1977, Chinese and foreign scholars have discussed the book from the perspectives of feminism, post-colonialism, narrative strategy, etc. The title of the Song of Solomon is taken from the Song of the Old Testament. Moreover, many of Morrison's works are rich in mythological archetypes. Therefore, from the perspective of archetypal criticism, this paper comprehensively explains the mythology and biblical archetypes contained in this novel from three aspects: theme, characters and images. The thesis is divided into five parts: the first chapter introduces the writing theme of Morrison's works and the story frame of Song of Solomon. And the theoretical basis of this paper-archetypal criticism, a brief introduction to its representative characters, development process and theoretical concepts. From chapter two to chapter four, the thesis makes a detailed analysis of the novel from three aspects: theme, character and image. The second chapter expounds the themes of searching, rebirth and flying throughout the book. Through the discussion of prototype theme, readers feel Morrison's concern for black people's painful life and their urgent desire to protect national cultural tradition. The third chapter discusses the mythological archetypes of the characters in the book. The protagonist Niwa is the replacement of Odysseus, who is also searching for the past and the homeland, and the image of Parat embodies the archetype of the Great Mother God, who protects and guides the growth of the baby. The baby became the heir to culture; Ruth and Hagel were oppressed in patriarchal society, representing the prototype of scapegoats. The fourth chapter discusses the image of water and the image of tree. These two images echo the theme of rebirth mentioned in the second chapter and show that black Americans are eager for a new life. The last part is the conclusion. The archetypal interpretation of Song of Solomon not only highlights the author's writing characteristics, but also reveals the profound connotation reflected in the book: black Americans can only stick to their national identity if they are based on their own cultural traditions. In order to find a free and equal way out.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I712.074

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