【摘要】：作為戰(zhàn)后第一位獲得芥川獎(jiǎng)的作家,中上健次在日本文壇中占據(jù)著舉足輕重的地位。隨著機(jī)械文明的發(fā)展自然不斷遭受破壞,面對(duì)自身創(chuàng)作源泉的“路地”難以逃脫從這個(gè)世界消失的命運(yùn),中上迅速將批判的矛頭指向了機(jī)械文明,通過自己的創(chuàng)作喚醒自然之于人類的重要意義。然而在國內(nèi)卻很少看到關(guān)于這位作家的研究。 中上健次從獲獎(jiǎng)作品《岬》開始,之后又連續(xù)創(chuàng)作了以秋幸為主人公的系列作品《枯木灘》、《天涯海角至上之時(shí)》。這三部作品被稱之為紀(jì)州三部曲,是中上健次的代表作。 以作家的故鄉(xiāng)紀(jì)州為舞臺(tái)的紀(jì)州三部曲里出現(xiàn)了大量的自然描寫。其實(shí),不僅僅是中上健次本人,甚至是他作品下的主人公都對(duì)自然抱有強(qiáng)烈的親近感和認(rèn)同感。中上健次傾向于在作品中插入自然描寫,并以作品中的人物意識(shí)描寫為媒介,將自己的化身秋幸時(shí)時(shí)置于大自然中。所以,中上作品中的自然描寫通常是通過人與自然的關(guān)系來表現(xiàn)的。 本論文圍繞中上健次提倡的“真正的人類主義”的觀點(diǎn),通過分析紀(jì)州三部曲中主人公秋幸與自然描寫的關(guān)系,用生態(tài)批評(píng)理論的角度來探討作家內(nèi)心深處的勞動(dòng)生態(tài)觀、自然生態(tài)觀等,并分析該生態(tài)觀形成的原因。最后,深入考察中上健次的生態(tài)觀形成的動(dòng)因,發(fā)現(xiàn)了故鄉(xiāng)紀(jì)州熊野對(duì)作家的深刻影響。這種影響不僅源于作家童年時(shí)期開始對(duì)自然山川的喜愛和向往,更離不開紀(jì)州熊野深厚的文化熏陶和自然信仰。
[Abstract]:As the first writer to win the Kuagawa Prize after the war, Kenji Zhong occupies a pivotal position in the Japanese literary world. With the development of mechanical civilization, the development of mechanical civilization is constantly destroyed. In the face of the "road land" which is the source of its own creation, it is difficult to escape the fate of disappearing from this world. To awaken the importance of nature to mankind through his own creation. However, there is little research on this writer in China. Zhongshangjian began with the award-winning works "headland", and then created a series of works with Qiuxue as the protagonist, "the low Wood Beach", "when the ends of the Earth is the highest place". These three works, known as the Ji Zhou trilogy, are the representative works of Zhong Shangji. There is a lot of natural description in the Jizhou trilogy, which takes the writer's hometown of Jizhou as the stage. In fact, not only himself, but also the protagonist in his works have a strong sense of affinity and identity with nature. Zhongshangjian tends to insert natural description in his works and use the character consciousness in his works as a medium to put her incarnation Qiuxue in nature all the time. Therefore, the description of nature in the works is usually expressed by the relationship between man and nature. This paper focuses on the viewpoint of "real humanism" advocated by Zhongshangjianzi, through the analysis of the relationship between Qiu Xing, the protagonist and the description of nature in Jizhou trilogy, and probes into the author's deep view of labor ecology from the angle of ecological criticism theory. Natural ecological view, and analyze the reasons for the formation of the ecological view. In the end, the author investigates the causes of the formation of the ecological view, and finds out the profound influence of the hometown of Jizhou Xiongye on the writer. This kind of influence not only stems from the writer's love and yearning for the natural mountains and rivers in childhood, but also from the deep cultural edification and natural belief of Jizhou Xiongye.
【學(xué)位授予單位】：湖南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：I313.074

【共引文獻(xiàn)】

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