《所羅門之歌》的原型解讀
發(fā)布時間：2018-08-19 16:05
【摘要】：托妮·莫里森是1993年諾貝爾文學獎獲得者，是第一位獲此獎項的黑人女作家。關(guān)懷黑人歷史、命運、精神生活，探求黑人身份和保持黑人文化傳統(tǒng)是莫里森小說的重要主題�！端_門之歌》是莫里森的第三部小說，小說描寫了主人公奶娃為逃離北方毫無意義的生活到美國南部尋寶，卻無意間追尋到家族的源頭和祖先真實姓名的冒險歷程。尋金之旅變成了自發(fā)的尋根之旅。 該書自1977年出版以來受到了廣泛關(guān)注，中外學者已從女性主義，后殖民主義、敘事策略等多個角度對其進行了探討。《所羅門之歌》的書名取自《舊約》中的雅歌，而且莫里森的多部作品均是富含神話原型的力作，因此，本文從原型批評角度出發(fā)，對這部小說中所蘊含的神話和圣經(jīng)原型從主題、人物和意象三個方面進行全面的闡釋。 全文分為五個部分：第一章介紹了莫里森作品的寫作主題和《所羅門之歌》的故事框架，回顧了《所羅門之歌》的中外研究現(xiàn)狀，并對本論文的理論基礎——原型批評做了相關(guān)鋪墊，簡要介紹其代表人物、發(fā)展歷程和理論概念。第二章至第四章論文從主題、人物和意象三個方面對小說展開詳盡的分析。第二章闡述了貫穿全書的追尋、重生和飛翔主題。通過原型主題的討論，讀者感受到莫里森對黑人痛苦生活的關(guān)懷以及黑人保護民族文化傳統(tǒng)的迫切愿望。第三章對書中人物的神話原型進行了討論，主人公奶娃是奧德修斯的置換，同樣都在追尋過去和家園；派拉特的形象體現(xiàn)了大母神的原型，她保護和引導奶娃的成長，，使奶娃成為文化的繼承人；露絲和哈格爾在父權(quán)社會受盡壓迫，她們代表了替罪羊的原型。第四章探討了水意象和樹意象，這兩個意象與第二章談到的重生主題相呼應，喻示著美國黑人渴望新的生活。最后是結(jié)論部分。對《所羅門之歌》的原型解讀不僅凸顯了作者的寫作特色，更進一步揭示了書中的所反映的深刻內(nèi)涵：美國黑人只有立足于本民族的文化傳統(tǒng),才能夠堅守自己的民族身份，從而找到一條自由平等的出路。
[Abstract]:Toni Morrison was the winner of the 1993 Nobel Prize for Literature and the first black woman writer to win the award. Concern for black history, fate, spiritual life, search for black identity and the preservation of black cultural traditions are important themes in Morrison's novel, the Song of Solomon, which is Morrison's third novel. The novel depicts the adventure of Niwa, the protagonist, seeking treasure in the southern United States in order to escape from the meaningless life in the North, but inadvertently pursuing the origin of the family and the true name of her ancestors. The gold hunt became a spontaneous root-seeking journey. Since its publication in 1977, Chinese and foreign scholars have discussed the book from the perspectives of feminism, post-colonialism, narrative strategy, etc. The title of the Song of Solomon is taken from the Song of the Old Testament. Moreover, many of Morrison's works are rich in mythological archetypes. Therefore, from the perspective of archetypal criticism, this paper comprehensively explains the mythology and biblical archetypes contained in this novel from three aspects: theme, characters and images. The thesis is divided into five parts: the first chapter introduces the writing theme of Morrison's works and the story frame of Song of Solomon. And the theoretical basis of this paper-archetypal criticism, a brief introduction to its representative characters, development process and theoretical concepts. From chapter two to chapter four, the thesis makes a detailed analysis of the novel from three aspects: theme, character and image. The second chapter expounds the themes of searching, rebirth and flying throughout the book. Through the discussion of prototype theme, readers feel Morrison's concern for black people's painful life and their urgent desire to protect national cultural tradition. The third chapter discusses the mythological archetypes of the characters in the book. The protagonist Niwa is the replacement of Odysseus, who is also searching for the past and the homeland, and the image of Parat embodies the archetype of the Great Mother God, who protects and guides the growth of the baby. The baby became the heir to culture; Ruth and Hagel were oppressed in patriarchal society, representing the prototype of scapegoats. The fourth chapter discusses the image of water and the image of tree. These two images echo the theme of rebirth mentioned in the second chapter and show that black Americans are eager for a new life. The last part is the conclusion. The archetypal interpretation of Song of Solomon not only highlights the author's writing characteristics, but also reveals the profound connotation reflected in the book: black Americans can only stick to their national identity if they are based on their own cultural traditions. In order to find a free and equal way out.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I712.074
