發(fā)布時間：2018-08-17 19:55

【摘要】："垮掉派"文學(xué)對20世紀(jì)后半葉的美國文化造成了深刻的影響。然而,"Beat"一詞的意義和中譯一直是學(xué)界的困惑。本文從文學(xué)經(jīng)典生成與傳播的角度,闡述把"Beat"譯為"垮掉"的合理性。"垮掉派"倡導(dǎo)的"自發(fā)式寫作"打破了文學(xué)與人生的界限;其公開朗誦的傳播方式打破了作者與讀者之間的界限;而"垮掉派"作家與媒體之間的頻繁互動突破了精英文化與通俗文化之間的界限,改變了作者角色和文本影響社會的方式。多重界限的"垮掉"是"垮掉派"對日漸專門化的文學(xué)進(jìn)行解放的嘗試,也體現(xiàn)了整個后現(xiàn)代文化的典型特征。
[Abstract]:The "Breakdown School" literature had a profound impact on American culture in the second half of the 20 ~ (th) century. However, the meaning and translation of the word "Beat" has always been a puzzle in academic circles. This paper expounds the rationality of translating "Beat" into "collapse" from the point of view of the generation and dissemination of literary classics. " The "spontaneous writing" advocated by the Breakdown School broke the boundary between literature and life, and its communication way of public recitation broke the boundary between the author and the reader. The frequent interaction between the writers and the media breaks through the boundary between elite culture and popular culture, and changes the role of the author and the way in which the text affects the society. The "collapse" with multiple boundaries is an attempt to liberate the increasingly specialized literature, and it also embodies the typical characteristics of the whole postmodern culture.
【作者單位】： 浙江傳媒學(xué)院文學(xué)院;
【分類號】：I712.06

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本文編號：2188728