《野草在歌唱》的生態(tài)女性主義主題解讀
發(fā)布時(shí)間：2018-07-17 03:22
【摘要】：2007年度諾貝爾文學(xué)獎(jiǎng)的獲得者——多麗絲·萊辛(DorisLessing,1919—)是英國(guó)當(dāng)代最有影響力的女作家之一。她的處女作《野草在歌唱》出版于1950年，背景設(shè)在20世紀(jì)40年代的南非。 該論文的主旨是解讀《野草在歌唱》中所蘊(yùn)含的生態(tài)女性主義思想。對(duì)于《野草在歌唱》，，大多數(shù)研究者都是從殖民主義或是女性主義的角度進(jìn)行探索，只有少部分研究者從生態(tài)女性主義角度來(lái)分析，同時(shí)，這些生態(tài)女性主義研究的文章中又對(duì)種族和階級(jí)的問(wèn)題鮮有涉及。對(duì)此，筆者認(rèn)為自然、女性、種族和階級(jí)所遭受的壓迫在生態(tài)女性主義的研究范疇內(nèi)是互相關(guān)聯(lián)的，都應(yīng)該被囊括在文章的分析之內(nèi)。 該篇論文總共由六章構(gòu)成。第一章介紹了有關(guān)作者和作品的背景知識(shí)；第二章回顧了文學(xué)批評(píng)界對(duì)作者及作品的相關(guān)評(píng)論；第三章則對(duì)生態(tài)女性主義思想理論作了系統(tǒng)介紹。論文的主體論證部分由第四章和第五章構(gòu)成，第四章分析了文本中自然、女人、黑人和窮人階層在父權(quán)制下所遭受的壓迫；第五章進(jìn)一步分析了自然、女人、黑人和窮人階級(jí)對(duì)父權(quán)制的挑戰(zhàn)和反抗。最后，論文結(jié)論部分指出，《野草在歌唱》這部作品中確實(shí)蘊(yùn)含著豐富的生態(tài)女性主義思想。 從生態(tài)女性主義的角度來(lái)解讀《野草在歌唱》的主題，不但拓寬了作品的研究視角，有助于對(duì)作品更加深刻的認(rèn)識(shí)，同時(shí)也將帶給我們更多關(guān)于如何建構(gòu)和諧人類(lèi)社會(huì)的反思和啟示。只有當(dāng)自然、女人、有色人種、窮人和其他邊緣群體不再被視為父權(quán)制下的“他者”，和諧社會(huì)的建立才為之可能。
[Abstract]:Doris Lessing, winner of the 2007 Nobel Prize for Literature, is one of the most influential women writers in contemporary Britain. Her debut, Wild Grass singing, was published in 1950 and set in South Africa in the 1940s. The main purpose of this paper is to interpret the ecological feminist thought contained in Wild Grass in singing. For Wild Grass singing, most researchers explore from the perspective of colonialism or feminism, only a small number of researchers from the perspective of ecological feminism to analyze, at the same time, These articles of ecological feminism rarely deal with the issue of race and class. The author thinks that the oppression of nature, women, race and class is interrelated in the study of ecological feminism, and should be included in the analysis of the article. The paper consists of six chapters. The first chapter introduces the background knowledge of the author and the works; the second chapter reviews the comments of the literary critics on the author and his works; the third chapter systematically introduces the ecological feminist thought theory. The main argumentation of the thesis consists of chapters four and five. Chapter four analyzes the oppression of nature, women, black and poor class under patriarchy in the text, the fifth chapter further analyzes the nature, women, women. The challenge and resistance of black and poor classes to patriarchy. Finally, the conclusion of the paper points out that the work of Wild Grass in singing really contains rich ecological feminism. The interpretation of the theme of Wild Grass singing from the perspective of eco-feminism not only broadens the research perspective of the works, but also contributes to a deeper understanding of the works. At the same time, it will also bring us more reflection and enlightenment on how to construct a harmonious human society. Only when nature, women, people of color, the poor and other marginalized groups are no longer regarded as the "other" under patriarchy can the establishment of a harmonious society be possible.
【學(xué)位授予單位】：西安外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I561.074
本文編號(hào)：2128786
[Abstract]:Doris Lessing, winner of the 2007 Nobel Prize for Literature, is one of the most influential women writers in contemporary Britain. Her debut, Wild Grass singing, was published in 1950 and set in South Africa in the 1940s. The main purpose of this paper is to interpret the ecological feminist thought contained in Wild Grass in singing. For Wild Grass singing, most researchers explore from the perspective of colonialism or feminism, only a small number of researchers from the perspective of ecological feminism to analyze, at the same time, These articles of ecological feminism rarely deal with the issue of race and class. The author thinks that the oppression of nature, women, race and class is interrelated in the study of ecological feminism, and should be included in the analysis of the article. The paper consists of six chapters. The first chapter introduces the background knowledge of the author and the works; the second chapter reviews the comments of the literary critics on the author and his works; the third chapter systematically introduces the ecological feminist thought theory. The main argumentation of the thesis consists of chapters four and five. Chapter four analyzes the oppression of nature, women, black and poor class under patriarchy in the text, the fifth chapter further analyzes the nature, women, women. The challenge and resistance of black and poor classes to patriarchy. Finally, the conclusion of the paper points out that the work of Wild Grass in singing really contains rich ecological feminism. The interpretation of the theme of Wild Grass singing from the perspective of eco-feminism not only broadens the research perspective of the works, but also contributes to a deeper understanding of the works. At the same time, it will also bring us more reflection and enlightenment on how to construct a harmonious human society. Only when nature, women, people of color, the poor and other marginalized groups are no longer regarded as the "other" under patriarchy can the establishment of a harmonious society be possible.
【學(xué)位授予單位】：西安外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I561.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 孫宗白;真誠(chéng)的女作家——多麗絲·萊辛[J];外國(guó)文學(xué)研究;1981年03期
本文編號(hào)：2128786
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