本文編號：2192151
[Abstract]:Toni Morrison was the winner of the 1993 Nobel Prize for Literature and the first black woman writer to win the award. Concern for black history, fate, spiritual life, search for black identity and the preservation of black cultural traditions are important themes in Morrison's novel, the Song of Solomon, which is Morrison's third novel. The novel depicts the adventure of Niwa, the protagonist, seeking treasure in the southern United States in order to escape from the meaningless life in the North, but inadvertently pursuing the origin of the family and the true name of her ancestors. The gold hunt became a spontaneous root-seeking journey. Since its publication in 1977, Chinese and foreign scholars have discussed the book from the perspectives of feminism, post-colonialism, narrative strategy, etc. The title of the Song of Solomon is taken from the Song of the Old Testament. Moreover, many of Morrison's works are rich in mythological archetypes. Therefore, from the perspective of archetypal criticism, this paper comprehensively explains the mythology and biblical archetypes contained in this novel from three aspects: theme, characters and images. The thesis is divided into five parts: the first chapter introduces the writing theme of Morrison's works and the story frame of Song of Solomon. And the theoretical basis of this paper-archetypal criticism, a brief introduction to its representative characters, development process and theoretical concepts. From chapter two to chapter four, the thesis makes a detailed analysis of the novel from three aspects: theme, character and image. The second chapter expounds the themes of searching, rebirth and flying throughout the book. Through the discussion of prototype theme, readers feel Morrison's concern for black people's painful life and their urgent desire to protect national cultural tradition. The third chapter discusses the mythological archetypes of the characters in the book. The protagonist Niwa is the replacement of Odysseus, who is also searching for the past and the homeland, and the image of Parat embodies the archetype of the Great Mother God, who protects and guides the growth of the baby. The baby became the heir to culture; Ruth and Hagel were oppressed in patriarchal society, representing the prototype of scapegoats. The fourth chapter discusses the image of water and the image of tree. These two images echo the theme of rebirth mentioned in the second chapter and show that black Americans are eager for a new life. The last part is the conclusion. The archetypal interpretation of Song of Solomon not only highlights the author's writing characteristics, but also reveals the profound connotation reflected in the book: black Americans can only stick to their national identity if they are based on their own cultural traditions. In order to find a free and equal way out.
【學位授予單位】：江西師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：I712.074
【參考文獻】
相關(guān)期刊論文 前9條
1 孫紅洪;論《所羅門之歌》中的神話原型與作用[J];國際關(guān)系學院學報;2002年03期
2 張中載;原型批評[J];外國文學;2003年01期
3 王麗蓉;胡妮;;論現(xiàn)代主義文學文本中的原型模式——以托妮·莫里森的《所羅門之歌》為例[J];江西社會科學;2010年02期
4 馮英;;托尼·莫里森小說中的原型觀探析[J];時代文學(上);2010年06期
5 徐穎;;托尼·莫里森作品中的“替罪羊”原型研究——譯論與實踐的關(guān)系簡論[J];天津外國語學院學報;2007年02期
6 李琴;;西方現(xiàn)代文化思潮與托妮·莫里森的小說創(chuàng)作[J];青海師專學報;2009年01期
7 張洪偉,蔡青;淺析《所羅門之歌》中的人名寓意[J];外語與外語教學;2004年04期
8 曾艷鈺;《所羅門之歌》中的現(xiàn)代主義神話傾向[J];廈門大學學報(哲學社會科學版);2000年01期
9 孫冬;英雄與英雄之旅──評托尼·莫里森的《所羅門之歌)的神話模式[J];學術(shù)交流;2001年03期
相關(guān)碩士學位論文 前5條
1 朱蕾;從女性神話原型批評視角解讀《秀拉》和《所羅門之歌》中的女性形象[D];遼寧師范大學;2010年
2 郭明輝;論托尼莫里森小說中的聲音與色彩[D];黑龍江大學;2005年
3 賀家樂;托妮·莫里森《秀拉》的原型闡釋[D];湖南師范大學;2006年
4 許涵;回歸非洲傳統(tǒng)[D];南京航空航天大學;2007年
5 姜博;論《所羅門之歌》中的喻指[D];廈門大學;2009年
本文編號：2192151
本文鏈接：http://sikaile.net/wenyilunwen/wxchuangz/2192151.html
