發(fā)布時(shí)間：2018-07-16 08:19

【摘要】：譚恩美可謂是美國(guó)華裔文學(xué)中的杰出作家,她的眾多作品以豐富的華裔女性故事描繪出了整個(gè)華裔女性的移民史和成長(zhǎng)史,如《喜福會(huì)》。這部作品中的女性形象大致可以分為三類(lèi),即“本土女性形象”、“移民女性形象”和“ABC女性形象”。 “本土女性形象”指的是那些生活在舊中國(guó),且從未離開(kāi)過(guò)舊中國(guó)本土的女性。如《喜福會(huì)》中安梅的母親。這些女性在父權(quán)制文化的打壓下,喪失了自我,過(guò)著毫無(wú)尊嚴(yán)、逆來(lái)順受的生活�！耙泼衽孕蜗蟆敝傅氖请m然出生在中國(guó),但是后來(lái)因?yàn)槟承┰蛞泼竦矫绹?guó)的女性。如《喜福會(huì)》中的四位母親。她們受新文化運(yùn)動(dòng)的影響,主體意識(shí)逐漸覺(jué)醒。這些女性既具有中國(guó)傳統(tǒng)女性的隱忍、賢惠、堅(jiān)強(qiáng),又具有一定程度的自信、勇敢和知性�！癆BC女性形象”是指那些出生在美國(guó),長(zhǎng)在美國(guó)的中國(guó)移民的后代。如《喜福會(huì)》中的女兒們。這些女性從小接受美國(guó)文化的教育,中西方文化的沖突在她們身上體現(xiàn)得也更明顯。在這種特殊的環(huán)境下,她們不斷地尋找自我、塑造自我,最終成了命運(yùn)的主宰者。 從沉默到覺(jué)醒再到自強(qiáng)自為,女性的主體意識(shí)緩慢地向前發(fā)展著。隨著主體意識(shí)的覺(jué)醒,女性們逐漸意識(shí)到自己不必再受命運(yùn)的擺布,可以自由選擇,主動(dòng)地進(jìn)行自我完善。此后,她們主動(dòng)去爭(zhēng)取改變被邊緣化的狀況,勇敢地發(fā)出自己的聲音,并勇于同不公和歧視做斗爭(zhēng),自強(qiáng)自立。身為美籍華裔女性的她們不斷找尋自己的文化身份,最終她們意識(shí)到應(yīng)結(jié)合兩種文化,既繼承中國(guó)文化的優(yōu)秀傳統(tǒng),同時(shí)又吸收美國(guó)文化的精髓,從而構(gòu)建她們獨(dú)特的文化身份。 此外,譚恩美還嫻熟地運(yùn)用各種敘述策略來(lái)探尋華裔女性主體意識(shí)的發(fā)展,探尋她們的心路歷程。如利用“講故事”來(lái)打破沉默,是女性能夠發(fā)出聲音,獲得話語(yǔ)權(quán)；又如利用不同的敘述者來(lái)構(gòu)建人物身份等。這些則體現(xiàn)了《喜福會(huì)》的文本結(jié)構(gòu)與女性主體意識(shí)發(fā)展的聯(lián)系。 通過(guò)這部作品,譚恩美構(gòu)建了華裔女性的新形象。這些女性接受中西方兩種文化,不排斥任何一方,并且汲取二者的精華,促進(jìn)二者的融合。她們既展現(xiàn)了自身的中國(guó)文化的風(fēng)采,同時(shí)又獨(dú)立意識(shí)、競(jìng)爭(zhēng)意識(shí)和自主意識(shí)。只有這樣,華裔女性才能順利地融入美國(guó)主流社會(huì),成為生活中的強(qiáng)者。
[Abstract]:Amy Tan is an outstanding writer in Chinese American literature. Her numerous works depict the immigrant history and the growing history of Chinese American women with rich stories of Chinese women, such as the Joy Luck Club. The female images in this work can be divided into three categories: native female image, immigrant female image and ABC female image. "Native female image" refers to women who lived in old China and never left it. Such as the "Joy Luck Club" in Anmei's mother. Under the influence of patriarchal culture, these women lost themselves and led a life without dignity. The term "immigrant female image" refers to a woman who, although born in China, later emigrated to the United States for some reason. Like the four mothers in the Joy Luck Club. Influenced by the new cultural movement, they gradually awoke to their subjective consciousness. These women are not only tolerant, virtuous and strong, but also have a certain degree of self-confidence, courage and understanding. "ABC female image" refers to the descendants of Chinese immigrants born in the United States and brought up in the United States. Like the daughters of the Joy Luck. These women were educated in American culture from an early age, and the conflict between Chinese and Western cultures was more evident in them. In this special environment, they constantly look for themselves, shape themselves, and finally become the master of destiny. From silence to awakening to self-improvement, women's subjective consciousness develops slowly. With the awakening of subject consciousness, women gradually realize that they do not have to be at the mercy of fate and can freely choose to improve themselves. Since then, they have taken the initiative to change the situation of marginalization, bravely voice their own voice, and the courage to fight against injustice and discrimination, self-reliance. As Chinese-American women, they constantly seek their own cultural identity, and finally realize that they should combine the two cultures, both to inherit the fine traditions of Chinese culture and to absorb the essence of American culture at the same time. So as to construct their unique cultural identity. In addition, Amy Tan also skillfully uses various narrative strategies to explore the development of Chinese women's subjective consciousness and their mental process. For example, the use of storytelling to break the silence is that women can make a voice and gain the right to speak, and use different narrators to construct the identity of characters and so on. These reflect the relationship between the text structure of Joy Luck Club and the development of female subject consciousness. Through this work, Amy Tan constructed a new image of Chinese women. These women accept both Chinese and Western cultures, do not exclude either side, and absorb the essence of the two to promote the integration of the two. They not only show their own style of Chinese culture, but also independent, competitive and independent consciousness. Only in this way can Chinese-American women integrate into the mainstream American society and become strong in life.
【學(xué)位授予單位】：信陽(yáng)師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：I712.074

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