【摘要】：本論文以小說《香水——一個(gè)謀殺犯的故事》的主人公的成長過程為主線,結(jié)合拉康的精神分析理論,按照小說主人公成長過程中的幾個(gè)主要階段和關(guān)鍵點(diǎn)布局全文。本文將小說主人公制造香水的過程與追求自我的過程等同起來,描繪小說主人公在追求自我的過程中如何確立自我、不斷否定自我、最終消解自我的悲劇性歷程。同時(shí)以小說主人公成長過程中隱含的各種矛盾性和不確定性為輔線,分析在小說表層的主人公成長故事背后隱含的諸多懷疑和質(zhì)詢,探尋人類理性走到一定階段之后的悖論式的悲劇命運(yùn)。同時(shí)嘗試發(fā)現(xiàn)并運(yùn)用拉康鏡像理論中的宗教意味,引入基督宗教有關(guān)死亡與生命的啟示性解讀,以期在悖論的困境中探求另外一種新的維度的可能性。小說《香水》是一個(gè)開放性的文本,闡釋的線索和路徑并非唯一的,本文旨在提供一種解讀的路徑,以期較為深入地解析小說,探尋小說的內(nèi)在深度。 本論文主要分為四章。第一章是緒論,主要敘述國內(nèi)外研究現(xiàn)狀,并簡要闡述本論文的理論、方法和結(jié)構(gòu)。 第二章從拉康的鏡像理論出發(fā),將小說中的氣味意象解讀為拉康鏡像理論中的鏡子,主人公的自我就建立在鏡子呈現(xiàn)的虛假鏡像之上。自我從一開始就帶有欺騙性。從自戀、欲望、人的僭越三個(gè)角度對主人公殺害少女這一行為進(jìn)行隱喻性解讀,揭示自我機(jī)制帶有深刻的復(fù)雜性和不穩(wěn)定性。梳理小說主人公一生中自我追求的過程,從不斷地自我確認(rèn)到自我否定再到最后的自我消解,證明人的自我是無法實(shí)現(xiàn)的。 第三章主要分析主人公缺少自己的氣味這一關(guān)鍵性預(yù)設(shè)。主要回答兩個(gè)問題,即主人公是如何發(fā)現(xiàn)自己缺失體味這一事實(shí)的?這種缺失意味著什么?運(yùn)用拉康關(guān)于對象小a的說法,說明人總是處于他人目光的注視中,處于斑點(diǎn)狀的對象小a的包圍下,它代表了一種根本性的缺乏,人類主體始終無法真正掌握,但是它又帶有強(qiáng)大的誘惑力和欺騙性,不斷喚起主體的欲望。同時(shí),運(yùn)用基督教關(guān)于人的有限性和原罪的說法,說明缺失既是人類的困境,同時(shí)又使自由成為可能。 第四章是對小說結(jié)尾的闡釋,運(yùn)用基督教關(guān)于獻(xiàn)祭儀式和基督之死的相關(guān)內(nèi)容解讀小說主人公的自盡。以期在死亡中發(fā)現(xiàn)生命。
[Abstract]:This thesis takes the main line of the protagonist in the novel Perfume-the Story of a murderer as the main line, and combines Lacan's psychoanalysis theory, according to the main stages and key points in the process of the protagonist's growth. This paper equates the process of making perfume with the process of pursuing self, and depicts the tragic course of how the protagonist establishes himself, constantly negates himself, and finally dissolves himself in the process of pursuing himself. At the same time, taking various contradictions and uncertainties implied in the process of the protagonist's growth as the auxiliary line, the author analyzes the many doubts and questions that are hidden behind the story of the protagonist's growth in the surface layer of the novel. To explore the paradoxical tragic fate of human rationality after a certain stage. At the same time, we try to find out and apply the religious meaning of Lacan mirror theory, and introduce the enlightening interpretation of death and life of Christian religion in order to explore the possibility of another new dimension in the dilemma of paradox. The novel Perfume is an open text, and the clue and path of interpretation is not the only one. The purpose of this paper is to provide a way to interpret the novel in order to analyze the novel in depth and to find out the inner depth of the novel. This paper is divided into four chapters. The first chapter is the introduction, mainly narrates the domestic and foreign research present situation, and briefly elaborated this thesis theory, the method and the structure. The second chapter starts from Lacan's mirror image theory, interprets the smell image in the novel as the mirror in Lacan's mirror theory, and the protagonist's ego is based on the false mirror image presented in the mirror. The ego was deceptive from the beginning. From the perspectives of narcissism, desire and human transgression, the author makes a metaphorical interpretation of the protagonist's killing of a young girl, and reveals the profound complexity and instability of the self-mechanism. Combing the process of self-pursuit in the protagonist's life, from constant self-confirmation to self-negation to final self-deconstruction, it is impossible to realize one's self. The third chapter mainly analyzes the key presupposition that the protagonist lacks his own scent. The main answer is to answer two questions: how did the protagonist discover the fact that he has no taste? What does this lack mean? By using Lacan's theory of object small a, it shows that people are always in the eye of others, surrounded by small a, a speckled object, which represents a fundamental lack that the human subject can never really grasp. But it also has strong temptation and deceptive, constantly arousing the desire of the subject. At the same time, using the Christian view of human limitation and original sin, the absence is not only the dilemma of human beings, but also the possibility of freedom. The fourth chapter explains the end of the novel and interprets the protagonist's suicide by using the relevant contents of Christian sacrifice ceremony and the death of Christ. To find life in death.
【學(xué)位授予單位】：海南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I565.074

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本文編號：2152993