本文選題：嚴(yán)歌苓小說 + 人性主題�。� 參考：《遼寧大學(xué)》2014年碩士論文

【摘要】：嚴(yán)歌苓是活躍在當(dāng)今文壇的著名女作家，她總是能夠以獨(dú)到的眼光和敏銳的洞察力展現(xiàn)給我們一個(gè)又一個(gè)令人難以忘懷的人物形象。她筆下每一個(gè)人物形象都是靈動(dòng)而鮮活、充滿執(zhí)念。他們是活在嚴(yán)歌苓面前的主角，同時(shí)他們也是活在讀者心中的主角。然而，我們不難看到，在這些形形色色的人物形象背后，暗藏的是嚴(yán)歌苓對(duì)人性的清醒認(rèn)識(shí)，，同時(shí)也有對(duì)歷史現(xiàn)實(shí)的敏感體察。本論文以“嚴(yán)歌苓小說人性主題”為重心，分別從人性化主題蘊(yùn)含、女性形象塑造、男性形象塑造、意象的營(yíng)造等層次展開論述，努力系統(tǒng)、全面地研究嚴(yán)歌苓小說的深刻主題和藝術(shù)特色。 論文共分五個(gè)部分。第一部分綜述嚴(yán)歌苓小說的成就及特點(diǎn)，以及嚴(yán)歌苓小說的跨文體傳播、跨文化影響，縱觀當(dāng)下研究嚴(yán)歌苓的總體情況，梳理當(dāng)下研究現(xiàn)狀。第二部分揭示嚴(yán)歌苓小說人性主題的多重蘊(yùn)含。嚴(yán)歌苓自覺、不自覺地書寫著她所熟悉的年代，從歷史記憶中鉤沉她刻骨銘心的故事�！蛾懛秆勺R(shí)》正是一部這樣的作品。陸焉識(shí)的身上承載著作者對(duì)祖父的碎片記憶和豐富的想象，也濃縮了當(dāng)時(shí)那代知識(shí)分子的普遍遭遇和命運(yùn)。他的精神追求、心理底線等等都在殘酷的政治斗爭(zhēng)和惡劣的生存環(huán)境中被大肆擠壓和拉扯，20年的牢獄生活，讓我們看到人性的變異，看到人性在種種殘酷面前所呈現(xiàn)出來的巨大張力。嚴(yán)歌苓以獨(dú)特的女性視角，還創(chuàng)作了一系列光彩照人的女性形象，努力從女性形象身上開掘出人性的魅力，尤其是母性的光輝，“扶�！焙汀巴跗咸选闭浅錆M母性光輝的人物代表。欲望和情感的糾結(jié)是很容易演繹好故事的，嚴(yán)歌苓是位擅長(zhǎng)講故事的作家。一個(gè)男人，兩個(gè)女人，三個(gè)孩子。這個(gè)畸形的家庭中注定要充滿感情跟欲望的糾葛�！缎∫潭帔Q》通過抗日戰(zhàn)爭(zhēng)時(shí)期日本女性與中國家庭之間的情感糾葛，從歷史的縫隙中探究人性、探究人與人之間、人與社會(huì)之間和人與政治之間的關(guān)系的主題。第三部分從女性視角切入，更具體的女性人物形象分析，揭示嚴(yán)歌苓筆下獨(dú)特的女性形象所生動(dòng)演繹出的豐富的人性。第四部分著重探尋嚴(yán)歌苓筆下是怎樣以符號(hào)化的男性形象，即他們多面相的嘴臉，凸顯人性的復(fù)雜性，從而見出作家關(guān)于人性主題的探索深度。第五部分著眼于嚴(yán)歌苓小說繽紛意象的營(yíng)造，分析嚴(yán)歌苓小說對(duì)于人性主題的審美書寫。意象的運(yùn)用是嚴(yán)歌苓擅長(zhǎng)的藝術(shù)手段，在她巧思構(gòu)筑的虛實(shí)相生的意象世界里，我們領(lǐng)略到她揮灑著具象描述和哲理升華的才情。這些繽紛的意象蘊(yùn)含了生動(dòng)而深刻的意義，給讀者的心理帶來意想不到的沖擊，以及幻化多變的藝術(shù)魅惑。這些意象在作品所營(yíng)造的藝術(shù)世界里往往給讀者傳遞著下意識(shí)、無意識(shí)的暗示。意象在人性化主題的開掘上起到了重要的隱喻作用，增強(qiáng)了文學(xué)的審美力。 結(jié)語部分總結(jié)了嚴(yán)歌苓對(duì)于人性主題不斷挖掘的動(dòng)力。對(duì)于敏感細(xì)膩的嚴(yán)歌苓來講，歷史記憶、敏感的體悟、在東西方文化的夾縫中的掙扎都裂變成她豐富的創(chuàng)作資源。他們蘊(yùn)含著生生不息的生命力量。無論是書寫歷史記憶還是描述現(xiàn)實(shí)困境，嚴(yán)歌苓的小說都帶有濃厚的思考，是對(duì)民族的、對(duì)文化的、對(duì)人性的深刻反省，這就延展了她作品的廣度與深度，在海外華人的創(chuàng)作中具有不可替代的作用。我們能看到她一直努力的身影，也能看到她在異國文化中徘徊的身影，也能看到她堅(jiān)持創(chuàng)作夢(mèng)想的堅(jiān)韌。希望她能帶給我們更多的驚喜。
[Abstract]:Yan Geling is a famous woman writer active in the present literary world. She is always able to show us an unforgettable figure with unique insight and keen insight. Every figure in her character is vivid and vivid and full of obsession. They are the protagonists who live in front of Yan Geling, and they are also alive. However, it is not difficult to see that behind these shapes and colors, it is hidden in the sober understanding of the human nature and the sensitivity to the reality of history. This thesis focuses on the theme of human nature in Yan Geling's novels, from the humanistic theme, the portrayal of women and the male image. This paper discusses the creation of images and the creation of images, and tries to systematically and comprehensively study the profound themes and artistic features of Yan Geling's novels.
