論紀(jì)德的存在主義文藝觀及其創(chuàng)作實(shí)踐
發(fā)布時(shí)間:2018-07-14 17:35
【摘要】:對(duì)人生存處境的關(guān)注是法國(guó)作家安德烈·紀(jì)德思想和創(chuàng)作的中心。本文以紀(jì)德文藝觀與創(chuàng)作實(shí)踐間的密切關(guān)系為立足點(diǎn),從文藝的本質(zhì)、構(gòu)成與作用三方面探入,結(jié)合創(chuàng)作實(shí)踐進(jìn)行分析。 第一章概述紀(jì)德作品的國(guó)內(nèi)外研究情況,指出本文從存在主義入手探討紀(jì)德文藝觀和創(chuàng)作實(shí)踐獨(dú)特性根源所在的研究意義。 第二章選取《圣經(jīng)》、叔本華和陀思妥耶夫斯基進(jìn)行分析,,尋找紀(jì)德文藝觀和創(chuàng)作思想中存在主義的最初生發(fā); 第三章從文藝本質(zhì)出發(fā),闡明紀(jì)德對(duì)作為人意志和理性產(chǎn)物的藝術(shù)超越性的本質(zhì)界定;并分析超越理念在小說(shuō)創(chuàng)作中表現(xiàn)為人的自我追尋和形式的不斷創(chuàng)新; 第四章從文藝構(gòu)成層面探入,闡明紀(jì)德對(duì)藝術(shù)作品由美與真構(gòu)成統(tǒng)一體的文藝觀點(diǎn);并分析在這觀點(diǎn)指引下,紀(jì)德對(duì)世界當(dāng)下性和人復(fù)雜性的獨(dú)特認(rèn)知,在作品中呈現(xiàn)出的心象特質(zhì)及其未完成性。 第五章從文藝作用角度展開(kāi),確立紀(jì)德以創(chuàng)作介入生活與時(shí)代的核心態(tài)度;并分析紀(jì)德利用不同文體特質(zhì),發(fā)揮文學(xué)喚醒人創(chuàng)造潛能的介入作用及其產(chǎn)生的影響。 最終確立紀(jì)德的存在主義文藝觀及其創(chuàng)作與人生追求的朝向,即:回歸生活,回歸自身,盡可能地?fù)?dān)當(dāng)人性,在有限的生存境遇下,利用人選擇的自由,在自主抉擇的不斷超越中,追尋人更高的存在。
[Abstract]:Attention to the living situation of man is the center of the thought and creation of the French writer Andre Gide. Based on the close relationship between Gide's view of literature and art and creative practice, this paper probes into the essence, constitution and function of literature and art, and analyzes it in combination with creative practice. The first chapter summarizes the domestic and international research situation of Gide's works, and points out the significance of the research on the origin of the unique literary and artistic view and creative practice of Gide from the perspective of existentialism. The second chapter selects the Bible, Schopenhauer and Dostoevsky to analyze and find out the origin of Existentialism in the literary and artistic view of Gide and his creative thoughts. Chapter three starts from the essence of literature and art. It clarifies the essence of the transcendence of art, which is the product of human will and reason, and analyzes that the transcendental idea is reflected in the self-pursuit and the continuous innovation of form in the novel creation. The fourth chapter explores from the aspect of literary and artistic composition. This paper expounds Gide's literary and artistic views on the unity of beauty and truth in art works, and analyses the unique cognition of the present world and the complexity of human beings under the guidance of this viewpoint, and the psychological characteristics and unfinished nature of his works. The fifth chapter starts from the angle of literature and art, establishes the core attitude of Gide's involvement in life and times by creation, and analyzes the influence of Gidley's intervention in arousing the creative potential of literature with different stylistic characteristics. Finally, it establishes Gide's existentialism literature and art view and the direction of creation and life pursuit, that is, to return to life, to return to oneself, to bear human nature as far as possible, and to make use of the freedom of human choice under the condition of limited existence. In the continuous transcendence of independent choice, the pursuit of higher human existence.
【學(xué)位授予單位】:暨南大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:I565.06
本文編號(hào):2122416
[Abstract]:Attention to the living situation of man is the center of the thought and creation of the French writer Andre Gide. Based on the close relationship between Gide's view of literature and art and creative practice, this paper probes into the essence, constitution and function of literature and art, and analyzes it in combination with creative practice. The first chapter summarizes the domestic and international research situation of Gide's works, and points out the significance of the research on the origin of the unique literary and artistic view and creative practice of Gide from the perspective of existentialism. The second chapter selects the Bible, Schopenhauer and Dostoevsky to analyze and find out the origin of Existentialism in the literary and artistic view of Gide and his creative thoughts. Chapter three starts from the essence of literature and art. It clarifies the essence of the transcendence of art, which is the product of human will and reason, and analyzes that the transcendental idea is reflected in the self-pursuit and the continuous innovation of form in the novel creation. The fourth chapter explores from the aspect of literary and artistic composition. This paper expounds Gide's literary and artistic views on the unity of beauty and truth in art works, and analyses the unique cognition of the present world and the complexity of human beings under the guidance of this viewpoint, and the psychological characteristics and unfinished nature of his works. The fifth chapter starts from the angle of literature and art, establishes the core attitude of Gide's involvement in life and times by creation, and analyzes the influence of Gidley's intervention in arousing the creative potential of literature with different stylistic characteristics. Finally, it establishes Gide's existentialism literature and art view and the direction of creation and life pursuit, that is, to return to life, to return to oneself, to bear human nature as far as possible, and to make use of the freedom of human choice under the condition of limited existence. In the continuous transcendence of independent choice, the pursuit of higher human existence.
【學(xué)位授予單位】:暨南大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:I565.06
【參考文獻(xiàn)】
相關(guān)期刊論文 前8條
1 岳介先;;尼采的權(quán)力意志論美學(xué)[J];安徽大學(xué)學(xué)報(bào);1991年04期
2 王兵兵;論海德格爾的“真”與“美”[J];當(dāng)代外國(guó)文學(xué);1994年03期
3 胡自信;海德格爾論真與美[J];山東師大學(xué)報(bào)(社會(huì)科學(xué)版);1998年02期
4 張閎;;文學(xué)的力量與“介入性”[J];上海文學(xué);2001年04期
5 葛紅兵;;介入:作為一種純粹的文學(xué)信念[J];上海文學(xué);2001年04期
6 王光東;;文學(xué)意義的當(dāng)下思索——關(guān)于文學(xué)與現(xiàn)實(shí)關(guān)系的一種理解[J];上海文學(xué);2001年05期
7 由權(quán);陀斯妥耶夫斯基對(duì)紀(jì)德的影響[J];國(guó)外文學(xué);2004年04期
8 羅顯克;美學(xué):面對(duì)世界與人生——叔本華與尼采美學(xué)思想淺探[J];外國(guó)文學(xué)研究;1998年03期
本文編號(hào):2122416
本文鏈接:http://sikaile.net/wenyilunwen/wxchuangz/2122416.html
最近更新
教材專著