The thesis is divided into five parts. The first part is a summary of the achievements and characteristics of Yan Geling's novels, as well as the cross cultural transmission and cross cultural influence of Yan Geling's novels, the present study of Yan Geling's overall situation and the present situation of the study. The second part reveals the multiple implication of the theme of the human nature of Yan Geling's novels. She was familiar with the story of her memory in historical memory. Lu Yan was a piece of such a work. Lu Yan's knowledge was carrying the author's memory of his grandfather's fragments and his rich imagination. It also concentrated on the general encounter and fate of the intellectuals at that time. His spiritual pursuit, the bottom line of the mind, and so on were all cruel. The political struggle and the harsh living environment were squeezed and pulled. The prison life of 20 years made us see the variation of human nature and see the great tension of human nature in the face of all kinds of cruelty. The charm of human nature, especially the brilliance of motherhood, "Fu sang" and "Wang grape" are the representatives full of maternal brilliance. The entanglement of desire and emotion is easy to deduce good stories. Yan Geling is a storytore writer. A man, two women, three children. This deformed family is doomed to full of feelings and desires. Through the emotional entanglement between Japanese women and Chinese families during the war of resistance against Japanese War, the third parts of the "little Crane" from the Japanese women and the Chinese family, explore the human nature from the gap of history, explore the relationship between man and man, between man and society, and between man and politics. In the fourth part, the fourth part focuses on how Yan Geling is a symbol of male image, that is, the face of their multi face and the complexity of human nature, so as to see the depth of the author's exploration of the theme of human nature. The fifth part focuses on the colorful images of Yan Geling's novels. To create, analyze the aesthetic writing of Yan Geling's novel on the theme of human nature. The use of image is the artistic means of Yan Geling. In the imagism world of the imagism and reality which she thought of building, we appreciate her talent with representational description and philosophical sublimation. These colorful images contain vivid and profound meaning to the reader's heart. In the artistic world created by the works, these images often convey the readers' subconscious and unconscious hints. The imagery plays an important metaphorical role in the excavation of the theme of human nature and strengthens the aesthetic power of literature.
The concluding part summarizes the motive force of Yan Geling's continuous excavation of the theme of human nature. For the sensitive and delicate Yan Geling, the historical memory, the sensitive understanding, the struggle in the gap between the eastern and Western cultures become her rich creative resources. In real predicament, Yan Geling's novels are all with deep thinking. It is a profound reflection on national, cultural and human nature, which extends the breadth and depth of her works, and has an irreplaceable role in the creation of overseas Chinese. We can see the shadow she has been working hard to see, and also see the figure of her wandering in the foreign culture, I can see her perseverance in creating her dream. I hope she can bring us more surprises.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I712.074

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